Louise de la Valliere by Alexandre Dumas (best sales books of all time TXT) 📗

her eyes like a discreet woman, and pretending to be observant of nothing that was passing, listened with the utmost attention to every word. She heard nothing, however, but a very insignificant “hum” on the part of the Spanish duenna, who was the incarnation of caution—and a profound sigh on that of the queen. She looked up immediately.

“You are suffering?” she said.

“No, Motteville, no; why do you say that?”

“Your majesty almost groaned just now.”

“You are right; I did sigh, in truth.”

“Monsieur Valot is not far off; I believe he is in Madame’s apartment.”

“Why is he with Madame?”

“Madame is troubled with nervous attacks.”

“A very fine disorder, indeed! There is little good in M. Valot being there, when a very different physician would quickly cure Madame.”

Madame de Motteville looked up with an air of great surprise, as she replied, “Another doctor instead of M. Valot?—whom do you mean?”

“Occupation, Motteville, occupation. If any one is really ill, it is my poor daughter.”

“And your majesty, too.”

“Less so this evening, though.”

“Do not believe that too confidently, madame,” said De Motteville. And, as if to justify her caution, a sharp, acute pain seized the queen, who turned deadly pale, and threw herself back in the chair, with every symptom of a sudden fainting fit. Molina ran to a richly gilded tortoise-shell cabinet, from which she took a large rock-crystal bottle of scented salts, and held it to the queen’s nostrils, who inhaled it wildly for a few minutes, and murmured:

“It is hastening my death—but Heaven’s will be done!”

“Your majesty’s death is not so near at hand,” added Molina, replacing the smelling-bottle in the cabinet.

“Does your majesty feel better now?” inquired Madame de Motteville.

“Much better,” returned the queen, placing her finger on her lips, to impose silence on her favorite.

“It is very strange,” remarked Madame de Motteville, after a pause.

“What is strange?” said the queen.

“Does your majesty remember the day when this pain attacked you for the first time?”

“I remember only that it was a grievously sad day for me, Motteville.”

“But your majesty did not always regard that day as a sad one.”

“Why?”

“Because three and twenty years ago, on that very day, his present majesty, your own glorious son, was born at the very same hour.”

The queen uttered a loud cry, buried her face in her hands, and seemed utterly prostrated for some minutes; but whether from recollections which arose in her mind, or from reflection, or even with sheer pain, was doubtful. La Molina darted a look at Madame de Motteville, so full of bitter reproach, that the poor woman, perfectly ignorant of its meaning, was in her own exculpation on the point of asking an explanation, when, suddenly, Anne of Austria arose and said, “Yes, the 5th of September; my sorrow began on the 5th of September. The greatest joy, one day; the deepest sorrow the next;—the sorrow,” she added, “the bitter expiation of a too excessive joy.”

And, from that moment, Anne of Austria, whose memory and reason seemed to be suspended for the time, remained impenetrable, with vacant look, mind almost wandering, and hands hanging heavily down, as if life had almost departed.

“We must put her to bed,” said La Molina.

“Presently, Molina.”

“Let us leave the queen alone,” added the Spanish attendant.

Madame de Motteville rose; large tears were rolling down the queen’s pallid face; and Molina, having observed this sign of weakness, fixed her black vigilant eyes upon her.

“Yes, yes,” replied the queen. “Leave us, Motteville; go.”

The word “us” produced a disagreeable effect upon the ears of the French favorite; for it signified that an interchange of secrets, or of revelations of the past, was about to be made, and that one person was de trop in the conversation which seemed likely to take place.

“Will Molina, alone, be sufficient for your majesty to-night?” inquired the French woman.

“Yes,” replied the queen. Madame de Motteville bowed in submission, and was about to withdraw, when suddenly an old female attendant, dressed as if she had belonged to the Spanish court of the year 1620, opened the door, and surprised the queen in her tears. “The remedy!” she cried, delightedly, to the queen, as she unceremoniously approached the group.

“What remedy?” said Anne of Austria.

“For your majesty’s sufferings,” the former replied.

“Who brings it?” asked Madame de Motteville, eagerly; “Monsieur Valot?”

“No; a lady from Flanders.”

“From Flanders? Is she Spanish?” inquired the queen.

“I don’t know.”

“Who sent her?”

“M. Colbert.”

“Her name?”

“She did not mention it.”

“Her position in life?”

“She will answer that herself.”

“Who is she?”

“She is masked.”

“Go, Molina; go and see!” cried the queen.

“It is needless,” suddenly replied a voice, at once firm and gentle in its tone, which proceeded from the other side of the tapestry hangings; a voice which made the attendants start, and the queen tremble excessively. At the same moment, a masked female appeared through the hangings, and, before the queen could speak a syllable she added, “I am connected with the order of the Beguines of Bruges, and do, indeed, bring with me the remedy which is certain to effect a cure of your majesty’s complaint.” No one uttered a sound, and the Beguine did not move a step.

“Speak,” said the queen.

“I will, when we are alone,” was the answer.

Anne of Austria looked at her attendants, who immediately withdrew. The Beguine, thereupon, advanced a few steps towards the queen, and bowed reverently before her. The queen gazed with increasing mistrust at this woman, who, in her turn, fixed a pair of brilliant eyes upon her, through her mask.

“The queen of France must, indeed, be very ill,” said Anne of Austria, “if it is known at the Beguinage of Bruges that she stands in need of being cured.”

“Your