Dawn - H. Rider Haggard (books for men to read .txt) 📗

nothing to say, he went on dancing. Presently the waltz came to an end, and Mildred was obliged to hurry off to receive the Portuguese Governor, who had just put in an appearance. Arthur looked at his card, and found that he was down for the next galop with Lady Florence Claverley.

"Our dance again, Lady Florence."

"Really, Mr. Heigham, this is quite shocking. If everybody did not know that you belonged body and soul to the lovely widow, I should be accused of flirting with you."

"Who was it made me promise to dance five times?"

"I did. I want to make Mrs. Carr angry."

"Why should my dancing five or fifty dances with you make Mrs. Carr angry?"

Lady Florence shrugged her pretty shoulders.

"Are you blind?" she said.

Arthur felt uncomfortable.

In due course, however, the last waltz before supper came round, and he, as agreed upon, danced it with his hostess. As the strains of the music died away, the doors of the supper-room and tent were thrown open.

"Now, Arthur," said Mildred, "take me in to supper."

He hesitated.

"The Portuguese Governor----" he began.

She stamped her little foot, and her eyes gave an ominous flash.

"Must I ask you twice?" she said.

Then he yielded, though the fact of being for the second time that night placed in an unnecessarily prominent position made him feel more uncomfortable than ever, for they were seated at the head of the top table. Mildred Carr was in the exact centre, with himself on her right and the Portuguese Governor on the left. To Arthur's left was Lady Florence, who took an opportunity to assure him solemnly that he really "bore his blushing honours, very nicely," and to ask him "how he liked the high places at feasts?"

The supper passed off as brilliantly as most successful suppers do. Mrs. Carr looked charming, and her conversation sparkled like her own champagne; but it seemed to him that, as in the case of the wine, there was too much sting in it. The wine was a little too dry, and her talk a little too full of suppressed sarcasm, though he could not quite tell what it was aimed at, any more than he could trace the source of the champagne bubbles.

Supper done, he led her back to the ball-room. The second extra was just beginning, and she stood as though she were expecting him to ask her to dance it.

"I am sorry, Mildred, but I must go now. I am engaged this dance."

"Indeed--who to?" This was very coldly said.

"Lady Florence," he answered, confusedly, though there really was no reason why he should be ashamed.

She looked at him steadily.

"Oh! I forgot, for to-night you are her monopoly. Good-bye."

A little while after this, Arthur thought that he had had about enough dancing for awhile, and went and sat by himself in a secluded spot under the shadow of a tree-fern in a temporary conservatory put up outside a bow-window. The Chinese lantern that hung upon the fern had gone out, leaving his chair in total darkness. Presently a couple, whom he did not recognize, for he only saw their backs, strayed in, and placed themselves on a bench before him in such a way as to entirely cut off his retreat. He was making up his mind to disturb them, when they began a conversation, in which the squeezing of hands and mild terms of endearment played a part. Fearing to interrupt, lest he should disturb their equanimity, he judged it best to stop where he was. Presently, however, their talk took a turn that proved intensely interesting to him. It was something as follows:--

She. "Have you seen the hero of the evening?"

He. "Who? Do you mean the Portuguese Governor in his war-paint?"

She. "No, of course not. You don't call him a hero, do you? I mean our hostess's fiance, the nice-looking young fellow who took her in to supper."

He. "Oh, yes. I did not think much of him. Lucky dog! but he must be rather mean. They say that he is engaged to a girl in England, and has thrown her over for the widow."

She. "Ah, you're jealous! I know that you would like to be in his shoes. Come, confess."

He. "You are very unkind. Why should I be jealous when----"

She. "Well, you need not hurt my hand, and will you never remember that black shows against white!"

He. "It's awfully hot here; let's go into the garden." [Exuent.]

CHAPTER XLVII

 

Arthur emerged from his hiding-place, horror-struck at hearing what was being said about him, and wondering, so far as he was at the moment capable of accurate thought, how long this report had been going about, and whether by any chance it had reached the ears of the Bellamys. If it had, the mischief might be very serious. In the confusion of his mind, only two things were clear to him--one was, that both for Mildred's and his own sake, he must leave Madeira at once; and, secondly, that he would dance no more with her that night.

Meanwhile the ball was drawing to a close, and presently he heard the strains of the last galop strike up. After the band had been playing for a minute or two, a natural curiosity drew him to the door of the ball-room, to see if Mildred was dancing with anybody else. Here he found Lady Florence, looking rather disconsolate.

"How is it that you are not dancing?" she asked.

He murmured something inaudible about "partner."

"Well, we are in the same box. What do you think? I promised this galop to Captain Clemence, and now there he is, vainly trying to persuade Mrs. Carr, who won't look at him, and appears to be waiting for somebody else--you, I should think--to give him the dance. I will be even with him, though."

Just then the music reached a peculiarly seductive passage.

"Oh, come along!" said Lady Florence, quite regardless of the proprieties; and, before Arthur well knew where he was, he was whirling round the room.

Mrs. Carr was standing at the top corner, where the crush obliged him to slacken his pace, and, as he did so, he caught her eye. She was talking to Lady Florence's faithless partner, with a smile upon her lips; but one glance at her face sufficed to tell him that she was in a royal rage, and, what was more, with himself. His partner noticed it, too, and was amused.

"Unless I am mistaken, Mr. Heigham, you have come into trouble. Look at Mrs. Carr." And she laughed.

But that was not all. Either from sheer mischief, or from curiosity to see what would happen, she insisted upon stopping, as the dance drew to a close, by Mildred's corner. That lady, however, proved herself equal to the occasion.

"Mr. Heigham," she said sweetly, "do you know that that was our dance?"

"Oh, was it?" he replied, feeling very much a fool.

"Yes, certainly it was; but with such a temptation to error"--and she smiled towards Lady Florence--"it is not wonderful that you made a mistake, and, as you look so contrite, you shall be forgiven. Agatha, there's a dear, just ask that man to go up to the band, and tell them to play another waltz, 'La Berceuse,' before 'God save the Queen.'"

Arthur felt all the while, though she was talking so suavely, that she was in a state of suppressed rage; once he glanced at her, and saw that her eyes seemed to flash. But her anger only made her look more lovely, supplying as it did an added dignity and charm to her sweet features. Nor did she allow it to have full play.

Mildred felt that the crisis in her fortunes was far too serious to admit of being trifled with. She knew how unlikely it was that she would ever have a better chance with Arthur than she had now, for the mirrors told her that she was looking her loveliest, which was very lovely indeed. In addition, she was surrounded by every seductive circumstance that could assist to compel a young man, however much engaged, to commit himself by some act or words of folly. The sound and sights of beauty, the rich odour of flowers, the music's voluptuous swell, and last, but not least, the pressure of her gracious form and the glances from her eyes, which alone were enough to make fools of ninety-nine out of every hundred young men in Europe --all these things combined to help her. And to them must be added her determination, that concentrated strength of will employed to a single end, which, if there be any truth in the theories of the action of mind on mind, cannot fail to influence the individual on whom it is directed.

"Now, Arthur."

The room was very nearly clear, for it was drawing towards daylight when they floated away together. Oh! what a waltz that was! The incarnate spirit of the dance took possession of them. She waltzed divinely, and there was scarcely anything to check their progress. On, on they sped with flying feet as the music rose and fell above them. And soon things began to change for Arthur. All sense of embarrassment and regret vanished from his mind, which now appeared to be capable of holding but one idea of the simplest and yet the most soaring nature. He thought that he was in heaven with Mildred Carr. On, still on; now he saw nothing but her shell-like face and the large flash of the circling diamonds, felt nothing but the pressure of her form and her odorous breath upon his cheek, heard nothing but the soft sound of her breathing. Closer he clasped her; there was no sense of weariness in his feet or oppression in his lungs; he could have danced for ever. But all too soon the music ceased with a crash, and they were standing with quick breath and sparkling eyes by the spot that they had started from. Close by Miss Terry was sitting yawning.

"Agatha, say good-bye to those people for me. I must get a breath of fresh air. Give me a glass of water, please, Arthur."

He did so, and, by way of composing his own nerves, took a tumbler of champagne. He had no longer any thought of anxiety or danger, and he, too, longed for air. They passed out into the garden, and, by a common consent, made their way to the museum verandah, which was, as it proved, quite deserted.

The night, which was drawing to its close, was perfect. Far over the west the setting moon was sinking into the silver ocean, whilst the first primrose hue of dawn was creeping up the eastern sky. It was essentially a dangerous night, especially after dancing and champagne --a night to make people do and say regrettable things; for, as one of the poets--is it not Byron?--has profoundly remarked, there is the very devil in the moon at times.

They stood and gazed awhile at the softness of its setting splendours, and listened to the sounds of the last departing guests fading into silence, and to the murmurs of the quiet sea. At last she spoke, very low and musically.

"I was angry with you. I brought you here to scold you; but on such a night I cannot find the heart."

"What did you want