The Count of Monte Cristo - Alexandre Dumas (top 10 novels to read TXT) 📗

“But what was the fate of the guards who thus possessed his secret?” asked Dantès of himself.

“The fate,” replied he, smiling, “of those who buried Alaric, and were interred with the corpse.”

“Yet, had he come,” thought Dantès, “he would have found the treasure, and Borgia, he who compared Italy to an artichoke, which he could devour leaf by leaf, knew too well the value of time to waste it in replacing this rock. I will go down.”

Then he descended, a smile on his lips, and murmuring that last word of human philosophy, “Perhaps!”

But instead of the darkness, and the thick and mephitic atmosphere he had expected to find, Dantès saw a dim and bluish light, which, as well as the air, entered, not merely by the aperture he had just formed, but by the interstices and crevices of the rock which were visible from without, and through which he could distinguish the blue sky and the waving branches of the evergreen oaks, and the tendrils of the creepers that grew from the rocks.

After having stood a few minutes in the cavern, the atmosphere of which was rather warm than damp, Dantès’ eye, habituated as it was to darkness, could pierce even to the remotest angles of the cavern, which was of granite that sparkled like diamonds.

“Alas,” said Edmond, smiling, “these are the treasures the cardinal has left; and the good abbé, seeing in a dream these glittering walls, has indulged in fallacious hopes.”

But he called to mind the words of the will, which he knew by heart. “In the farthest angle of the second opening,” said the cardinal’s will. He had only found the first grotto; he had now to seek the second. Dantès continued his search. He reflected that this second grotto must penetrate deeper into the island; he examined the stones, and sounded one part of the wall where he fancied the opening existed, masked for precaution’s sake.

The pickaxe struck for a moment with a dull sound that drew out of Dantès’ forehead large drops of perspiration. At last it seemed to him that one part of the wall gave forth a more hollow and deeper echo; he eagerly advanced, and with the quickness of perception that no one but a prisoner possesses, saw that there, in all probability, the opening must be.

However, he, like Cæsar Borgia, knew the value of time; and, in order to avoid fruitless toil, he sounded all the other walls with his pickaxe, struck the earth with the butt of his gun, and finding nothing that appeared suspicious, returned to that part of the wall whence issued the consoling sound he had before heard.

He again struck it, and with greater force. Then a singular thing occurred. As he struck the wall, pieces of stucco similar to that used in the ground work of arabesques broke off, and fell to the ground in flakes, exposing a large white stone. The aperture of the rock had been closed with stones, then this stucco had been applied, and painted to imitate granite. Dantès struck with the sharp end of his pickaxe, which entered someway between the interstices.

It was there he must dig.

But by some strange play of emotion, in proportion as the proofs that Faria, had not been deceived became stronger, so did his heart give way, and a feeling of discouragement stole over him. This last proof, instead of giving him fresh strength, deprived him of it; the pickaxe descended, or rather fell; he placed it on the ground, passed his hand over his brow, and remounted the stairs, alleging to himself, as an excuse, a desire to be assured that no one was watching him, but in reality because he felt that he was about to faint.

The island was deserted, and the sun seemed to cover it with its fiery glance; afar off, a few small fishing boats studded the bosom of the blue ocean.

Dantès had tasted nothing, but he thought not of hunger at such a moment; he hastily swallowed a few drops of rum, and again entered the cavern.

The pickaxe that had seemed so heavy, was now like a feather in his grasp; he seized it, and attacked the wall. After several blows he perceived that the stones were not cemented, but had been merely placed one upon the other, and covered with stucco; he inserted the point of his pickaxe, and using the handle as a lever, with joy soon saw the stone turn as if on hinges, and fall at his feet.

He had nothing more to do now, but with the iron tooth of the pickaxe to draw the stones towards him one by one. The aperture was already sufficiently large for him to enter, but by waiting, he could still cling to hope, and retard the certainty of deception. At last, after renewed hesitation, Dantès entered the second grotto.

The second grotto was lower and more gloomy than the first; the air that could only enter by the newly formed opening had the mephitic smell Dantès was surprised not to find in the outer cavern. He waited in order to allow pure air to displace the foul atmosphere, and then went on.

At the left of the opening was a dark and deep angle. But to Dantès’ eye there was no darkness. He glanced around this second grotto; it was, like the first, empty.

The treasure, if it existed, was buried in this corner. The time had at length arrived; two feet of earth removed, and Dantès’ fate would be decided.

He advanced towards the angle, and summoning all his resolution, attacked the ground with the pickaxe. At the fifth or sixth blow the pickaxe struck against an iron substance. Never did funeral knell, never did alarm-bell, produce a greater effect on the hearer. Had Dantès found nothing he could not have become more ghastly pale.

He again struck his pickaxe into the earth, and encountered the same resistance, but not the same sound.

“It is a casket of wood bound with iron,” thought he.

At this moment a shadow passed rapidly before the opening; Dantès seized his gun, sprang through the opening, and mounted the stair. A wild goat had passed before the mouth of the cave, and was feeding at a little distance. This would have been a favorable occasion to secure his dinner; but Dantès feared lest the report of his gun should attract attention.

He thought a moment, cut a branch of a resinous tree, lighted it at the fire at which the smugglers had prepared their breakfast, and descended with this torch.

He wished to see everything. He approached the hole he had dug, and now, with the aid of the torch, saw that his pickaxe had in reality struck against iron and wood. He planted his torch in the ground and resumed his labor.

In an instant a space three feet long by two feet broad was cleared, and Dantès could see an oaken coffer, bound with cut steel; in the middle of the lid he saw engraved on a silver plate, which was still untarnished, the arms of the Spada family—viz., a sword, en pale, on an oval shield, like all the Italian armorial bearings, and surmounted by a cardinal’s hat.

Dantès easily recognized them, Faria had so often drawn them for him. There was no longer any doubt: the treasure was there—no one would have been at such pains to conceal an empty casket. In an instant he had cleared every obstacle away, and he saw successively the lock, placed between two padlocks, and the two handles at each end, all carved as things were carved at that epoch, when art rendered the commonest metals precious.

Dantès seized the handles, and strove to lift the coffer; it was impossible. He sought to open it; lock and padlock were fastened; these faithful guardians seemed unwilling to surrender their trust. Dantès inserted the sharp end of the pickaxe between the coffer and the lid, and pressing with all his force on the handle, burst open the fastenings. The hinges yielded in their turn and fell, still holding in their grasp fragments of the wood, and the chest was open.