The World of Ice - Robert Michael Ballantyne (best selling autobiographies TXT) 📗

away," suggested one of the audience.

The laugh with which this advice was received was checked in the bud by the sudden rising of the curtain with such violence that the whole framework of the theatre shook again.

For a few seconds a dead silence reigned, for the men were stricken dumb with genuine amazement at the scene before them. The stage was covered with white sheets arranged in such a manner as to represent snow, and the more effectually to carry out the idea several huge blocks of real ice and a few patches of snow were introduced here and there, the cold in the after part of the cabin being too great to permit of their melting. A top-gallant-sail, on which were painted several blue cracks, and some strong white lights did duty for an iceberg, and filled up the whole back of the scene. In front of this, in the centre of the stage, on an extemporized hummock, sat Peter Grim, as the Giant Blunderbore. His colossal proportions were enhanced by the addition of an entire white bear-skin to his ordinary hairy dress, and which was thrown round his broad shoulders in the form of a tippet. A broad scarlet sash was tied round his waist, and a crown of brown paper painted in alternate diamonds of blue, red, and yellow sat upon his brow. Grim was in truth a magnificent-looking fellow, with his black beard and moustache; and the mock-heroic frown with which he gazed up (as one of the audience suggested) at the aurora borealis, while he grasped an enormous club in his right hand, became him well.

The first few seconds of dead silence with which this was received were succeeded by a long and loud burst of applause, the heartiness of which plainly showed that the scene far exceeded the expectations of the men.

"Bravo!" cried the captain, "excellent! nothing could be better."

"It beats natur', quite," said one.

"All to sticks," cried another.

"And wot a _tree_-mendous giant he makes. Three cheers for Peter Grim, lads!"

Three cheers were promptly given with right goodwill, but the giant did not move a muscle. He was far too deeply impressed with the importance of playing his part well to acknowledge the compliment. Having gazed long enough to enable the men to get rid of their first flow of enthusiasm, Blunderbore rose majestically, and coming forward to the foot-lights, looked straight over the heads of the men, and addressed himself to the opposite bulk-head.

"Oh! 'tis a dismal thing," he began, and continued to spout his part with flashing eyes and considerable energy, until he came to the word Blunderbuss, when, either from a mistaken notion as to when it was his time to go on, or nervous forgetfulness of the plan of the piece, the Little Bear sprang over the edge of the iceberg and alighted on the middle of the stage.

"Oh! bad luck to yees intirely," said the Big Bear from behind the scenes in an angry whisper, which was distinctly heard by the audience, "ye've gone and spoiled it all, ye have. Come off, will ye, and take yer turn at the right time, won't ye?"

In the midst of the shout of delight caused by this mistake, O'Riley, forgetting that he was a bear, rushed on the stage on his hind legs, seized the Little Bear by the fore leg, and dragged him off at the other side amid loud applause. Blunderbore, with admirable self-possession, resumed his part the instant there was a calm, and carried it successfully to a close.

Just as he ended, Fred waddled on, in the guise of an Esquimau woman; and so well was he got up that the crew looked round to see if Aninga (who, with her husband, had been allowed to witness the play) was in her place. Fred had intentionally taken Aninga as his model, and had been very successful in imitating the top-knot of hair. The baby, too, was hit off to perfection, having been made by Mivins, who proved himself a genius in such matters. Its head was a ball of rags covered with brown leather, and two white bone buttons with black spots in the centre did duty for its eyes.

The first thing Whackinta did on coming forward was to deposit the baby on the snow with its head downwards by mistake, whereat it began to scream vociferously. This scream was accomplished by Davie Summers creeping below the stage and putting his mouth to a hole in the flooring close to which the baby's head lay. Davie's falsetto was uncommonly like to a child's voice, and the effect was quite startling. Of course Whackinta tried to soothe it, and failing in this she whipped it, which caused it to yell with tenfold violence. Thereafter losing all patience, she covered its face and stuffed its mouth with a quantity of snow, and laying it down on its back, placed a large block of ice on its head. This, as might be expected, had the desired effect, and the baby was silenced--not, however, until Whackinta had twice called down the hole in a hoarse whisper, "That'll do, Davie; stop, man, stop!" Then, sitting down on the hummock which Blunderbore had just left--and from behind which he was now eagerly watching her--she began to weep.

Having given full vent to her feelings in a series of convulsive sobs, Whackinta addressed a lengthened harangue, in a melancholy tone of voice, to the audience, the gist of which was that she was an unfortunate widow; that two bears had fallen in love with her, and stolen her away from her happy home in Nova Zembla; and, although they allowed her to walk about as much as she chose, they watched her closely and prevented her escaping to her own country. Worst of all, they had told her that she must agree to become the wife of one or other of them, and if she did not make up her mind and give them an answer that very day, she was to be killed and eaten by both of them. In order the more strongly to impress the audience with her forlorn condition, Whackinta sang a tender and touching ditty, composed by herself expressly for the occasion, and sang it so well that it was encored twice.

To all this Blunderbore listened with apparent rapture, and at length ventured to advance and discover himself; but the instant Whackinta saw him she fell on her knees and trembled violently.

"Spare me, good king," she said; "do not slay me. I am a poor widow, and have been brought here by two bears against my will."

"Woman," said the giant, "my name is Blunderbore. I am, as you perceive by my crown, a king; and I am a lonely man. If I kill the two bears you speak of, will you marry me?"

"Oh, do not ask me, good Blunderbore! I cannot; it is impossible. I cannot love you--you are--forgive me for saying it--too big, and fierce, and ugly to love."

Blunderbore frowned angrily, and the audience applauded vociferously at this.

"You cannot love me! ha!" exclaimed the giant, glaring round with clenched teeth.

At this moment the Big Bear uttered an awful roar, Whackinta gave a piercing scream and fled, and Blunderbore hid himself hastily behind the hummock. The next moment the two bears bounded on the stage and began to gambol round it, tossing up their hind legs and roaring and leaping in a manner that drew forth repeated plaudits. At length the Little Bear discovered the baby, and, uttering a frantic roar of delight, took it in its fore paws and held it up. The Big Bear roared also, of course, and rushing forward caught the baby by the leg, and endeavoured to tear it away from the Little Bear, at which treatment the poor baby again commenced to cry passionately. In the struggle the baby's head came off, upon which the Little Bear put the head into its mouth and swallowed it. The Big Bear immediately did the same with the body; but its mouth was too small, and the body stuck fast and could not be finally disposed of until the Little Bear came to the rescue and pushed it forcibly down its throat. Having finished this delicate little morsel the two bears rose on their hind legs and danced a hornpipe together--Tom Singleton playing the tune for them on a flute behind the scenes. When this was done they danced off the stage, and immediately, as if in the distance, was heard the voice of a man singing. It came gradually nearer, and at last Buzzby, in the character of Ben Bolt, swaggered up to the foot-lights with his hands in his breeches pockets.


"I'm a jolly, jolly tar,
Wot has comed from afar,
An' it's all for to seek my fortin"--


sang Buzzby. "But I've not found it yit," he continued, breaking into prose, "and there don't seem much prospect o' findin' it here anyhow. Wot an 'orrible cold place it is, ugh!"

Buzzby was received with enthusiastic cheers, for he was dressed in the old familiar blue jacket, white ducks, pumps, and straw hat set jauntily on one side of his head--a costume which had not been seen for so many months by the crew of the _Dolphin_, that their hearts warmed to it as if it were an old friend.

Buzzby acted with great spirit, and was evidently a prime favourite. He could scarcely recollect a word of his part, but he remembered the general drift of it, and had ready wit enough to extemporize. Having explained that he was the only survivor of a shipwrecked crew, he proceeded to tell some of his adventures in foreign lands, and afterwards described part of his experiences in a song, to which the doctor played an accompaniment behind the scenes. The words were composed by himself, sung to the well-known Scotch air, "Corn Riggs," and ran as follows:--


THE JOLLY TAR.

My comrades, you must know
It was many years ago
I left my daddy's cottage in the greenwood O!
And I jined a man-o'-war
An' became a jolly tar,
An' fought for king and country on the high seas O!
Pull, boys, cheerily, our home is on the sea
Pull, boys, merrily and lightly O!
Pull, boys, cheerily, the wind is passing free
An' whirling up the foam an' water sky-high O!

There's been many a noble fight,
But Trafalgar was the sight
That beat the Greeks and Romans in their glory O!
For Britain's jolly sons
Worked the thunder-blazing guns,
And Nelson stood the bravest in the fore-front O!
Pull, boys, etc.

A roaring cannon shot
Came an' hit the very spot
Where my leg goes click-an'-jumble in the socket O!
And swept it overboard
With the precious little hoard
Of pipe an' tin an' baccy in the pocket O!
Pull, boys, etc.

They took me down below,
An' they laid me with a row
Of killed and wounded messmates on a table O!
Then up comes Dr.