Ten Years Later by Alexandre Dumas (suggested reading TXT) 📗

“Well,” said Madame, “and what is taking place upon the earth?”

“That question must be asked of the Dryads,” replied the comte; “the Dryads inhabit the forest, as your royal highness is aware.”

“I am aware also, that they are naturally very talkative, Monsieur de Saint-Aignan.”

“Such is the case, Madame; but when they say such delightful things, it would be ungracious to accuse them of being too talkative.”

“Do they talk so delightfully, then?” inquired the princess, indifferently. “Really, Monsieur de Saint-Aignan, you excite my curiosity; and, if I were the king, I would require you immediately to tell us what the delightful things are these Dryads have been saying, since you alone seem to understand their language.”

“I am at his majesty’s orders, Madame, in that respect,” replied the comte, quickly.

“What a fortunate fellow this Saint-Aignan is to understand the language of the Dryads,” said Monsieur.

“I understand it perfectly, monseigneur, as I do my own language.”

“Tell us all about them, then,” said Madame.

The king felt embarrassed, for his confidant was, in all probability, about to embark in a difficult matter. He felt that it would be so, from the general attention excited by Saint-Aignan’s preamble, and aroused too by Madame’s peculiar manner. The most reserved of those who were present seemed ready to devour every syllable the comte was about to pronounce. They coughed, drew closer together, looked curiously at some of the maids of honor, who, in order to support with greater propriety, or with more steadiness, the fixity of the inquisitorial looks bent upon them, adjusted their fans accordingly, and assumed the bearing of a duelist about to be exposed to his adversary’s fire. At this epoch, the fashion of ingeniously constructed conversations, and hazardously dangerous recitals, so prevailed, that, where, in modern times, a whole company assembled in a drawing-room would begin to suspect some scandal, or disclosure, or tragic event, and would hurry away in dismay, Madame’s guests quietly settled themselves in their places, in order not to lose a word or gesture of the comedy composed by Monsieur de Saint-Aignan for their benefit, and the termination of which, whatever the style and the plot might be, must, as a matter of course, be marked by the most perfect propriety. The comte as known as a man of extreme refinement, and an admirable narrator. He courageously began, then, amidst a profound silence, which would have been formidable to any one but himself:—“Madame, by the king’s permission, I address myself, in the first place, to your royal highness, since you admit yourself to be the person present possessing the greatest curiosity. I have the honor, therefore, to inform your royal highness that the Dryad more particularly inhabits the hollows of oaks; and, as Dryads are mythological creatures of great beauty, they inhabit the most beautiful trees, in other words, the largest to be found.”

At this exordium, which recalled, under a transparent veil, the celebrated story of the royal oak, which had played so important a part in the last evening, so many hearts began to beat, both from joy and uneasiness, that, if Saint-Aignan had not had a good and sonorous voice, their throbbings might have been heard above the sound of his voice.

“There must surely be Dryads at Fontainebleau, then,” said Madame, in a perfectly calm voice; “for I have never, in all my life, seen finer oaks than in the royal park.” And as she spoke, she directed towards De Guiche a look of which he had no reason to complain, as he had of the one that preceded it; which, as we have already mentioned, had reserved a certain amount of indefiniteness most painful for so loving a heart as his.

“Precisely, Madame, it is of Fontainebleau I was about to speak to your royal highness,” said Saint-Aignan; “for the Dryad whose story is engaging our attention, lives in the park belonging to the chateau of his majesty.”

The affair was fairly embarked on; the action was begun, and it was no longer possible for auditory or narrator to draw back.

“It will be worth listening to,” said Madame; “for the story not only appears to me to have all the interest of a national incident, but still more, seems to be a circumstance of very recent occurrence.”

“I ought to begin at the beginning,” said the comte. “In the first place, then, there lived at Fontainebleau, in a cottage of modest and unassuming appearance, two shepherds. The one was the shepherd Tyrcis, the owner of extensive domains transmitted to him from his parents, by right of inheritance. Tyrcis was young and handsome, and, from his many qualifications, he might be pronounced to be the first and foremost among the shepherds in the whole country; one might even boldly say he was the king of shepherds.” A subdued murmur of approbation encouraged the narrator, who continued:—“His strength equals his courage; no one displays greater address in hunting wild beasts, nor greater wisdom in matters where judgment is required. Whenever he mounts and exercises his horse in the beautiful plains of his inheritance, or whenever he joins with the shepherds who owe him allegiance, in different games of skill and strength, one might say that it is the god Mars hurling his lance on the plains of Thrace, or, even better, that it was Apollo himself, the god of day, radiant upon earth, bearing his flaming darts in his hand.” Every one understood that this allegorical portrait of the king was not the worst exordium the narrator could have chosen; and consequently it did not fail to produce its effect, either upon those who, from duty or inclination, applauded it to the very echo, or on the king himself, to whom flattery was very agreeable when delicately conveyed, and whom, indeed, it did not always displease, even when it was a little too broad. Saint-Aignan then continued:—“It is not in games of glory only, ladies, that the shepherd Tyrcis had acquired that reputation by which he was regarded as the king of the shepherds.”

“Of the shepherds of Fontainebleau,” said the king, smilingly, to Madame.

“Oh!” exclaimed Madame, “Fontainebleau is selected arbitrarily by the poet; but I should say, of the shepherds of the whole world.” The king forgot his part of a passive auditor, and bowed.

“It is,” paused Saint-Aignan, amidst a flattering murmur of applause, “it is with ladies fair especially that the qualities of this king of the shepherds are most prominently displayed. He is a shepherd with a mind as refined as his heart is pure; he can pay a compliment with a charm of manner whose fascination it is impossible to resist; and in his attachments he is so discreet, that beautiful and happy conquests may regard their lot as more than enviable. Never a syllable of disclosure, never a moment’s forgetfulness. Whoever has seen and heard Tyrcis must love him; whoever loves and is beloved by him, has indeed found happiness.” Saint-Aignan here paused; he was enjoying the pleasure of all these compliments; and the portrait he had drawn, however grotesquely inflated it might be, had found favor in certain ears, in which the perfections of the shepherd did not seem to have been exaggerated. Madame begged the orator to continue. “Tyrcis,” said the comte, “had a faithful companion, or rather a devoted servant, whose name was—Amyntas.”

“Ah!” said Madame, archly, “now for the portrait of Amyntas; you are such an excellent painter, Monsieur de Saint-Aignan.”

“Madame—”

“Oh! comte, do not, I