Allan Quatermain by H. Rider Haggard (best historical biographies .TXT) 📗
- Author: H. Rider Haggard
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[12] Mr Quatermain does not seem to have been aware that it is common for animal-worshipping people to annually sacrifice the beasts they adore. See Herodotus, ii. 45.—Editor.
When our guide had finished his tale, the old man with the long beard and round cap, whose appearance I have already described, and who was, as I have said, the High Priest of the country, and known by the name of Agon, rose and commenced an impassioned harangue. I did not like the look of his cold grey eye as he fixed it on us. I should have liked it still less had I known that in the name of the outraged majesty of his god he was demanding that the whole lot of us should be offered up as a sacrifice by means of being burnt alive.
After he had finished speaking the Queen Sorais addressed him in a soft and musical voice, and appeared, to judge from his gestures of dissent, to be putting the other side of the question before him. Then Nyleptha spoke in liquid accents. Little did we know that she was pleading for our lives. Finally, she turned and addressed a tall, soldierlike man of middle age with a black beard and a long plain sword, whose name, as we afterwards learnt, was Nasta, and who was the greatest lord in the country; apparently appealing to him for support. Now when Sir Henry had caught her eye and she had blushed so rosy red, I had seen that the incident had not escaped this man’s notice, and, what is more, that it was eminently disagreeable to him, for he bit his lip and his hand tightened on his sword-hilt. Afterwards we learnt that he was an aspirant for the hand of this Queen in marriage, which accounted for it. This being so, Nyleptha could not have appealed to a worse person, for, speaking in slow, heavy tones, he appeared to confirm all that the High Priest Agon had said. As he spoke, Sorais put her elbow on her knee, and, resting her chin on her hand, looked at him with a suppressed smile upon her lips, as though she saw through the man, and was determined to be his match; but Nyleptha grew very angry, her cheek flushed, her eyes flashed, and she did indeed look lovely. Finally she turned to Agon and seemed to give some sort of qualified assent, for he bowed at her words; and as she spoke she moved her hands as though to emphasize what she said; while all the time Sorais kept her chin on her hand and smiled. Then suddenly Nyleptha made a sign, the trumpets blew again, and everybody rose to leave the hall save ourselves and the guards, whom she motioned to stay.
When they were all gone she bent forward and, smiling sweetly, partially by signs and partially by exclamations made it clear to us that she was very anxious to know where we came from. The difficulty was how to explain, but at last an idea struck me. I had my large pocket-book in my pocket and a pencil. Taking it out, I made a little sketch of a lake, and then as best I could I drew the underground river and the lake at the other end. When I had done this I advanced to the steps of the throne and gave it to her. She understood it at once and clapped her hands with delight, and then descending from the throne took it to her sister Sorais, who also evidently understood. Next she took the pencil from me, and after examining it with curiosity proceeded to make a series of delightful little sketches, the first representing herself holding out both hands in welcome, and a man uncommonly like Sir Henry taking them. Next she drew a lovely little picture of a hippopotamus rolling about dying in the water, and of an individual, in whom we had no difficulty in recognizing Agon the High Priest, holding up his hands in horror on the bank. Then followed a most alarming picture of a dreadful fiery furnace and of the same figure, Agon, poking us into it with a forked stick. This picture perfectly horrified me, but I was a little reassured when she nodded sweetly and proceeded to make a fourth drawing—a man again uncommonly like Sir Henry, and of two women, in whom I recognized Sorais and herself, each with one arm around him, and holding a sword in protection over him. To all of these Sorais, who I saw was employed in carefully taking us all in—especially Curtis—signified her approval by nodding.
At last Nyleptha drew a final sketch of a rising sun, indicating that she must go, and that we should meet on the following morning; whereat Sir Henry looked so disappointed that she saw it, and, I suppose by way of consolation, extended her hand to him to kiss, which he did with pious fervour. At the same time Sorais, off whom Good had never taken his eyeglass during the whole indaba [interview], rewarded him by giving him her hand to kiss, though, while she did so, her eyes were fixed upon Sir Henry. I am glad to say that I was not implicated in these proceedings; neither of them gave me her hand to kiss.
Then Nyleptha turned and addressed the man who appeared to be in command of the bodyguard, apparently from her manner and his frequent obeisances, giving him very stringent and careful orders; after which, with a somewhat coquettish nod and smile, she left the hall, followed by Sorais and most of the guards.
When the Queens had gone, the officer whom Nyleptha had addressed came forward and with many tokens of deep respect led us from the hall through various passages to a sumptuous set of apartments opening out of a large central room lighted with brazen swinging lamps (for it was now dusk) and richly carpeted and strewn with couches. On a table in the centre of the room was set a profusion of food and fruit, and, what is more, flowers. There was a delicious wine also in ancient-looking sealed earthenware flagons, and beautifully chased golden and ivory cups to drink it from. Servants, male and female, also were there to minister to us, and whilst we ate, from some recess outside the apartment
“The silver lute did speak between
The trumpet’s lordly blowing;”
and altogether we found ourselves in a sort of earthly paradise which was only disturbed by the vision of that disgusting High Priest who intended to commit us to the flames. But so very weary were we with our labours that we could scarcely keep ourselves awake through the sumptuous meal, and as soon as it was over we indicated that we desired to sleep. As a further precaution against surprise we left Umslopogaas with his axe to sleep in the main chamber near the curtained doorways leading to the apartments which we occupied respectively, Good and I in the one, and Sir Henry and Alphonse in the other. Then throwing off our clothes, with the exception of the mail shirts, which we considered it safer to keep on, we flung ourselves down upon the low and luxurious couches, and drew the silk-embroidered coverlids over us.
In two minutes I was just dropping off when I was aroused by Good’s voice.
“I say, Quatermain,” he said, “did you ever see such eyes?”
“Eyes!” I said, crossly; “what eyes?”
“Why, the Queen’s, of course! Sorais, I mean—at least I think that is her name.”
“Oh, I don’t know,” I yawned; “I didn’t notice them much: I suppose they are good eyes,” and again I dropped off.
Five minutes or so elapsed, and I was once more awakened.
“I say, Quatermain,” said the voice.
“Well,” I answered testily, “what is it now?”
“Did you notice her ankle? The shape—”
This was more than I could stand. By my bed stood the veldtschoons I had been wearing. Moved quite beyond myself, I took them up and threw them straight at Good’s head—and hit it.
Afterwards I slept the sleep of the just, and a very heavy sleep it must be. As for Good, I don’t know if he went to sleep or if he continued to pass Sorais’ beauties in mental review, and, what is more, I don’t care.
ABOUT THE ZU-VENDI PEOPLE
And now the curtain is down for a few hours, and the actors in this novel drama are plunged in dewy sleep. Perhaps we should except Nyleptha, whom the reader may, if poetically inclined, imagine lying in her bed of state encompassed by her maidens, tiring women, guards, and all the other people and appurtenances that surround a throne, and yet not able to slumber for thinking of the strangers who had visited a country where no such strangers had ever come before, and wondering, as she lay awake, who they were and what their past has been, and if she was ugly compared to the women of their native place. I, however, not being poetically inclined, will take advantage of the lull to give some account of the people among whom we found ourselves, compiled, needless to state, from information which we subsequently collected.
The name of this country, to begin at the beginning, is Zu-Vendis, from Zu, “yellow”, and Vendis, “place or country”. Why it is called the Yellow Country I have never been able to ascertain accurately, nor do the inhabitants themselves know. Three reasons are, however, given, each of which would suffice to account for it. The first is that the name owes its origin to the great quantity of gold that is found in the land. Indeed, in this respect Zu-Vendis is a veritable Eldorado, the precious metal being extraordinarily plentiful. At present it is collected from purely alluvial diggings, which we subsequently inspected, and which are situated within a day’s journey from Milosis, being mostly found in pockets and in nuggets weighing from an ounce up to six or seven pounds in weight. But other diggings of a similar nature are known to exist, and I have besides seen great veins of gold-bearing quartz. In Zu-Vendis gold is a much commoner metal than silver, and thus it has curiously enough come to pass that silver is the legal tender of the country.
The second reason given is, that at certain times of the year the native grasses of the country, which are very sweet and good, turn as yellow as ripe corn; and the third arises from a tradition that the people were originally yellow skinned, but grew white after living for many generations upon these high lands. Zu-Vendis is a country about the size of France, is, roughly speaking, oval in shape; and on every side cut off from the surrounding territory by illimitable forests of impenetrable thorn, beyond which are said to be hundreds of miles of morasses, deserts, and great mountains. It is, in short, a huge, high tableland rising up in the centre of the dark continent, much as in southern Africa flat-topped mountains rise from the level
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