The Count of Monte Cristo - Alexandre Dumas (top 10 novels to read TXT) 📗
- Author: Alexandre Dumas
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It was time, for the jailer was coming. On this occasion he began his rounds at Dantès’ cell, and on leaving him he went on to Faria’s dungeon, taking thither breakfast and some linen. Nothing betokened that the man knew anything of what had occurred. He went on his way.
Dantès was then seized with an indescribable desire to know what was going on in the dungeon of his unfortunate friend. He therefore returned by the subterraneous gallery, and arrived in time to hear the exclamations of the turnkey, who called out for help. Other turnkeys came, and then was heard the regular tramp of soldiers. Last of all came the governor.
Edmond heard the creaking of the bed as they moved the corpse, heard the voice of the governor, who asked them to throw water on the dead man’s face; and seeing that, in spite of this application, the prisoner did not recover, they sent for the doctor. The governor then went out, and words of pity fell on Dantès’ listening ears, mingled with brutal laughter.
“Well, well,” said one, “the madman has gone to look after his treasure. Good journey to him!”
“With all his millions, he will not have enough to pay for his shroud!” said another.
“Oh,” added a third voice, “the shrouds of the Château d’If are not dear!”
“Perhaps,” said one of the previous speakers, “as he was a churchman, they may go to some expense in his behalf.”
“They may give him the honors of the sack.”
Edmond did not lose a word, but comprehended very little of what was said. The voices soon ceased, and it seemed to him as if everyone had left the cell. Still he dared not to enter, as they might have left some turnkey to watch the dead. He remained, therefore, mute and motionless, hardly venturing to breathe. At the end of an hour, he heard a faint noise, which increased. It was the governor who returned, followed by the doctor and other attendants. There was a moment’s silence,—it was evident that the doctor was examining the dead body. The inquiries soon commenced.
The doctor analyzed the symptoms of the malady to which the prisoner had succumbed, and declared that he was dead. Questions and answers followed in a nonchalant manner that made Dantès indignant, for he felt that all the world should have for the poor abbé a love and respect equal to his own.
“I am very sorry for what you tell me,” said the governor, replying to the assurance of the doctor, “that the old man is really dead; for he was a quiet, inoffensive prisoner, happy in his folly, and required no watching.”
“Ah,” added the turnkey, “there was no occasion for watching him; he would have stayed here fifty years, I’ll answer for it, without any attempt to escape.”
“Still,” said the governor, “I believe it will be requisite, notwithstanding your certainty, and not that I doubt your science, but in discharge of my official duty, that we should be perfectly assured that the prisoner is dead.”
There was a moment of complete silence, during which Dantès, still listening, knew that the doctor was examining the corpse a second time.
“You may make your mind easy,” said the doctor; “he is dead. I will answer for that.”
“You know, sir,” said the governor, persisting, “that we are not content in such cases as this with such a simple examination. In spite of all appearances, be so kind, therefore, as to finish your duty by fulfilling the formalities described by law.”
“Let the irons be heated,” said the doctor; “but really it is a useless precaution.”
This order to heat the irons made Dantès shudder. He heard hasty steps, the creaking of a door, people going and coming, and some minutes afterwards a turnkey entered, saying:
“Here is the brazier, lighted.”
There was a moment’s silence, and then was heard the crackling of burning flesh, of which the peculiar and nauseous smell penetrated even behind the wall where Dantès was listening in horror. The perspiration poured forth upon the young man’s brow, and he felt as if he should faint.
“You see, sir, he is really dead,” said the doctor; “this burn in the heel is decisive. The poor fool is cured of his folly, and delivered from his captivity.”
“Wasn’t his name Faria?” inquired one of the officers who accompanied the governor.
“Yes, sir; and, as he said, it was an ancient name. He was, too, very learned, and rational enough on all points which did not relate to his treasure; but on that, indeed, he was intractable.”
“It is the sort of malady which we call monomania,” said the doctor.
“You had never anything to complain of?” said the governor to the jailer who had charge of the abbé.
“Never, sir,” replied the jailer, “never; on the contrary, he sometimes amused me very much by telling me stories. One day, too, when my wife was ill, he gave me a prescription which cured her.”
“Ah, ah!” said the doctor, “I did not know that I had a rival; but I hope, governor, that you will show him all proper respect in consequence.”
“Yes, yes, make your mind easy, he shall be decently interred in the newest sack we can find. Will that satisfy you?”
“Must this last formality take place in your presence, sir?” inquired a turnkey.
“Certainly. But make haste—I cannot stay here all day.” Other footsteps, going and coming, were now heard, and a moment afterwards the noise of rustling canvas reached Dantès’ ears, the bed creaked, and the heavy footfall of a man who lifts a weight sounded on the floor; then the bed again creaked under the weight deposited upon it.
“This evening,” said the governor.
“Will there be any mass?” asked one of the attendants.
“That is impossible,” replied the governor. “The chaplain of the château came to me yesterday to beg for leave of absence, in order to take a trip to Hyères for a week. I told him I would attend to the prisoners in his absence. If the poor abbé had not been in such a hurry, he might have had his requiem.”
“Pooh, pooh;” said the doctor, with the impiety usual in persons of his profession; “he is a churchman. God will respect his profession, and not give the devil the wicked delight of sending him a priest.” A shout of laughter followed this brutal jest. Meanwhile the operation of putting the body in the sack was going on.
“This evening,” said the governor, when the task was ended.
“At what hour?” inquired a turnkey.
“Why, about ten or eleven o’clock.”
“Shall we watch by the corpse?”
“Of what use would it be? Shut the dungeon as if he were alive—that is all.”
Then the steps retreated, and the voices died away in the distance; the noise of the door, with its creaking hinges and bolts ceased, and a silence more sombre than that of solitude ensued,—the silence of death, which was all-pervasive, and struck its icy chill to the very soul of Dantès.
Then he raised the flag-stone cautiously with his head, and looked carefully around the chamber. It was empty, and Dantès emerged from the tunnel.
Chapter 20. The Cemetery of the Château d’If
On the bed, at full length, and faintly illuminated by the pale light that came from the window, lay a sack of canvas, and under its rude folds was stretched a long and stiffened form; it was Faria’s last winding-sheet,—a winding-sheet which, as the turnkey said, cost so little. Everything was in readiness. A barrier had been placed between Dantès and his old friend. No longer could Edmond look into those wide-open eyes which had seemed to be penetrating the mysteries of death; no longer could he clasp the hand which had done so much to make his existence blessed. Faria, the beneficent and cheerful companion, with whom he was accustomed to live so intimately, no longer breathed. He seated himself on the edge of that terrible bed, and fell into melancholy and gloomy reverie.
Alone! he was alone again! again condemned to silence—again face to face with nothingness! Alone!—never again to see the face, never again to hear the voice of the only human being who united him to earth! Was not Faria’s fate the better, after all—to solve the problem of life at its source, even at the risk of horrible suffering?
The idea of suicide, which his friend had driven away and kept away by his cheerful presence, now hovered like a phantom over the abbé’s dead body.
“If I could die,” he said, “I should go where he goes, and should assuredly find him again. But how to die? It is very easy,” he went on with a smile; “I will remain here, rush on the first person that opens the door, strangle him, and then they will guillotine me.”
But excessive grief is like a storm at sea, where the frail bark is tossed from the depths to the top of the wave. Dantès recoiled from the idea of so infamous a death, and passed suddenly from despair to an ardent desire for life and liberty.
“Die? oh, no,” he exclaimed—“not die now, after having lived and suffered so long and so much! Die? yes, had I died years ago; but now to die would be, indeed, to give way to the sarcasm of destiny. No, I want to live; I shall struggle to the very last; I will yet win back the happiness of which I have been deprived. Before I die I must not forget that I have my executioners to punish, and perhaps, too, who knows, some friends to reward. Yet they will forget me here, and I shall die in my dungeon like Faria.”
As he said this, he became silent and gazed straight before him like one overwhelmed with a strange and amazing thought. Suddenly he arose, lifted his hand to his brow as if his brain were giddy, paced twice or thrice round the dungeon, and then paused abruptly by the bed.
“Just God!” he muttered, “whence comes this thought? Is it from thee? Since none but the dead pass freely from this dungeon, let me take the place of the dead!”
Without giving himself time to reconsider his decision, and, indeed, that he might not allow his thoughts to be distracted from his desperate resolution, he bent over the appalling shroud, opened it with the knife which Faria had made, drew the corpse from the sack, and bore it along the tunnel to his own chamber, laid it on his couch, tied around its head the rag he wore at night around his own, covered it with his counterpane, once again kissed the ice-cold brow, and tried vainly to close the resisting eyes, which glared horribly, turned the head towards the wall, so that the jailer might, when he brought the evening meal, believe that he was asleep, as was his frequent custom; entered the tunnel again, drew the bed against the wall, returned to the other cell, took from the hiding-place the needle and thread, flung off his rags, that they might feel only naked flesh beneath the coarse canvas, and getting inside the sack, placed himself in the posture in which the dead body had been laid, and sewed up the mouth of the sack from the inside.
He would have been discovered
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