Scaramouche: A Romance of the French Revolution by Rafael Sabatini (i want to read a book txt) 📗

to its passions, despite the attempts made by Chabrillane to restrain him, the Marquis swept aside the curtain at the side of the box, and suddenly showed himself, pale but self-contained and scornful as he surveyed first the daring Scaramouche and then those others who at sight of him had given tongue to their hostility.

Hoots and yells assailed him, fists were shaken at him, canes were brandished menacingly.

“Assassin! Scoundrel! Coward! Traitor!”

But he braved the storm, smiling upon them his ineffable contempt. He was waiting for the noise to cease; waiting to address them in his turn. But he waited in vain, as he very soon perceived.

The contempt he did not trouble to dissemble served but to goad them on.

In the pit pandemonium was already raging. Blows were being freely exchanged; there were scuffling groups, and here and there swords were being drawn, but fortunately the press was too dense to permit of their being used effectively. Those who had women with them and the timid by nature were making haste to leave a house that looked like becoming a cockpit, where chairs were being smashed to provide weapons, and parts of chandeliers were already being used as missiles.

One of these hurled by the hand of a gentleman in one of the boxes narrowly missed Scaramouche where he stood, looking down in a sort of grim triumph upon the havoc which his words had wrought. Knowing of what inflammable material the audience was composed, he had deliberately flung down amongst them the lighted torch of discord, to produce this conflagration.

He saw men falling quickly into groups representative of one side or the other of this great quarrel that already was beginning to agitate the whole of France. Their rallying cries were ringing through the theatre.

“Down with the canaille!” from some.

“Down with the privileged!” from others.

And then above the general din one cry rang out sharply and insistently:

“To the box! Death to the butcher of Rennes! Death to La Tour d’Azyr who makes war upon the people!”

There was a rush for one of the doors of the pit that opened upon the staircase leading to the boxes.

And now, whilst battle and confusion spread with the speed of fire, overflowing from the theatre into the street itself, La Tour d’Azyr’s box, which had become the main object of the attack of the bourgeoisie, had also become the rallying ground for such gentlemen as were present in the theatre and for those who, without being men of birth themselves, were nevertheless attached to the party of the nobles.

La Tour d’Azyr had quitted the front of the box to meet those who came to join him. And now in the pit one group of infuriated gentlemen, in attempting to reach the stage across the empty orchestra, so that they might deal with the audacious comedian who was responsible for this explosion, found themselves opposed and held back by another group composed of men to whose feelings Andre-Louis had given expression.

Perceiving this, and remembering the chandelier, he turned to Leandre, who had remained beside him.

“I think it is time to be going,” said he.

Leandre, looking ghastly under his paint, appalled by the storm which exceeded by far anything that his unimaginative brain could have conjectured, gurgled an inarticulate agreement. But it looked as if already they were too late, for in that moment they were assailed from behind.

M. Binet had succeeded at last in breaking past Polichinelle and Rhodomont, who in view of his murderous rage had been endeavouring to restrain him. Half a dozen gentlemen, habitues of the green-room, had come round to the stage to disembowel the knave who had created this riot, and it was they who had flung aside those two comedians who hung upon Binet. After him they came now, their swords out; but after them again came Polichinelle, Rhodomont, Harlequin, Pierrot, Pasquariel, and Basque the artist, armed with such implements as they could hastily snatch up, and intent upon saving the man with whom they sympathized in spite of all, and in whom now all their hopes were centred.

Well ahead rolled Binet, moving faster than any had ever seen him move, and swinging the long cane from which Pantaloon is inseparable.

“Infamous scoundrel!” he roared. “You have ruined me! But, name of a name, you shall pay!”

Andre-Louis turned to face him. “You confuse cause with effect,” said he. But he got no farther... Binet’s cane, viciously driven, descended and broke upon his shoulder. Had he not moved swiftly aside as the blow fell it must have taken him across the head, and possibly stunned him. As he moved, he dropped his hand to his pocket, and swift upon the cracking of Binet’s breaking cane came the crack of the pistol with which Andre-Louis replied.

“You had your warning, you filthy pander!” he cried. And on the word he shot him through the body.

Binet went down screaming, whilst the fierce Polichinelle, fiercer than ever in that moment of fierce reality, spoke quickly into Andre-Louis’ ear:

“Fool! So much was not necessary! Away with you now, or you’ll leave your skin here! Away with you!”

Andre-Louis thought it good advice, and took it. The gentlemen who had followed Binet in that punitive rush upon the stage, partly held in check by the improvised weapons of the players, partly intimidated by the second pistol that Scaramouche presented, let him go. He gained the wings, and here found himself faced by a couple of sergeants of the watch, part of the police that was already invading the theatre with a view to restoring order. The sight of them reminded him unpleasantly of how he must stand towards the law for this night’s work, and more particularly for that bullet lodged somewhere in Binet’s obese body. He flourished his pistol.

“Make way, or I’ll burn your brains!” he threatened them, and intimidated, themselves without firearms, they fell back and let him pass. He slipped by the door of the green-room, where the ladies of the company had shut themselves in until the storm should be over, and so gained the street behind the theatre. It was deserted. Down this he went at a run, intent on reaching the inn for clothes and money, since it was impossible that he should take the road in the garb of Scaramouche.