The Companions of Jehu - Alexandre Dumas (best biographies to read txt) 📗

man raised some objections against opening the church at that hour of the night; but a piece of gold and Mademoiselle de Montrevel’s name dispelled his scruples. A second gold piece decided him to light a little chapel. It was the one in which Amélie had made her first communion. There, kneeling before the altar, she implored them to leave her alone.

Toward three in the morning she saw the colored window above the altar of the Virgin begin to lighten. It looked to the east, so that the first ray of light came direct to her eyes as a messenger from God.

Little by little the town awoke. To Amélie the noise seemed louder than ever before. Soon the vaulted ceiling of the church shook with the tramp of a troop of horsemen. This troop was on its way to the prison.

A little before nine the young girl heard a great noise, and it seemed to her that the whole town must be rushing in the same direction. She strove to lose herself in prayer, that she might not hear these different sounds that spoke to her in an unknown language of which her anguish told her she understood every word.

In truth, a terrible thing was happening at the prison. It was no wonder that the whole town had rushed thither.

At nine o’clock Père Courtois entered the jail to tell the prisoners at one and the same time that their appeal had been rejected and that they must prepare for immediate death. He found the four prisoners armed to the teeth.

The jailer, taken unawares, was pulled into the cell and the door locked behind him. Then the young men, without any defence on his part, so astonished was he, seized his keys, and passing through the door opposite to the one by which he had entered they locked it on him. Leaving him in their cell, they found themselves in the adjoining one, in which he had placed three of them during Amélie’s interview with Morgan.

One of the keys on the jailer’s bunch opened the other door of this cell, and that door led to the inner courtyard of the prison. This courtyard was closed by three massive doors, all of which led to a sort of lobby, opening upon the porter’s lodge, which in turn adjoined the law-courts. From this lodge fifteen steps led down into a vast courtyard closed by an iron gate and railing. Usually this gate was only locked at night. If it should happen to be open on this occasion it would offer a possibility of escape.

Morgan found the key of the prisoners’ court, opened the door, and rushed with his companions to the porter’s lodge and to the portico, from which the fifteen steps led down into the courtyard. From there the three young men could see that all hope was lost.

The iron gate was closed, and eighty men, dragoons and gendarmes, were drawn up in front of it.

When the four prisoners, free and armed to the teeth, sprang from the porter’s lodge to the portico, a great cry, a cry of astonishment and terror, burst from the crowd in the street beyond the railing.

Their aspect was formidable, indeed; for to preserve the freedom of their movements, perhaps to hide the shedding of blood, which would have shown so quickly on their white linen, they were naked to the waist. A handkerchief knotted around their middle bristled with weapons.

A glance sufficed to show them that they were indeed masters of their own lives, but not of their liberty. Amid the clamoring of the crowd and the clanking of the sabres, as they were drawn from their scabbards, the young men paused an instant and conferred together. Then Montbar, after shaking hands with his companions, walked down the fifteen steps and advanced to the gate.

When he was within four yards of the gate he turned, with a last glance at his comrades, bowed graciously to the now silent mob, and said to the soldiers: “Very well, gentlemen of the gendarmerie! Very well, dragoons!”

Then, placing the muzzle of his pistol to his mouth, he blew out his brains.

Confused and frantic cries followed the explosion, but ceased almost immediately as Valensolle came down the steps, holding in his hand a dagger with a straight and pointed blade. His pistols, which he did not seem inclined to use, were still in his belt.

He advanced to a sort of shed supported on three pillars, stopped at the first pillar, rested the hilt of his dagger upon it, and, with a last salutation to his friends, clasped the column with one arm till the blade had disappeared in his breast. For an instant he remained standing, then a mortal pallor overspread his face, his arm loosened its hold, and he fell to the ground, stone-dead.

The crowd was mute, paralyzed with horror.

It was now Ribier’s turn. He advanced to the gate, and, once there, aimed the two pistols he held at the gendarmes. He did not fire, but the gendarmes did. Three or four shots were heard, and Ribier fell, pierced by two balls.

Admiration seized upon the spectators at sight of these successive catastrophes. They saw that the young men were willing to die, but to die with honor, and as they willed, and also with the grace of the gladiators of antiquity. Silence therefore reigned when Morgan, now left alone, came smiling down the steps of the portico and held up his hand in sign that he wished to speak. Besides, what more could it want—this eager mob; watching for blood?

A greater sight had been given to it than it came to see. Four dead men had been promised to it; four heads were to be cut off; but here was variety in death, unexpected, picturesque. It was natural, therefore, that the crowd should keep silence when Morgan was seen to advance.

He held neither pistols nor daggers in his hands; they were in his belt. He passed the body of Valensolle, and placed himself between those of Jayat and Ribier.

“Gentlemen,” said he, “let us negotiate.”

The hush that followed was so great that those present seemed scarcely to breathe. Morgan said: “There lies a man who has blown out his brains [he pointed to Jayat]; here lies one who stabbed himself [he designated Valensolle]; a third who has been shot [he indicated Ribier]; you want to see the fourth guillotined. I understand that.”

A dreadful shudder passed through the crowd.

“Well,” continued Morgan, “I am willing to give you that satisfaction. I am ready, but I desire to go to the scaffold in my own way. No one shall touch me; if any one does come near me I shall blow out his brains—except that gentleman,” continued Morgan, pointing to the executioner. “This is his affair and mine only.”

The crowd apparently thought this request reasonable, for from all sides came the cry, “Yes, yes, yes.”

The officer saw that the quickest way to end the matter was to yield to Morgan’s demand.

“Will you promise me,” he asked, “that if your hands and feet are not bound you will not try to escape?”

“I give my word of honor,” replied Morgan.

“Then,” said the officer; “stand aside, and let us take up the bodies of your comrades.”

“That is but right,” said Morgan, and he turned aside to a wall about ten paces distant and leaned against it.

The gate opened. Three men dressed in black entered the courtyard and picked up the bodies one after the other. Ribier was not quite dead; he opened his eyes and seemed to look for Morgan.

“Here I am,” said the latter. “Rest easy, dear friend, I follow.”

Ribier closed his eyes without uttering a word.

When the three bodies had been removed, the officer of the gendarmerie addressed Morgan.

“Are you ready, sir?” he asked.

“Yes,” replied Morgan, bowing with exquisite politeness.

“Then come.”

“I come.”

And he took his place between a platoon of gendarmerie and a detachment of dragoons.

“Will you mount the cart, sir, or go on foot?” asked the captain.

“On foot, on foot, sir. I am anxious that all shall see it is my pleasure to be guillotined, and that I am not afraid.”

The sinister procession crossed the Place des Lisses and skirted the walls of the Hôtel Montbazon. The cart bearing the three bodies came first, then the dragoons, then Morgan walking alone in a clear space of some ten feet before and behind him, then the gendarmes. At the end of the wall they turned to the left.

Suddenly, through an opening that existed at that time between the wall and the marketplace, Morgan saw the scaffold raising its two posts to heaven like two bloody arms.

“Faugh!” he exclaimed, “I have never seen a guillotine, and I had no idea it was so ugly.”

Then, without further remark, he drew his dagger and plunged it into his breast up to the hilt.

The captain of the gendarmerie saw the movement without being in time to prevent it. He spurred his horse toward Morgan, who, to his own amazement and that of every one else, remained standing. But Morgan, drawing a pistol from his belt and cocking it, exclaimed: “Stop! It was agreed that no one should touch me. I shall die alone, or three of us will die together.”

The captain reined back his horse.

“Forward!” said Morgan.

They reached the foot of the guillotine. Morgan drew out his dagger and struck again as deeply as before. A cry of rage rather than pain escaped him.

“My soul must be riveted to my body,” he said.

Then, as the assistants wished to help him mount the scaffold on which the executioner was awaiting him, he cried out: “No, I say again, let no one touch me.”

Then he mounted the three steps without staggering.

When he reached the platform, he drew out the dagger again and struck himself a third time. Then a frightful laugh burst from his lips; flinging the dagger, which he had wrenched from the third ineffectual wound, at the feet of the executioner, he exclaimed: “By my faith! I have done enough. It is your turn; do it if you can.”

A minute later the head of the intrepid young man fell upon the scaffold, and by a phenomenon of that unconquerable vitality which he possessed it rebounded and rolled forward beyond the timbers of the guillotine.

Go to Bourg, as I did, and they will tell you that, as the head rolled forward, it was heard to utter the name of Amélie.

The dead bodies were guillotined after the living one; so that the spectators, instead of losing anything by the events we have just related, enjoyed a double spectacle.