The Story of Mary MacLane - Mary MacLane (great reads .txt) 📗

at Jerusalem with six tooth-brushes and Nothingness. In that case she might have rushed gladly into the arms of thieves.

I think of crimes that would strike horror and revulsion to my maid-senses. And I think of my Nothingness, and I ask myself were it not better to walk the earth an outcast, a solitary woman, and meet and face even these, than that each and every one of my woman-senses should wear slowly, painfully to shreds, and strain and break—in this unnameable Nothing?

Oh, the dreariness—the hopelessness of Nothing!

There are no words to tell it. And things are always hardest to bear when there are no words for them.

However great one’s gift for language may be there is always something that one can not tell.

I am weary of self—always self. But it must be so.

My life is filled with self.

If my soul could awaken fully perhaps I might be lifted out of myself—surely I should be. But my soul is not awake. It is awakening, trying to open its eyes; and it is crying out blindly after something, but it can not know. I have a dreadful feeling that it will stay always like this.

Oh, I feel everything—everything! I feel what might be. And there is Nothing. There are six tooth-brushes.

Would I stop for a few fine distinctions, a theory, a natural law even, to escape from this into Happiness—or into something greatly less?

Misery—misery! If only I could feel it less!

Oh, the weariness, the weariness—as I await the Devil’s coming.

*

February 8

Often I walk out to a place on the flat valley below the town, to flirt with Death. There is within me a latent spirit of coquetry, it appears.

Down on the flat there is a certain deep dark hole with several feet of water at the bottom.

This hole completely fascinates me. Sometimes when I start out to walk in a quite different direction, I feel impelled almost irresistibly to turn and go down on the flat in the direction of the fascinating, deep black hole.

And here I flirt with Death. The hole is so narrow—only about four feet across—and so dark, and so deep! I don’t know whether it was intended to be a well, or whether it is an abandoned shaft of some miner. At any rate it is isolated and deserted, and it has a rare loving charm for me.

I go there sometimes in the early evening and kneel on the edge of it, and lean over the dark pit, with my hand grasping a wooden stake that is driven into the ground near by. And I drop little stones down and hear them splash hollowly, and it sounds a long way off.

There is something wonderfully soothing, wonderfully comforting to my unrestful, aching wooden heart in the dark mystery of this fascinating hole. Here is the End for me, if I want it—here is the Ceasing, when I want it. And I lean over and smile quietly.

“No flowers,” I say to myself, “no weeping idiots, no senseless funeral, no oily undertaker fussing over my woman’s-body, no useless Christian prayers. Nothing but this deep dark restful grave.”

No one would ever find it. It is a mile and a half from any house.

The water—the dark still water at the bottom—would gurgle over me and make an end quickly. Or if I feared there was not enough water, I would bring with me a syringe and some morphine and inject an immense quantity into one white arm, and kneel over the tender darkness until my youth-weary, waiting-worn senses should be overcome, and my slim light body should fall. It would splash into the water at bottom—it would follow the little stones at last. And the black muddy water would soak in and begin the destroying of my body, and murky bubbles would rise so long as my lungs continued to breathe. Or perhaps my body would fall against the side of the hole, and the head would lie against it out of the water. Or perhaps only the face would be out of the water, turned upward to the light above—or turned half-down, and the hair would be darkly wet and heavy, and the face would be blue-white below it, and the eyes would sink inward.

“The End, the End—” I say softly and ecstatically. Yet I do not lean farther out. My hand does not loosen its tight grasp on the wooden stake. I am only flirting with Death now.

Death is fascinating—almost like the Devil. Death makes use of all his arts and wiles, powerful and alluring, and flirts with deadly temptation for me. And I make use of my arts and wiles—and tempt him.

Death would like dearly to have me, and I would like dearly to have him. It is a flirtation that has its source in mutual desire. We do not love each other, Death and I,—we are not friends. But we desire each other sensually, lustfully.

Sometime I suppose I shall yield to the desire. I merely play at it now—but in an unmistakable manner. Death knows it is only a question of time.

But first the Devil must come. First the Devil, then Death: a deep dark soothing grave—and the early evening, “and a little folding of the hands to sleep.”

*

February 12

I am in no small degree, I find, a sham—a player to the gallery. Possibly this may be felt as you read these analyses.

While all of these emotions are written in the utmost seriousness and sincerity, and are exactly as I feel them, day after day—so far as I have the power to express what I feel—still I aim to convey through them all the idea that I am lacking in the grand element of Truth—that there is in the warp and woof of my life a thread that is false—false.

I don’t know how to say this without the fear of being misunderstood. When I say I am in a way a sham, I have no reference to the truths as I have given them in this Portrayal, but to a very light and subtle thing that runs through them.

Oh, do not think for an instant that this analysis of my emotions is not perfectly sincere and real, and that I have not felt all of them more than I can put into words. They are my tears—my life-blood!

But in my life, in my personality, there is an essence of falseness and insincerity. A thin, fine vapor of fraud hangs always over me and dampens and injures some things in me that I value.

I have not succeeded thoroughly in analyzing this—it is so thin, so elusive, so faint—and yet not little. It is a natural thing enough viewed in the light of my other traits.

I have lived my nineteen years buried in an environment at utter variance with my natural instincts, where my inner life is never touched, and my sympathies very rarely, if ever, appealed to. I never disclose my real desires or the texture of my soul.—Never, that is to say, to any one except my one friend, the anemone lady.—And so every day of my life I am playing a part; I am keeping an immense bundle of things hidden under my cloak. When one has played a part—a false part—all one’s life, for I was a sly, artful little liar even in the days of five and six, then one is marked. One may never rid oneself of the mantle of falseness, charlatanry—particularly if one is innately a liar.

A year ago when the friendship of my anemone lady was given me, and she would sometimes hear sympathetically some long-silent bit of pain, I felt a snapping of tense-drawn cords, a breaking away of flood-gates—and a strange new pain. I felt as if I must clasp her gentle hand tightly and give way to the pent-up surging tears of eighteen years. I had wanted this tender thing more than anything else all my life, and it was given me suddenly.

I felt a convulsion and a melting, within.

But I could not tell my one friend exactly what I felt. There was no doubt in my own mind as to my own perfect sincerity of feeling, but there was with it and around it this vapor of fraud, a spirit of falseness that rose and confronted me and said “hypocrite,” “fool.”

It may be that the spirit of falseness is itself a false thing—yet true or false, it is with me always. I have tried, in writing out my emotions, to convey an idea of this sham element while still telling everything faithfully true. Sometimes I think I have succeeded, and at other times I seem to have signally failed. This element of falseness is absolutely the very thinnest, the very finest, the rarest of all the things in my many-sided character.

It is not the most unimportant.

I have seen visions of myself walking in various pathways. I have seen myself trying one pathway and another. And always it is the same: I see before me in the path, darkening the way and filling me with dread and discouragement, a great black shadow—the shadow of my own element of falseness.

I can not rid myself of it.

I am an innate liar.

This is a hard thing to write about. Of all things it is the most liable to be misunderstood. You will probably misunderstand it, for I have not succeeded in giving the right idea of it. I aimed at it and missed it. It eluded me completely.

You must take the idea as I have just now presented it for what it may be worth. This is as near as I can come to it. But it is something infinitely finer and rarer.

It is a difficult task to show to others a thing which, though I feel and recognize it thoroughly, I have not yet analyzed for myself.

But this is a complete Portrayal of me—as I await the Devil’s coming—and I must tell everything—everything.

*

February 13

So then yes. As I have said, I find that I am quite, quite odd. My various acquaintances say that I am funny. They say, “Oh, it’s that May MacLane, Dolly’s younger sister. She’s funny.” But I call it oddity. I bear the hall-mark of oddity.

There was a time, a year or two since, when I was an exceedingly sensitive little fool. Sensitive in that it used to strike very deep when my young acquaintances would call me funny and find in me a vent for their distinctly unfriendly ridicule. My years in the High School were not years of joy. Two years ago I had not yet risen above these things. I was a sensitive little fool.

But that sensitiveness, I rejoice to say, has gone from me. The opinion of these young people, or of these old people, is now a thing that is quite unable to affect me.

The more I see of conventionality, it seems, the more I am odd.

Though I am young and feminine—very feminine—yet I am not that quaint conceit, a girl: the sort of person that Laura E. Richards writes about, and Nora Perry, and Louisa M. Alcott,—girls with bright eyes, and with charming faces—(they always have charming faces),—standing with reluctant feet where the brook and river meet,—and all that sort of thing.

I missed all that.

I have read some girl-books, a few years ago—_Hildegarde Graham_, and What Katy Did, and all,—but I read them from afar. I looked at those creatures from behind a high board fence. I felt as if I had more tastes in common with the Jews wandering through the Wilderness, or with a band of