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so happy now--so happy that I scarcely dare to speak, for fear lest I should break the spell, and I feel so good--so much nearer heaven. When I think of all my past life, it seems like a stupid dream full of little nothings, of which I cannot recall any memory except that they were empty and without meaning. But the future is worse than the past, because it looks fair, and snakes always hide in flowers. It makes me afraid. How do I know what the future will bring? I wish that the present--the pleasant, certain present that I hold with my hand--could last for ever."

"Who does know, Mildred? If the human race could see the pleasant surprises in store for it individually, I believe that it would drown itself en masse. Who has not sometimes caught at the skirt of to-day and cried, 'Stay a little--do not let to-morrow come yet!' You know the lines--

"'O temps suspends ton vol, et vous heures propices Suspendez votre cours, Laissez nous savourer les rapides delices Des plus beaux de nos jours.'

"Lamartine only crystallized a universal aspiration when he wrote that."

"Oh! Arthur, I tell you of love and happiness wide as the great sea round us, and you talk of 'universal aspirations.' It is the first cold breath from that grey-skied future that I fear. Oh! dear, I wonder--you do not know how I wonder--if, should you ask me again, I shall ever with a clear conscience be able to say, 'Arthur, I will marry you.'"

"My dear, I asked you to be my wife last night, and what I said then I say again now. In any case, until you dismiss me, I consider myself bound to you; but I tell you frankly that I should myself prefer that you would marry me for both our sakes."

"How cold and correct you are, how clearly you realize the position in which I am likely to be put, and in what a gentlemanlike way you assure me that your honour will always keep you bound to me! That is a weak thread, Arthur, in matters of the heart. Let Angela reappear as my rival--would honour keep you to my side? Honour, forsooth! it is like a nurse's bogey in the cupboard--it is a shibboleth men use to frighten naughty women with, which for themselves is almost devoid of meaning. Even in this light I can see your face flush at her name. What chance shall I ever have against her?"

"Do not speak of her, Mildred; let her memory be dead between us. She who belonged to me before God, and whom I believed in as I believe in my God, she offered me the most deadly insult that a woman can offer to a man she loves--she sold herself. What do I care what the price was, whether it were money, or position, or convenience, or the approbation of her surroundings? The result is the same. Never mention her name to me again; I tell you that I hate her."

"What a tirade! There is warmth enough about you now. I shall be careful how I touch on the subject again; but your very energy shows that you are deceiving yourself. I wish I could hear you speak of me like that, because then I should know you loved me. Oh! if she only knew it--she has her revenge for all your bitter words. You are lashed to her chariot-wheels, Arthur. You do not hate her; on the contrary, you still long to see her face; it is still your secret and most cherished hope that you will meet her again either in this or another world. You love her as much as ever. If she were dead, you could bear it; but the sharpest sting of your suffering lies in the humiliating sense that you are forced to worship a god you know to be false, and to give your own pure love to a woman whom you see debased."

He put his hands to his face and groaned aloud.

"You are right," he said. "I would rather have known her dead than know her as she is. But there is no reason why I should bore you with all this."

"Arthur, you are nothing if not considerate, and I do not pretend that this is a very pleasant conversation for me; but I began it, so I suppose I must endure to see you groaning for another woman. You say," she went on, with a sudden flash of passion, "that you should like to see her dead. I say that I should like to kill her, for she has struck me a double blow--she has injured you whom I love, and she has beggared me of your affection. Oh! Arthur," she continued, changing her voice and throwing a caressing arm about his neck, "have you no heart left to give me? is there no lingering spark that I can cherish and blow to flame? I will never treat you so, dear. Learn to love me, and I will marry you and make you happy, make you forget this faithless woman with the angel face. I will----" here her voice broke down in sobs, and in the starlight the great tears glistened upon her coral-tinted face like dew-drops on a pomegranate's blushing rind.

"There, there, dear, I will try to forget; don't cry," and he touched her on the forehead with his lips.

She stopped, and then said, with just the faintest tinge of bitterness in her voice: "If it had been Angela who cried, you would not be so cold, you would have kissed away her tears."

Who can say what hidden chord of feeling those words touched, or what memories they awoke? but their effect upon Arthur was striking. He sprang up upon the deck, his eyes blazing, and his face white with anger.

"How often," he said, "must I forbid you to mention the name of that woman to me? Do you take a pleasure in torturing me? Curse her, may she eat out her empty heart in solitude, and find no living thing to comfort her! May she suffer as she makes me suffer, till her life becomes a hell----"

"Be quiet, Arthur, it is shameful to say such things."

He stopped, and after the sharp ring of his voice, that echoed like the cry wrung from a person in intense pain, the loneliness and quiet of the night were very deep. And then an answer came to his mad, unmanly imprecations. For suddenly the air round them was filled with the sound of his own name uttered in such wild, despairing accents as, once heard, were not likely to be forgotten, accents which seemed to be around them and over them, and heard in their own brains, and yet to come travelling from immeasurable distances across the waste of waters.

"Arthur! Arthur!"

The sound that had sprung from nothing died away into nothingness again, and the moonlight glanced, and the waters heaved, and gave no sign of the place of its birth. It had come and gone, awful, untraceable, and in the place of its solemnity reigned silence absolute.

They looked at each other with scared eyes.

"As I am a living man that voice was Angela's!"

This was all he said.

CHAPTER LXVI

 

Dr. Williamson was a rising young practitioner at Roxham, and what is more, a gentleman and a doctor of real ability.

On the night that Lady Bellamy took the poison he sat up very late, till the dawn, in fact, working up his books of reference with a view to making himself as much the master as possible of the symptoms and most approved treatment in such cases of insanity as appeared to resemble Angela Caresfoot's. He had been called in to see her by Mr. Fraser, and had come away intensely interested from a medical point of view, and very much puzzled.

At length he shut up his books with a sigh--for, like most books, though full of generalities, they did not tell him much--and went to bed. Before he had been asleep very long, however, the surgery bell was violently rung, and, having dressed himself with the rapidity characteristic of doctors and schoolboys, he descended to find a frightened footman waiting outside, from whom he gathered that something dreadful had happened to Lady Bellamy, who had been found lying apparently dead upon the floor of her drawing-room. Providing himself with some powerful restoratives and a portable electric battery he drove rapidly over to Rewtham House.

Here he found the patient laid upon a sofa in the room where she had been found, and surrounded by a mob of terrified and half-dressed servants. At first he thought life was quite extinct, but presently he fancied that he could detect a faint tremor of the heart. He applied the most powerful of his restoratives and administered a sharp current from the battery, and, after a considerable time, was rewarded by seeing the patient open her eyes--but only to shut them again immediately. Directing his assistant to continue the treatment, he tried to elicit some information from the servants as to what had happened, but all he could gather was that the maid had received a message not to sit up. This made him suspicious of an attempt at suicide, and just then his eye fell upon a wineglass that lay upon the floor, broken at the shank. He took it up; in the bowl there was still a drop or two of liquid. He smelt it, then dipped his finger in and tasted it, with the result that his tongue was burnt and became rough and numb. Then his suspicions were confirmed.

Presently Lady Bellamy opened her eyes again, and this time there was intelligence in them. She gazed round her with a wondering air. Next she spoke.

"Where am I?"

"In your own drawing-room, Lady Bellamy. Be quiet now, you will be better presently."

She tried first to move her head, then her arm, then her lower limbs, but they would not stir. By this time her faculties were wide awake.

"Are you the doctor?" she said.

"Yes, Lady Bellamy."

"Then tell me why cannot I move my arms."

He lifted her hand; it fell again like a lump of lead--and Dr. Williamson looked very grave. Then he applied a current of electricity.

"Do you feel that?" he asked.

She shook her head.

"Why cannot I move? Do not trifle with me, tell me quick."

Dr. Williamson was a young man, and had not quite conquered nervousness. In his confusion, he muttered something about "paralysis."

"How is it that I am not dead?"

"I have brought you back to life, but pray do not talk."

"You fool, why could you not let me die? You mean that you have brought my mind to life, and left my body dead. I feel now that I am quite paralysed."

He could not answer her, what she said was only too true, and his look told her so. She gazed steadily at him for a moment as he bent over her, and realized all the horrors of her position, and for the first time in her life her proud spirit absolutely gave way. For a few seconds she was silent, and then, without any change coming over the expression of her features--for the wild gaze with which

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