The Count of Monte Cristo - Alexander Dumas (good ebook reader .TXT) 📗

Ten leagues were passed and not a single word was uttered.

Morrel was dreaming, and Monte Cristo was looking at the dreamer.

"Morrel," said the count to him at length, "do you repent having followed me?"

"No, count; but to leave Paris"--

"If I thought happiness might await you in Paris, Morrel, I would have left you there."

"Valentine reposes within the walls of Paris, and to leave Paris is like losing her a second time."

"Maximilian," said the count, "the friends that we have lost do not repose in the bosom of the earth, but are buried deep in our hearts, and it has been thus ordained that we may always be accompanied by them. I have two friends, who in this way never depart from me; the one who gave me being, and the other who conferred knowledge and intelligence on me. Their spirits live in me. I consult them when doubtful, and if I ever do any good, it is due to their beneficent counsels. Listen to the voice of your heart, Morrel, and ask it whether you ought to preserve this melancholy exterior towards me."

"My friend," said Maximilian, "the voice of my heart is very sorrowful, and promises me nothing but misfortune."

"It is the way of weakened minds to see everything through a black cloud. The soul forms its own horizons; your soul is darkened, and consequently the sky of the future appears stormy and unpromising."

"That may possibly be true," said Maximilian, and he again subsided into his thoughtful mood.

The journey was performed with that marvellous rapidity which the unlimited power of the count ever commanded. Towns fled from them like shadows on their path, and trees shaken by the first winds of autumn seemed like giants madly rushing on to meet them, and retreating as rapidly when once reached. The following morning they arrived at Chalons, where the count's steamboat waited for them. Without the loss of an instant, the carriage was placed on board and the two travellers embarked without delay. The boat was built for speed; her two paddle-wheels were like two wings with which she skimmed the water like a bird. Morrel was not insensible to that sensation of delight which is generally experienced in passing rapidly through the air, and the wind which occasionally raised the hair from his forehead seemed on the point of dispelling momentarily the clouds collected there.

As the distance increased between the travellers and Paris, almost superhuman serenity appeared to surround the count; he might have been taken for an exile about to revisit his native land. Ere long Marseilles presented herself to view,--Marseilles, white, fervid, full of life and energy,--Marseilles, the younger sister of Tyre and Carthage, the successor to them in the empire of the Mediterranean,--Marseilles, old, yet always young.

Powerful memories were stirred within them by the sight of the round tower, Fort Saint-Nicolas, the City Hall designed by Puget, [*] the port with its brick quays, where they had both played in childhood, and it was with one accord that they stopped on the Cannebiere. A vessel was setting sail for Algiers, on board of which the bustle usually attending departure prevailed. The passengers and their relations crowded on the deck, friends taking a tender but sorrowful leave of each other, some weeping, others noisy in their grief, the whole forming a spectacle that might be exciting even to those who witnessed similar sights daily, but which had no power to disturb the current of thought that had taken possession of the mind of Maximilian from the moment he had set foot on the broad pavement of the quay.

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* Pierre Puget, the sculptor-architect, was born at Marseilles in 1622.

"Here," said he, leaning heavily on the arm of Monte Cristo,--"here is the spot where my father stopped, when the Pharaon entered the port; it was here that the good old man, whom you saved from death and dishonor, threw himself into my arms. I yet feel his warm tears on my face, and his were not the only tears shed, for many who witnessed our meeting wept also." Monte Cristo gently smiled and said,--"I was there;" at the same time pointing to the corner of a street. As he spoke, and in the very direction he indicated, a groan, expressive of bitter grief, was heard, and a woman was seen waving her hand to a passenger on board the vessel about to sail. Monte Cristo looked at her with an emotion that must have been remarked by Morrel had not his eyes been fixed on the vessel.

"Oh, heavens!" exclaimed Morrel, "I do not deceive myself--that young man who is waving his hat, that youth in the uniform of a lieutenant, is Albert de Morcerf!"

"Yes," said Monte Cristo, "I recognized him."

"How so?--you were looking the other way." the Count smiled, as he was in the habit of doing when he did not want to make any reply, and he again turned towards the veiled woman, who soon disappeared at the corner of the street. Turning to his friend,--"Dear Maximilian," said the count, "have you nothing to do in this land?"

"I have to weep over the grave of my father," replied Morrel in a broken voice.

"Well, then, go,--wait for me there, and I will soon join you."

"You leave me, then?"

"Yes; I also have a pious visit to pay."

Morrel allowed his hand to fall into that which the count extended to him; then with an inexpressibly sorrowful inclination of the head he quitted the count and bent his steps to the east of the city. Monte Cristo remained on the same spot until Maximilian was out of sight; he then walked slowly towards the Allees de Meillan to seek out a small house with which our readers were made familiar at the beginning of this story. It yet stood, under the shade of the fine avenue of lime-trees, which forms one of the most frequent walks of the idlers of Marseilles, covered by an immense vine, which spreads its aged and blackened branches over the stone front, burnt yellow by the ardent sun of the south. Two stone steps worn away by the friction of many feet led to the door, which was made of three planks; the door had never been painted or varnished, so great cracks yawned in it during the dry season to close again when the rains came on. The house, with all its crumbling antiquity and apparent misery, was yet cheerful and picturesque, and was the same that old Dantes formerly inhabited--the only difference being that the old man occupied merely the garret, while the whole house was now placed at the command of Mercedes by the count.

The woman whom the count had seen leave the ship with so much regret entered this house; she had scarcely closed the door after her when Monte Cristo appeared at the corner of a street, so that he found and lost her again almost at the same instant. The worn out steps were old acquaintances of his; he knew better than any one else how to open that weather-beaten door with the large headed nail which served to raise the latch within. He entered without knocking, or giving any other intimation of his presence, as if he had been a friend or the master of the place. At the end of a passage paved with bricks, was a little garden, bathed in sunshine, and rich in warmth and light. In this garden Mercedes had found, at the place indicated by the count, the sum of money which he, through a sense of delicacy, had described as having been placed there twenty-four years previously. The trees of the garden were easily seen from the steps of the street-door. Monte Cristo, on stepping into the house, heard a sigh that was almost a deep sob; he looked in the direction whence it came,

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and there under an arbor of Virginia jessamine, [*] with its thick foliage and beautiful long purple flowers, he saw Mercedes seated, with her head bowed, and weeping bitterly. She had raised her veil, and with her face hidden by her hands was giving free scope to the sighs and tears which had been so long restrained by the presence of her son. Monte Cristo advanced a few steps, which were heard on the gravel. Mercedes raised her head, and uttered a cry of terror on beholding a man before her.

* The Carolina--not Virginia--jessamine, gelsemium sempervirens (properly speaking not a jessamine at all) has yellow blossoms. The reference is no doubt to the Wistaria frutescens.--Ed.

"Madame," said the count, "it is no longer in my power to restore you to happiness, but I offer you consolation; will you deign to accept it as coming from a friend?"

"I am, indeed, most wretched," replied Mercedes. "Alone in the world, I had but my son, and he has left me!"

"He possesses a noble heart, madame," replied the count, "and he has acted rightly. He feels that every man owes a tribute to his country; some contribute their talents, others their industry; these devote their blood, those their nightly labors, to the same cause. Had he remained with you, his life must have become a hateful burden, nor would he have participated in your griefs. He will increase in strength and honor by struggling with adversity, which he will convert into prosperity. Leave him to build up the future for you, and I venture to say you will confide it to safe hands."

"Oh," replied the wretched woman, mournfully shaking her head, "the prosperity of which you speak, and which, from the bottom of my heart, I pray God in his mercy to grant him, I can never enjoy. The bitter cup of adversity has been drained by me to the very dregs, and I feel that the grave is not far distant. You have acted kindly, count, in bringing me back to the place where I have enjoyed so much bliss. I ought to meet death on the same spot where happiness was once all my own."

"Alas," said Monte Cristo, "your words sear and embitter my heart, the more so as you have every reason to hate me. I have been the cause of all your misfortunes; but why do you pity, instead of blaming me? You render me still more unhappy"--

"Hate you, blame you--you, Edmond! Hate, reproach, the man that has spared my son's life! For was it not your fatal and sanguinary intention to destroy that son of whom M. de Morcerf was so proud? Oh, look at me closely, and discover if you can even the semblance of a reproach in me." The count looked up and fixed his eyes on Mercedes, who arose partly from her seat and extended both her hands towards him. "Oh, look at me," continued she, with a feeling of profound melancholy, "my eyes no longer dazzle by their brilliancy, for the time has long fled since I used to smile on Edmond Dantes, who anxiously looked out for me from the window of yonder garret, then inhabited by his old father. Years of grief have created an abyss between those days and the present. I neither reproach you nor hate you, my friend. Oh, no, Edmond, it is myself that I blame, myself that I hate! Oh, miserable creature that I am!" cried she, clasping her hands, and raising her eyes to heaven. "I once possessed piety, innocence, and love, the three ingredients of the happiness of angels, and now what am I?" Monte Cristo approached her, and silently took her hand. "No," said she, withdrawing it gently--"no, my friend, touch me not. You have spared me, yet of all those who have fallen under your vengeance I was the most guilty. They were influenced by hatred, by avarice, and by self-love; but I was base, and for want of courage acted against my judgment. Nay, do not press my hand, Edmond; you are thinking, I am sure, of some kind speech to console me,