Caves of Terror by Talbot Mundy (book recommendations txt) 📗
- Author: Talbot Mundy
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"Well; will they object to my religion?" she retorted, mocking him. "Has the British raj at last screwed up its courage to the point of trespassing behind the purdah and blundering in among religious exercises?"
No man in his senses ever challenges a woman's argument until he knows the whole of it and has unmasked its ulterior purpose. So King sat still and said nothing, knowing that that was precisely what she did not want.
"You must make terms with me, heaven-born!" she went on, changing her tone to one of rather more suggestive firmness. "The Kali-Yug (age of darkness) is drawing to a close, and India awakes! There is froth on the surface—a rising here, an agitation there, a deal of wild talk everywhere, and the dead old government proposes to suppress it in the dead old ways, like men with paddles seeking to beat the waves down flat! But the winds of God blow, and the boat of the men with the paddles will be upset presently. Who then shall ride the storm? Their gunners will be told to shoot the froth as it forms and rises! But if there is a wise man anywhere he will make terms with me, and will set himself to guide the underlying forces that may otherwise whelm everything. I think thou art wise, my heaven-born. Thou wert wise once on a time."
"Do you think you can rule India?" King asked her; and he did not make the mistake of suggesting ridicule.
"Who else can do it?" she retorted. "Do you think we come into the world to let fate be our master? Why have I royal blood and royal views, wealth, understanding and ambition, while the others have blindness and vague yearnings? Can you answer?"
"Princess," he answered, "I had only one object in coming here."
"I know that," she said nodding.
"I have simply come to warn you."
"Chut!" she answered with her chin between her hands and her elbows deep in the cushions. "I know how much is known. This man—what is his name? Ramsden? Pouff! Ganesha, here, is far better! Ganesha is from America. Those fools who went to prepare the American mind for what is coming, because they were altogether too foolish to be anything but in the way in India, have been found out, and Ganesha has come like a big bull-buffalo to save the world by thrusting his clumsy horns into things he does not understand! I tell you, Athelstan, that however much is known there is much more that is not known. You would better make terms with me!"
"What you must understand, Princess, is that your plan to overthrow the West and make the East the world's controlling force, is known by those who can prevent you," he answered quietly. "You see, I can't go away from here and tell whoever asks me that you are observing your promise to——"
"No," she interrupted with a ringing merry laugh of triumph. "You speak truth without knowing it! You can not go away!"
Princess Yasmini's boast was good. But we had come to solve a problem, not to run away with it, and she looked disconcerted by our rather obvious willingness to be her prisoners for a while.
"Do you think I can not be cruel?" she asked suddenly.
"I have seen you at your worst, as well as at your best!" King answered.
"You act like a man who has resources. Yet you have none," she answered slowly, as if reviewing all the situation in her mind. "None knows where you are—not even Mulji Singh, with whom you left your other clothes before putting on that uniform the better to impress me! The bag that you and Ganesha share between you, like two mendicants emerging from the jail, is now in a room in this palace. You came because you saw that if I should be arrested there would be insurrection. You said so to Ommony sahib, and his butler overheard. But not even Ommony knows where you are. He said to you: 'If you can defeat that woman without using violence, you'll stand alone in the world as the one man who could do it. But if you use violence, though you kill her, she will defeat you and all the rest of us.' Is not that what your Friend Ommony said?"
"What kind of terms do you want me to make with you, Princess?" King answered.
"I can make you ruler of all India!" she said. "Another may wear the baubles, but thou shalt be the true king, even as thy name is! And behind thee, me, Yasmini, whispering wisdom and laughing to see the politicians strut!"
King leaned back and laughed at her.
"Do you really expect me to help you ruin my own countrymen, go back on my color, creed, education, oath and everything, and——"
"Deluded fools! The East—the East, Athelstan, is waking! Better make terms with me, and thou shalt live to ride on the arising East as God rides on the wind and bits and governs it!"
"Very well," he said. "Show me. I'll do nothing blindfold."
"Hah! Thou art not half-conquered yet," she laughed. "And what of Ganesha? Is this mountain of bones and thews a person to be trusted, or shall we show him how much stronger than him is a horsehair in a clever woman's fingers?"
"This man Ramsden is my friend," King said.
"Are you his friend?" she retorted.
He nodded.
"You are going to see the naked heart of India!" she said. "Better to have your eyes burned out now than see that and be false to it afterward!"
Then, since we failed to order red-hot needles for our eyes, she cried out once—one clear note that sounded almost exactly as if she had struck a silver gong. A woman entered like the living echo to it. Yasmini spoke, and the woman disappeared again.
Below us the river swallowed and gurgled along the palace wall, and we caught the occasional thumping of a boat-pole. The thumping ceased exactly underneath us, and a man began singing in the time-hallowed language of Rajasthan. I think he was looking upward as he sang, for each word reached its goal.
The idle oxen wait!
We pray thee, holy river, rise,
Nor glut thy fields too late!
The year awakes! The slumbering seed
Swells to its birth! Oh river, heed!"
"Strange time of year for that song, Princess! Is that one of your spies?" asked King, not too politely.
"One of my friends," she answered. "I told you: India awakes! But watch."
It was growing dark. Two women came and drew the curtains closer. Other women brought lamps and set them on stools along one wall; others again brought tapers and lit the candles in the hydra-headed candelabra.
"It is really too light yet," Yasmini grumbled, as if the gods who marshal in the night had not kept faith with her. But even so, the shadows danced among India's gods on the wall facing the row of stools.
Then there began wood-wind music, made by musicians out of sight, low and sweet, suggesting unimaginable mysteries, and one by one through the curtains opposite there came in silently seven women on bare feet that hardly touched the carpet; and all the stories about nautch girls, all the travelers' tales of how Eastern women dance with their arms, not feet, vanished that instant into the kingdom of lies. This was dancing—art absolute. They no longer seemed to be flesh and blood women possessed of weight and other limitations; their footfall was hardly audible, and you could not hear them breathe at all. They were like living shadows, and they danced the way the shadows of the branches do on a jungle clearing when a light breeze makes the trees laugh.
It had some sort of mystic meaning no doubt, although I did not understand it; but what I did understand was that the whole arrangement was designed to produce a sort of mesmerism in the beholder.
However, school yourself to live alone and think alone for a quarter of a century or so, meeting people only as man to man instead of like a sheep among a flock of sheep, and you become immune to that sort of thing.
The Princess Yasmini seemed to realize that neither King nor I were being drawn into the net of dreaminess that those trained women of hers were weaving.
"Watch!" said Yasmini suddenly. And then we saw what very few men have been priviliged to see.
She joined the dance; and you knew then who had taught those women. Theirs had been after all a mere interpretation: of her vision. Hers was the vision itself.
She was It—the thing itself—no more an interpretation than anything in nature is. Yasmini became India—India's heart; and I suppose that if King and I had understood her we would have been swept into her vortex, as it were, like drops of water into an ocean.
She was unrestrained by any need, or even willingness to explain herself. She was talking the same language that the nodding blossoms and the light and shadow talk that go chasing each other across the hillsides. And while you watched you seemed to know all sorts of things—secrets that disappeared from your mind a moment afterward.
She began singing presently, commencing on the middle F as every sound in nature does and disregarding conventional limitations just as she did when dancing. She sang first of the emptiness before the worlds were made. She sang of the birth of peoples; of the history of peoples.
She sang of India as the mother of all speech, song, race and knowledge; of truths that every great thinker since the world's beginning has propounded; and of India as the home of all of them, until, whether you would or not, at least you seemed to see the undeniable truth of that.
And then, in a weird, wild, melancholy minor key came the story of the Kali-Yug—the age of darkness creeping over India, condemning her for her sins. She sang of India under the hoof of ugliness and ignorance and plague, and yet of a few who kept the old light burning in secret—of hidden books, and of stuff that men call magic handed down the centuries from lip to lip in caves and temple cellars and mountain fastnesses, wherever the mysteries were safe from profane eyes.
And then the key changed again, striking that fundamental middle F that is the mother-note of all the voices of nature and, as Indians maintain, of the music of the spheres as well. Music and song and dance became laughter. Doubt vanished, for there seemed nothing left to doubt, as she began to sing of India rising at last, again triumphant over darkness, mother of the world and of all the nations of the world, awake, unconquerable.
Never was another song like that one! Nor was there ever such a climax. As she finished on a chord of triumph that seemed like a new spirit bursting the bonds of ancient mystery and sank to the floor among her women, there stood the Gray Mahatma in their midst, not naked any longer, but clothed from head to heel in a saffron-colored robe, and without his paste of ashes.
He stood like a statue with folded arms, his yellow eyes blazing and his look like a lion's; and how he had entered the room I confess I don't know to this hour, nor does Athelstan King, who is a trained observer of unusual happenings. Both doors were closed, and I will take oath that neither had been opened since the women entered.
"Peace!" was his first word, spoken like one in authority, who ordered peace and dared to do it.
He stood looking for more than a minute at King and me with, I think, just a flicker of scorn on his thin lips, as if he were wondering whether we were men enough to face the ordeal before us. Then indefinably, yet quite perceptibly his mood changed and his appearance with it. He held his right hand out.
"Will you not shake hands with me?" he asked smiling.
Now that was a thing that no sanctimonious Brahman would have dreamed of doing, for fear of being defiled by the touch of a casteless foreigner; so he was either above or below the caste laws, and it is common knowledge how those who are below caste cringe and toady. So he evidently reckoned himself above it, and the Indian who can do that has met and overcome more tyranny and terrors than the West knows anything about.
I wish I could make exactly clear what happened when I took his outstretched hand.
His fingers closed on mine with a grip like marble. There are few men who are stronger than I am; I can outlift a stage professional; yet
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