Diary 2 - DeYtH Banger (english novels for beginners TXT) 📗

staircase?

SCP-085: No, as far as I can tell it just loops around down/up all the time. Why don't more staircases do that? It's pretty neat.

 

After this session, SCP-085 requested several 'impossible' objects in her own environment. These requests are pending O5 review.

 

Document #085-2: Incident 085-A

 

Prior to ██-██-████, SCP-085 was unaware of its status as a 2-Dimensional object in a 3-Dimensional world: prior security protocols required that SCP-085 be kept unaware of its true nature in order to prevent psychological distress: discrepancies with the perceived "real world" were presented as dreams or nightmares, and an effort was made to present SCP-085 with a scenario in which it was the last surviving human in a post-apocalyptic world, searching for survivors.

 

The deception was quickly broken following an incident where an SCP Foundation researcher accidentally brought a hard copy of SCP-085's Special Containment Procedures Report into the containment facility and allowed it to contact the artifact's current location. SCP-085 transferred onto the document before the researcher could remove it, and was immediately made aware of its true nature.

 

Because of the containment breach, several researchers advocated immediate destruction of the artifact. The decision was appealed to the O5-Council, which, in a █ to █ decision, advocated for SCP-085's continued existence.

 

Since the revelation of her true nature, observers have noted that SCP-085 has begun to show signs of clinical depression. Psychotherapy has been proposed, but the nature of the artifact's state of existence may make it difficult.

 

Some success has been had by providing SCP-085 tangible means to distract herself from her condition. In addition to the aforementioned optical illusions, SCP-085 expressed particular interest in a set of technical drawings for a 1964 Ford Mustang Convertible, transferring the parts one by one to a more naturalistic artwork, then assembling the vehicle by hand over the period of a year—gasoline being provided through a Norman Rockwell print of a gas station attendant.

 

Requests for further diversions of this nature are pending O5-level review and approval.

Conclusions RE: D-173-2263 Incident

> To: Dr. Delano Smascher ( dsmascher@a14.scp )
> From: Dr. Django Bridge ( dbridge@s66.scp )
> Subject: D-173-2263, -2264, -2267 Incident footage

Here's the footage you requested. Two versions of each sent; first versions were edited for brevity, second versions are complete recordings. I look forward to reviewing your findings. Good luck.

Dr. Bridge, Site-66, Clearance 4 Archivist.

Close

CAM173_1_085314_██-██-19██.zip
CAM173_2_085314_██-██-19██.zip
CAM173_1_085314_██-██-19██e.zip
CAM173_2_085314_██-██-19██e.zip

> To: Dr. Django Bridge ( dbridge@s66.scp )
> From: Dr. Delano Smascher ( dsmascher@a14.scp )
> Subject: Conclusions RE: D-173-2263, -2264, -2267 Incident

As you know, my reason for requesting this footage were the strange findings of my autopsies of subjects 173-2263, -2264, and -2267. After reviewing the footage provided, I’m now confident enough of my suspicions to elaborate on them further.

During my autopsies, I found no evidence of external physical trauma to the aforementioned subjects’ necks or craniums, as one would expect to find in instances of strangulation or vertebral torsion. This was not unexpected; I’ve long felt it asinine to assume that an entity with no digits or prehensile appendages could physically manipulate individuals in such a manner. My review of provided footage, in addition to confirming an average speed of 20 to 22 meters per second while unobserved, also strongly suggests that subject SCP-173 does not make physical contact with its victims.

My frame by frame review finds that at frame 235 938 of camera two’s edited log, SCP-173 closes to within 10 cm of D-173-2267. D-173-2267’s eyes remain fully closed; SCP-173’s arms remain fixed in their usual “at rest” positions. At frame 235 939, less than 0.00001 seconds later, subject D-173-2267’s head is turned upward such that it stares directly into subject SCP-173’s “eyes,” and -2267’s eyes are now fully open. D-173-2267 collapses shortly thereafter. Death appears to be due to, at least in this instance, a combination of trauma caused by the rapidity of motion SCP-173 inflicts and the severing of the spinal cord due to separation between the second and third cervical vertebrae, and not physical torsion or strangulation, a conclusion supported by my autopsy findings. This also potentially explains the strange bruising and hemorrhaging present in the soft tissues of SCP-173’s victims around the eyes; a transient, violent, non-specific, non-physical force ripping its victims’ eyelids open.

I have furthermore found that the positioning of its victims’ bodies may be significant. D-173-2267’s body collapses such that its head faces D-173-2263 and D-173-2264. The bodies of the latter two individuals may be seen collapsing in similar fashion at frames 333 777 and 940 052 respectively. All face toward the northern side of SCP-173’s containment cell, allowing what would be a clear view of SCP-173 in its preferred position resting against the western wall of the northwestern corner of its cell.

Additionally, I can confirm beyond reasonable doubt that the rumored “dead man’s stare” exhibited by victims of SCP-173, so-called because the eyes of ostensibly dead victims continue to track SCP-173’s movements postmortem, are not a product of “nerves” or general paranoia but a genuine phenomenon, as may be seen by magnification and slow-motion review of D-173-2267’s eyes following his expiration and demonstrated by -2263 and -2264 as well.

My complete findings, appended video logs, autopsy footage, and autopsy reports are attached to this message for review, distribution, and archival. Thank you for your swift response.

Dr. Smascher, Area-14, Clearance 4 Unit Director

Close

CAM173_1_██-██-19██_085314_append.zip
CAM173_2_██-██-19██_085314_append.zip
CAM173_1_██-██-19██_085314e_append.zip
CAM173_2_██-██-19██_085314e_append.zip
AUTOP_D-173-2263██-██-19██.zip
AUTOP_D-173-2264██-██-19██.zip
AUTOP_D-173-2267██-██-19██.zip
173_ INC██-██-19██_REP.zip

SCP-2112

An LP identified as a carrier of SCP-2112.

 

 

 

 

 

Item #: SCP-2112

 

Object Class: Keter

 

Special Containment Procedures: Due to its cultural significance and the period of time elapsed between its creation and the discovery of SCP-2112, full eradication of SCP-2112's primary carrier is impossible at this time. The Foundation shall liaise with the management of Rush and with any relevant record labels to prevent any future production of SCP-2112-carrying sound recordings. All known sound recordings carrying SCP-2112 are to be seized by the Foundation and archived or destroyed as deemed necessary, and information regarding the release of affected editions is to be removed from public information archives where possible. Foundation field personnel are to monitor stores selling used LPs or compact discs, online auction houses and used goods sellers, and digital distribution services for any appearance of SCP-2112 carriers.

 

The Foundation shall monitor all public performances by bands advertising themselves with any variation on the phrase "A Tribute to Rush", or with a name referencing the lyrics of any Rush song, for evidence of SCP-2112 infection. Any identified SCP-2112 infectees are to be detained, interviewed to identify the source of infection, and treated with Class-B amnesiacs. In the event of a wide-spread outbreak of SCP-2112, large-scale deployment of Class-E amnesiacs is authorized.

 

Personnel with an expressed fondness for the music of Rush are prohibited from exposure to SCP-2112 materials and are to be monitored for any behavior indicative of SCP-2112 infection.

 

Description: SCP-2112 is a memetic phenomenon associated with Caress of Steel, a record album released in 1975 by the Canadian progressive rock band Rush. SCP-2112 is not present on the original master recordings or on most common commercial releases of the album, and is known to manifest only on three limited-release editions: a quadraphonic mix of the original LP issued in 1975, a digital remaster issued on SACD in 1999, and a high-fidelity remaster issued on LP in 2011. Reproductions or copies of affected discs do not produce SCP-2112 phenomena, and audial examination of affected discs has detected no distinguishable differences from non-anomalous recordings other than artifacts caused by the remixing/remastering process.

 

SCP-2112's primary anomalous effect manifests when an affected disc is listened to, in its entirety, by a person who identifies him/herself as a fan of the music of Rush and possesses any level of experience in playing the electric guitar, electric bass, or drums. Exposed individuals will become obsessed with the idea of establishing a "tribute band" dedicated to performing cover versions of the music of Rush in public, regardless of their level of musical experience or current occupation or membership in other bands, and will attempt to seek out two other SCP-2112 infectees for that purpose. SCP-2112 infectees have been noted to go to any lengths available to achieve this goal, including resigning from their job, relocating to another part of the world, selling off major possessions in order to acquire instruments or equipment, or deliberately exposing others to SCP-2112 in an attempt to create potential bandmates. In the event that three infectees are successful in establishing a group, they will begin to seek out any venue that will allow them to perform in public and will do so as often as possible, performing sets composed entirely of the music of Rush in their original arrangements.

 

The music produced by SCP-2112 infectees during live performances additionally serves to propagate SCP-2112 to any persons exposed to it. In this form, transmission of SCP-2112 occurs much more readily than in persons exposed to the source discs, with any person who identifies as a fan of the music of Rush potentially becoming infected, whether or not they possess any musical skill, after approximately 15-20 minutes of exposure. Testing with D-Class personnel indicated that even individuals with no prior familiarity with Rush and only a rudimentary level of skill with any musical instrument have a 70% chance of becoming infected after approximately 2 hours of exposure to live performances by SCP-2112 infectees. Post-infection behavior in such individuals is identical to that of persons infected by exposure to the source discs.

 

SCP-2112 came to the Foundation's attention on ██/██/1982, when an hour-long nightly news broadcast produced by television station W███ in Portland, OR was observed to consist entirely of three of the network's broadcast personnel, identifying themselves as "By-Tor and the Snow Dogs", performing a live rendition of Rush's 1981 album Moving Pictures. The overwhelming majority of commercials aired during the broadcast, rather than advertising any product or service, additionally portrayed various local businessmen and politicians performing fragments of Rush songs with varying degrees of skill. Upon investigation, it was found that a performance by a trio of infectees, broadcast on local radio station W████ five days earlier, had caused a rapid spread of SCP-2112 infection throughout the Portland metro area, and that approximately 73% of the region's live music venues had booked Rush tribute bands to perform the following night. Implementation of Procedure Wertham-673, followed by aerial dispersal of Class-E amnesiacs throughout the area, was deemed necessary to prevent further spread; current models indicate that, in the event of an unchecked SCP-2112 outbreak, the phenomenon would reach pandemic status within three weeks of the formation of the first tribute band.

 

The members of Rush, in interviews conducted by the Foundation, have