The Elusive Pimpernel by Baroness Emmuska Orczy Orczy (ereader with dictionary .txt) 📗

rather coarse in texture and darkish in colour, her eyes were narrow and slightly turned upwards at the corners; no! she was distinctly not pretty.

Yet she pleased the men! Perhaps because she was so artlessly determined to please them. The women said that Demoiselle Candeille never left a man alone until she had succeeded in captivating his fancy if only for five minutes; an interval in a dance... the time to cross a muddy road.

But for five minutes she was determined to hold any man's complete attention, and to exact his admiration. And she nearly always succeeded.

Therefore the women hated her. The men were amused. It is extremely pleasant to have one's admiration compelled, one's attention so determinedly sought after.

And Candeille could be extremely amusing, and as Magdelon in Moliere's “Les Precieuses” was quite inimitable.

This, however, was in the olden days, just before Paris went quite mad, before the Reign of Terror had set in, and ci-devant Louis the King had been executed.

Candeille had taken it into her frolicsome little head that she would like to go to London. The idea was of course in the nature of an experiment. Those dull English people over the water knew so little of what good acting really meant. Tragedy? Well! passons! Their heavy, large-boned actresses might manage one or two big scenes where a commanding presence and a powerful voice would not come amiss, and where prominent teeth would pass unnoticed in the agony of a dramatic climax.

But Comedy!

Ah! ca non, par example! Demoiselle Candeille had seen several English gentlemen and ladies in those same olden days at the Tuileries, but she really could not imagine any of them enacting the piquant scenes of Moliere or Beaumarchais.

Demoiselle Candeille thought of every English-born individual as having very large teeth. Now large teeth do not lend themselves to well-spoken comedy scenes, to smiles, or to double entendre.

Her own teeth were exceptionally small and white, and very sharp, like those of a kitten.

Yes! Demoiselle Candeille thought it would be extremely interesting to go to London and to show to a nation of shopkeepers how daintily one can be amused in a theatre.

Permission to depart from Paris was easy to obtain. In fact the fair lady had never really found it difficult to obtain anything she very much wanted.

In this case she had plenty of friends in high places. Marat was still alive and a great lover of the theatre. Tallien was a personal admirer of hers, Deputy Dupont would do anything she asked.

She wanted to act in London, at a theatre called Drury Lane. She wanted to play Moliere in England in French, and had already spoken with several of her colleagues, who were ready to join her. They would give public representations in aid of the starving population of France; there were plenty of Socialistic clubs in London quite Jacobin and Revolutionary in tendency: their members would give her full support.

She would be serving her country and her countrymen and incidentally see something of the world, and amuse herself. She was bored in Paris.

Then she thought of Marguerite St. Just, once of the Maison Moliere, who had captivated an English milor of enormous wealth. Demoiselle Candeille had never been of the Maison Moliere; she had been the leading star of one of the minor—yet much-frequented—theatres of Paris, but she felt herself quite able and ready to captivate some other unattached milor, who would load her with English money and incidentally bestow an English name upon her.

So she went to London.

The experiment, however, had not proved an unmitigated success. At first she and her company did obtain a few engagements at one or two of the minor theatres, to give representations of some of the French classical comedies in the original language.

But these never quite became the fashion. The feeling against France and all her doings was far too keen in that very set, which Demoiselle Candeille had desired to captivate with her talents, to allow of the English jeunesse doree to flock and see Moliere played in French, by a French troupe, whilst Candeille's own compatriots resident in England had given her but scant support.

One section of these—the aristocrats and emigres—looked upon the actress who was a friend of all the Jacobins in Paris as nothing better than canaille. They sedulously ignored her presence in this country, and snubbed her whenever they had an opportunity.

The other section—chiefly consisting of agents and spies of the Revolutionary Government—she would gladly have ignored. They had at first made a constant demand on her purse, her talents and her time: then she grew tired of them, and felt more and more chary of being identified with a set which was in such ill-odour with that very same jeunesse doree whom Candeille had desired to please.

In her own country she was and always had been a good republican: Marat had given her her first start in life by his violent praises of her talent in his widely-circulated paper; she had been associated in Paris with the whole coterie of artists and actors: every one of them republican to a man. But in London, although one might be snubbed by the emigres and aristocrats—it did not do to be mixed up with the sans-culotte journalists and pamphleteers who haunted the Socialistic clubs of the English capital, and who were the prime organizers of all those seditious gatherings and treasonable unions that caused Mr. Pitt and his colleagues so much trouble and anxiety.

One by one, Desiree Candeille's comrades, male and female, who had accompanied her to England, returned to their own country. When war was declared, some of them were actually sent back under the provisions of the Aliens Bill.

But Desiree had stayed on.

Her old friends in Paris had managed to advise her that she would not be very welcome there just now. The sans-culotte journalists of England, the agents and spies of the Revolutionary Government, had taken their revenge of the frequent snubs inflicted upon them by the young actress, and in those days the fact of being unwelcome in France was apt to have a more lurid and more dangerous significance.

Candeille did not dare return: at any rate not for the present.

She trusted to her own powers of intrigue, and her well-known fascinations, to re-conquer the friendship of the Jacobin clique, and she once more turned her attention to the affiliated Socialistic clubs of England. But between the proverbial two stools, Demoiselle Candeille soon came to the ground. Her machinations became known in official quarters, her connection with all the seditious clubs of London was soon bruited abroad, and one evening Desiree found herself confronted with a document addressed to her: “From the Office of His Majesty's Privy Seal,” wherein it was set forth that, pursuant to the statute 33 George III. cap. 5, she, Desiree Candeille, a French subject now resident in England, was required to leave this kingdom by order of His Majesty within seven days, and that in the event of the said Desiree Candeille refusing to comply with this order, she would be liable to commitment, brought to trial and sentenced to