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the easel, that the gorgeous eyes of the gazelle were fixed on him in apparent wonder.

He advanced to it at once, holding out a hand coaxingly. The pretty creature allowed him to approach within a few inches, and then bounded from its cushion like a thing of india-rubber to the other end of the room, where it faced about and gazed again.

ā€œYou gaze well, pretty creature,ā€ thought the embryo artist. ā€œPerhaps thatā€™s the origin of your name! Humph! you wonā€™t come to me?ā€

The latter part of his thoughts he expressed aloud, but the animal made no response. It evidently threw the responsibility of taking the initiative on the man.

Our middy was naturally persevering in character. Laying aside his pencil, he sat down on the marble floor, put on his most seductive expression, held out his hand gently, and muttered soft encouragementsā€”such as, ā€œNow then, Spunkie, come here, anā€™ donā€™t be sillyā€”ā€ and the like. But ā€œSpunkieā€ still stood immovable and gazed.

Then the middy took to advancing in a sitting postureā€”after a manner known to infantsā€”at the same time intensifying the urbanity of his look and the wheedlement of his tone. The gazelle suffered him to approach until his fingers were within an inch of its nose. There the middy stopped. He had studied animal nature. He was aware that it takes two to love as well as to quarrel. He resolved to wait. Seeing this, the gazelle timidly advanced its little nose and touched his finger. He scratched gently! Spunkie seemed to like it. He scratched progressively up its forehead. Spunkie evidently enjoyed it. He scratched behind its ear, andā€”the victory was gained! The gazelle, dismissing all fear, advanced and rubbed its graceful head on his shoulder.

ā€œWell, you are a nice little beast,ā€ said Foster, as he fondled it; ā€œwhoever owns you must be very kind to you, but I canā€™t afford to waste more time with you. Must get to work.ā€

He rose and returned to his easel while the gazelle trotted to its cushion and lay downā€”to sleep? perchance to dream?ā€”no, to gaze, as before, but in mitigated wonder.

The amateur painter-slave now applied himself diligently to his work with ever-increasing interest; yet not altogether without an uncomfortable and humiliating conviction that if he did not do it with reasonable rapidity, and give moderate satisfaction, he ran the chance of being ā€œwhackedā€ if not worse!

Let not the reader imagine that we are drawing the longbow here, and making these Moors to be more cruel than they really were. Though Ben-Ahmed was an amiable specimen, he was not a typical Algerine, for cruelty of the most dreadful kind was often perpetrated by these monsters in the punishment of trivial offences in those days. At the present hour there stands in the great square of Algiers an imposing mosque, which was designed by a Christian slaveā€”an architectā€”whose head was cut off because he had built itā€”whether intentionally or accidentally we know notā€”in the form of a cross!

For some hours Foster worked uninterruptedly with his pencil, for he believed, like our great Turner in his earlier days, (though Turnerā€™s sun had not yet arisen!) that the preliminary drawing for a picture cannot be too carefully or elaborately done.

After having bumped himself against the wall twice, and tripped over an ottoman onceā€”to the gazelleā€™s intense surpriseā€”in his efforts to take an artistic view of his work, Foster at last laid down his pencil, stretched himself to his full height, with his hands in the air by way of relaxation, and was beginning to remember that midday meals were not unknown to man, when the negress before mentioned entered with a small round brass tray on which were two covered dishes. The middy lowered his hands in prompt confusion, for he had not attained to the Moorsā€™ sublime indifference to the opinion or thought of slaves.

He was about to speak, but checked the impulse. It was wiser to hold his tongue! A kindliness of disposition, however, induced him to smile and nodā€”attentions which impelled the negress, as she retired, to display her teeth and gums to an extent that no one would believe if we were to describe it.

On examination it was found that one of the dishes contained a savoury compound of rice and chicken, with plenty of butter and other substancesā€”some of which were sweet.

The other dish contained little rolls of bread. Both dishes appeared to Foster to be made of embossed goldā€”or brass, but he knew and cared not which. Coffee in a cup about the size and shape of an egg was his beverage. While engaged with the savoury and altogether unexpected meal, our hero felt his elbow touched. Looking round he saw the gazelle looking at him with an expression in its beautiful eyes that said plainly, ā€œGive me my share.ā€

ā€œYou shall have it, my dear,ā€ said the artist, handing the creature a roll, with which it retired contentedly to its cushion.

ā€œPerhaps,ā€ thought the youth, as he pensively sipped his coffee, ā€œthis room may be sometimes used by Hester! It obviously forms part of the seraglio.ā€

Strange old fellow, Ben-Ahmed, to allow men like me to invade such a place.

The thought of the ladies of the harem somehow suggested his mother and sister, and when poor George got upon this pair of rails he was apt to be run away with, and to forget time and place. The reverie into which he wandered was interrupted, however, by the gazelle asking for more. As there was no more, it was fain to content itself with a pat on the head as the painter rose to resume his work.

The drawing was by this time all pencilled in most elaborately, and the middy opened the water-colour box to examine the paints. As he did so, he again remarked on the familiar English look of the materials, and was about to begin rubbing down a little of one of the cakesā€”moist colours had not been inventedā€”when he observed some writing in red paint on the back of the palette. He started and flushed, while his heart beat faster, for the writing was, ā€œExpect me. Rub this out. H.S.ā€

What could this mean? H.S? Hester Sommers of course. It was simpleā€”too simple. He wished for moreā€”like the gazelle. Like it, too, he got no more. After gazing at the writing, until every letter was burnt into his memory, he obeyed the order and rubbed it out. Then, in a disturbed and anxious frame of mind, he tried to paint, casting many a glance, not only at his subject, but at the two doors which opened into the room.

At last one of the doors openedā€”not the one he happened to be looking at, however. He started up, overturned his stool, and all but knocked down the easel, as the negress re-entered to remove the refreshment-tray. She called to the gazelle as she went out. It bounded lightly after her, and the young painter was left alone to recover his composure.

ā€œAss that I am!ā€ he said, knitting his brows, clenching his teeth, and putting a heavy dab of crimson-lake on the ceiling!

At that moment the other door opened, yet so gently and slightly that he would not have observed it but for the sharp line of light which it let through. Determined not to be again taken by surprise, he became absorbed in putting little unmeaning lines round the dab of lakeā€”not so busily, however, as to prevent his casting rapid furtive glances at the opening door.

Gradually something white appeared in the apertureā€”it was a veil. Something blueā€”it was an eye. Something quite beyond description lovelyā€”it was Hester herself, lookingā€”if such be conceivableā€”like a scared angel!

ā€œOh, Mr Foster!ā€ she exclaimed, in a half-whisper, running lightly in, and holding up a finger by way of caution, ā€œI have so longed to see youā€”ā€

ā€œSo have I,ā€ interrupted the delighted middy. ā€œDear Hā€“ā€”ahā€”Miss Sommers, I mean, I felt sure thatā€”thatā€”this must be your roomā€”no, whatā€™s its name? boudoir; and the gazelleā€”ā€

ā€œYes, yesā€”oh! never mind that,ā€ interrupted the girl impatiently. ā€œMy fatherā€”darling father!ā€”any news of him.ā€

Blushing with shame that he should have thought of his own feelings before her anxieties, Foster dropped the little hand which he had already grasped, and hastened to tell of the meeting with her father in the Kasbaā€”the ease with which he had recognised him from her description, and the few hurried words of comfort he had been able to convey before the slave-driver interfered.

Tears were coursing each other rapidly down Hesterā€™s cheeks while he was speaking; yet they were not tears of unmingled grief.

ā€œOh, Mr Foster!ā€ she said, seizing the middyā€™s hand, and kissing it, ā€œhow shall I ever thank you?ā€

Before she could add another word, an unlucky touch of Fosterā€™s heel laid the easel, with an amazing clatter, flat on the marble floor! Hester bounded through the doorway more swiftly than her own gazelle, slammed the door behind her, and vanished like a vision.

Poor Foster! Although young and enthusiastic, he was not a coxcomb. The thrill in the hand that had been kissed told him plainly that he was hopelessly in love! But a dull weight on his heart told him, he thought as plainly, that Hester was not in the same condition.

ā€œDear child!ā€ he said, as he slowly gathered up the drawing materials, ā€œif that innocent, transparent, almost infantine creature had been old enough to fall in love she would sooner have hit me on the nose with her lovely fist than have kissed my great ugly pawā€”even though she was overwhelmed with joy at hearing about her father.ā€

Having replaced the easel and drawing, he seated himself on an ottoman, put his elbows on his knees, laid his forehead in his hands, and began to meditate aloud.

ā€œYes,ā€ he said, with a profound sigh, ā€œI love herā€”thatā€™s as clear as daylight; and she does not love meā€”thatā€™s clearer than daylight. Unrequited love! Thatā€™s what Iā€™ve come to! Nevertheless, Iā€™m not in wild despair. Howā€™s that? I donā€™t want to shoot or drown myself. Howā€™s that? On the contrary, I want to live and rescue her. I could serve or die for that child with pleasureā€”without even the reward of a smile! There must be something peculiar here. Is itā€”can it be Platonic love? Of course that must be it. Yes, Iā€™ve often heard and read of that sort of love before. I know it now, andā€”andā€”I rather like it!ā€

ā€œYou donā€™t look as if you did, Geoā€™ge,ā€ said a deep voice beside him.

George started up with a face of scarlet.

ā€œPeter!ā€ he exclaimed fiercely, ā€œdid you hear me speak? What did you hear?ā€

ā€œHalo! Geoā€™ge, donā€™t squeeze my arm so! Youā€™s hurtinā€™ me. I hear you say sometā€™ing ā€™bout plotummik lub, but what sort oā€™ lub that may be is moreā€™n I kin tell.ā€

ā€œAre you sure that is all youā€” But come, Peter, I should have no secrets from you. The truth is,ā€ (he whispered low here), ā€œI have seen Hester Sommersā€”here, in this room, not half an hour agoā€”andā€”and I feel that I am hopelessly in love with herā€”Platonically, that isā€”but I fear you wonā€™t understand what that meansā€”ā€

The midshipman stopped abruptly. For the first time since they became acquainted he saw a grave expression of decided disapproval on the face of his sable friend.

ā€œGeoā€™ge,ā€ said Peter solemnly, ā€œyou tell me you hab took ā€™vantage ob beinā€™ invited to your masterā€™s house to make lubā€”ploā€”plotummikilly or oderwiseā€”to your masterā€™s slabe?ā€

ā€œNo, Peter, I told you nothing of the sort. The meeting with Hester was purely accidentalā€”at least it was none of my seekingā€”and I did not make love to herā€”ā€

ā€œDid she make lub to you, Geoā€™geā€”ploā€”plotummikilly.ā€

ā€œCertainly not. She came to ask about her poor father, and I saw that she is far too young to think of falling in love at all. What I said was that I have fallen hopelessly in love, and that as I cannot hope that she will ever beā€”be mine, I have made up my mind to love her hopelessly, but loyally, to the

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