The Confessions - Jean-Jacques Rousseau (reading cloud ebooks txt) 📗

own country, a borrowed air of despising them; yet my original inclination is so powerful, constant, disinterested, and invincible, that even since my quitting that kingdom, since its government, magistrates, and authors, have outvied each other in rancor against me, since it has become fashionable to load me with injustice and abuse, I have not been able to get rid of this folly, but notwithstanding their ill-treatment, love them in spite of myself.

 

I long sought the cause of this partiality, but was never able to find any, except in the occasion that gave it birth. A rising taste for literature attached me to French books, to their authors, and their country: at the very moment the French troops were passing Chambery, I was reading Brantome’s ‘Celebrated Captains’; my head was full of the Clissons, Bayards, Lautrecs Colignys, Monlmoreneys, and Trimouille, and I loved their descendants as the heirs of their merit and courage. In each regiment that passed by methought I saw those famous black bands who had formerly done so many noble exploits in Piedmont; in fine, I applied to these all the ideas I had gathered from books; my reading continued, which, still drawn from the same nation, nourished my affection for that country, till, at length, it became a blind passion, which nothing could overcome. I have had occasion to remark several times in the course of my travels, that this impression was not peculiar to me for France, but was more or less active in every country, for that part of the nation who were fond of literature, and cultivated learning; and it was this consideration that balanced in my mind the general hatred which the conceited air of the French is so apt to inspire. Their romances, more than their men, attract the women of all countries, and the celebrated dramatic pieces of France create a fondness in youth for their theaters; the reputation which that of Paris in particular has acquired, draws to it crowds of strangers, who return enthusiasts to their own country: in short, the excellence of their literature captivates the senses, and in the unfortunate war just ended, I have seen their authors and philosophers maintain the glory of France, so tarnished by its warriors.

 

I was, therefore, an ardent Frenchman; this rendered me a politician, and I attended in the public square, amid a throng of news-mongers, the arrival of the post, and, sillier than the ass in the fable, was very uneasy to know whose packsaddle I should next have the honor to carry, for it was then supposed we should belong to France, and that Savoy would be exchanged for Milan. I must confess, however, that I experienced some uneasiness, for had this war terminated unfortunately for the allies, the pension of Madam de Warrens would have been in a dangerous situation; nevertheless, I had great confidence in my good friends, the French, and for once (in spite of the surprise of M. de Broglio) my confidence was not ill-founded—thanks to the King of Sardinia, whom I had never thought of.

 

While we were fighting in Italy, they were singing in France: the operas of Rameau began to make a noise there, and once more raise the credit of his theoretic works, which, from their obscurity, were within the compass of very few understandings. By chance I heard of his ‘Treatise on Harmony’, and had no rest till I purchased it. By another chance I fell sick; my illness was inflammatory, short and violent, but my convalescence was tedious, for I was unable to go abroad for a whole month. During this time I eagerly ran over my Treatise on Harmony, but it was so long, so diffuse, and so badly disposed, that I found it would require a considerable time to unravel it: accordingly I suspended my inclination, and recreated my sight with music.

 

The cantatas of Bernier were what I principally exercised myself with.

These were never out of my mind; I learned four or five by heart, and among the rest, ‘The Sleeping Cupids’, which I have never seen since that time, though I still retain it almost entirely; as well as ‘Cupid Stung by a Bee’, a very pretty cantata by Clerambault, which I learned about the same time.

 

To complete me, there arrived a young organist from Valdoste, called the Abbe Palais, a good musician and an agreeable companion, who performed very well on the harpsichord; I got acquainted with him, and we soon became inseparable. He had been brought up by an Italian monk, who was a capital organist. He explained to me his principles of music, which I compared with Rameau; my head was filled with accompaniments, concords and harmony, but as it was necessary to accustom the ear to all this, I proposed to Madam de Warrens having a little concert once a month, to which she consented.

 

Behold me then so full of this concert, that night or day I could think of nothing else, and it actually employed a great part of my time to select the music, assemble the musicians, look to the instruments, and write out the several parts. Madam de Warrens sang; Father Cato (whom I have before mentioned, and shall have occasion to speak of again) sang likewise; a dancing—master named Roche, and his son, played on the violin; Canavas, a Piedmontese musician (who was employed like myself in the survey, and has since married at Paris), played on the violoncello; the Abbe Palais performed on the harpsichord, and I had the honor to conduct the whole. It may be supposed all this was charming; I cannot say it equalled my concert at Monsieur de Tretoren’s, but certainly it was not far behind it.

 

This little concert, given by Madam de Warrens, the new convert, who lived (it was expressed) on the king’s charity, made the whole tribe of devotees murmur, but was a very agreeable amusement to several worthy people, at the head of whom it would not be easily surmised that I should place a monk; yet, though a monk, a man of considerable merit, and even of a very amiable disposition, whose subsequent misfortunes gave me the most lively concern, and whose idea, attached to that of my happy days, is yet dear to my memory. I speak of Father Cato, a Cordelier, who, in conjunction with the Count d’Ortan, had caused the music of poor Le Maitre to be seized at Lyons; which action was far from being the brightest trait in his history. He was a Bachelor of Sorbonne, had lived long in Paris among the great world, and was particularly caressed by the Marquis d’Antremont, then Ambassador from Sardinia. He was tall and well made; full faced, with very fine eyes, and black hair, which formed natural curls on each side of his forehead. His manner was at once noble, open, and modest; he presented himself with ease and good manners, having neither the hypocritical nor impudent behavior of a monk, or the forward assurance of a fashionable coxcomb, but the manners of a well-bred man, who, without blushing for his habit, set a value on himself, and ever felt in his proper situation when in good company. Though Father Cato was not deeply studied for a doctor, he was much so for a man of the world, and not being compelled to show his talents, he brought them forward so advantageously that they appeared greater than they really were. Having lived much in the world, he had rather attached himself to agreeable acquirements than to solid learning; had sense, made verses, spoke well, sang better, and aided his good voice by playing on the organ and harpsichord. So many pleasing qualities were not necessary to make his company sought after, and, accordingly, it was very much so, but this did not make him neglect the duties of his function: he was chosen (in spite of his jealous competitors) Definitor of his Province, or, according to them, one of the greatest pillars of their order.

 

Father Cato became acquainted with Madam de Warrens at the Marquis of Antremont’s; he had heard of her concerts, wished to assist at them, and by his company rendered our meetings truly agreeable. We were soon attached to each other by our mutual taste for music, which in both was a most lively passion, with this difference, that he was really a musician, and myself a bungler. Sometimes assisted by Canavas and the Abbe Palais, we had music in his apartment; or on holidays at his organ, and frequently dined with him; for, what was very astonishing in a monk, he was generous, profuse, and loved good cheer, without the least tincture of greediness. After our concerts, he always used to stay to supper, and these evenings passed with the greatest gayety and good-humor; we conversed with the utmost freedom, and sang duets; I was perfectly at my ease, had sallies of wit and merriment; Father Cato was charming, Madam de Warrens adorable, and the Abbe Palais, with his rough voice, was the butt of the company. Pleasing moments of sportive youth, how long since have ye fled!

 

As I shall have no more occasion to speak of poor Father Cato, I will here conclude in a few words his melancholy history. His brother monks, jealous, or rather exasperated to discover in him a merit and elegance of manners which favored nothing of monastic stupidity, conceived the most violent hatred to him, because he was not as despicable as themselves; the chiefs, therefore, combined against this worthy man, and set on the envious rabble of monks, who otherwise would not have dared to hazard the attack. He received a thousand indignities; they degraded him from his office, took away the apartment which he had furnished with elegant simplicity, and, at length, banished him, I know not whither: in short, these wretches overwhelmed him with so many evils, that his honest and proud soul sank under the pressure, and, after having been the delight of the most amiable societies, he died of grief, on a wretched bed, hid in some cell or dungeon, lamented by all worthy people of his acquaintance, who could find no fault in him, except his being a monk.

 

Accustomed to this manner of life for some time, I became so entirely attached to music that I could think of nothing else. I went to my business with disgust, the necessary confinement and assiduity appeared an insupportable punishment, which I at length wished to relinquish, that I might give myself up without reserve to my favorite amusement. It will be readily believed that this folly met with some opposition; to give up a creditable employment and fixed salary to run after uncertain scholars was too giddy a plan to be approved of by Madam de Warrens, and even supposing my future success should prove as great as I flattered myself, it was fixing very humble limits to my ambition to think of reducing myself for life to the condition of a music-master. She, who formed for me the brightest projects, and no longer trusted implicitly to the judgment of M. d’Aubonne, seeing with concern that I was so seriously occupied with a talent which she thought frivolous, frequently repeated to me that provincial proverb, which does not hold quite so good in Paris,

 

“Qui biens chante et biens dance, fait un metier qui peu avance.”

 

[He who can sweetly sing and featly dance.

His interests right little shall advance.]

 

On the other hand, she saw me hurried away by this irresistible passion, my taste for music having become a furor, and it was much to be feared that my employment, suffering by my distraction, might draw on me a discharge, which would be worse than a voluntary resignation.

I represented to her; that this employment could