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to know the cardinal as well as she knew him; it was a kind of partnership in which I was quite ready to play my part.

As soon as I had written the sonnet under the charming woman's dictation, I took my leave, but not before the cardinal had told me that he expected me to dinner the next day.

I had plenty of work before me, for the ten stanzas I had to compose were of the most singular character, and I lost no time in shutting myself up in my room to think of them. I had to keep my balance between two points of equal difficulty, and I felt that great care was indispensable. I had to place the marchioness in such a position that she could pretend to believe the cardinal the author of the stanzas, and, at the same time, compel her to find out that I had written them, and that I was aware of her knowing it. It was necessary to speak so carefully that not one expression should breathe even the faintest hope on my part, and yet to make my stanzas blaze with the ardent fire of my love under the thin veil of poetry. As for the cardinal, I knew well enough that the better the stanzas were written, the more disposed he would be to sign them. All I wanted was clearness, so difficult to obtain in poetry, while a little doubtful darkness would have been accounted sublime by my new Midas. But, although I wanted to please him, the cardinal was only a secondary consideration, and the handsome marchioness the principal object.

As the marchioness in her verses had made a pompous enumeration of every physical and moral quality of his eminence, it was of course natural that he should return the compliment, and here my task was easy. At last having mastered my subject well, I began my work, and giving full career to my imagination and to my feelings I composed the ten stanzas, and gave the finishing stroke with these two beautiful lines from Ariosto:

Le angelicche bellezze nate al cielo Non si ponno celar sotto alcum velo.

Rather pleased with my production, I presented it the next day to the cardinal, modestly saying that I doubted whether he would accept the authorship of so ordinary a composition. He read the stanzas twice over without taste or expression, and said at last that they were indeed not much, but exactly what he wanted. He thanked me particularly for the two lines from Ariosto, saying that they would assist in throwing the authorship upon himself, as they would prove to the lady for whom they were intended that he had not been able to write them without borrowing. And, as to offer me some consolation, he told me that, in recopying the lines, he would take care to make a few mistakes in the rhythm to complete the illusion.

We dined earlier than the day before, and I withdrew immediately after dinner so as to give him leisure to make a copy of the stanzas before the arrival of the lady.

The next evening I met the marchioness at the entrance of the palace, and offered her my arm to come out of her carriage. The instant she alighted, she said to me,

"If ever your stanzas and mine become known in Rome, you may be sure of my enmity."

"Madam, I do not understand what you mean."

"I expected you to answer me in this manner," replied the marchioness, "but recollect what I have said."

I left her at the door of the reception-room, and thinking that she was really angry with me, I went away in despair. "My stanzas," I said to myself, "are too fiery; they compromise her dignity, and her pride is offended at my knowing the secret of her intrigue with Cardinal S. C. Yet, I feel certain that the dread she expresses of my want of discretion is only feigned, it is but a pretext to turn me out of her favour. She has not understood my reserve! What would she have done, if I had painted her in the simple apparel of the golden age, without any of those veils which modesty imposes upon her sex!" I was sorry I had not done so. I undressed and went to bed. My head was scarcely on the pillow when the Abbe Gama knocked at my door. I pulled the door-string, and coming in, he said,

"My dear sir, the cardinal wishes to see you, and I am sent by the beautiful marchioness and Cardinal S. C., who desire you to come down."

"I am very sorry, but I cannot go; tell them the truth; I am ill in bed."

As the abbe did not return, I judged that he had faithfully acquitted himself of the commission, and I spent a quiet night. I was not yet dressed in the morning, when I received a note from Cardinal S. C. inviting me to dinner, saying that he had just been bled, and that he wanted to speak to me: he concluded by entreating me to come to him early, even if I did not feel well.

The invitation was pressing; I could not guess what had caused it, but the tone of the letter did not forebode anything unpleasant. I went to church, where I was sure that Cardinal Acquaviva would see me, and he did. After mass, his eminence beckoned to me.

"Are you truly ill?" he enquired.

"No, monsignor, I was only sleepy."

"I am very glad to hear it; but you are wrong, for you are loved. Cardinal S. C. has been bled this morning."

"I know it, monsignor. The cardinal tells me so in this note, in which he invites me to dine with him, with your excellency's permission."

"Certainly. But this is amusing! I did not know that he wanted a third person."

"Will there be a third person?"

"I do not know, and I have no curiosity about it."

The cardinal left me, and everybody imagined that his eminence had spoken to me of state affairs.

I went to my new Maecenas, whom I found in bed.

"I am compelled to observe strict diet," he said to me; "I shall have to let you dine alone, but you will not lose by it as my cook does not know it. What I wanted to tell you is that your stanzas are, I am afraid, too pretty, for the marchioness adores them. If you had read them to me in the same way that she does, I could never have made up my mind to offer them." "But she believes them to be written by your eminence?"

"Of course."

"That is the essential point, monsignor."

"Yes; but what should I do if she took it into her head to compose some new stanzas for me?"

"You would answer through the same pen, for you can dispose of me night and day, and rely upon the utmost secrecy."

"I beg of you to accept this small present; it is some negrillo snuff from Habana, which Cardinal Acquaviva has given me."

The snuff was excellent, but the object which contained it was still better. It was a splendid gold-enamelled box. I received it with respect, and with the expression of the deepest gratitude.

If his eminence did not know how to write poetry, at least he knew how to be generous, and in a delicate manner, and that science is, at least in my estimation, superior to the other for a great nobleman.

At noon, and much to my surprise, the beautiful marchioness made her appearance in the most elegant morning toilet.

"If I had known you were in good company," she said to the cardinal, "I would not have come."

"I am sure, dear marchioness, you will not find our dear abbe in the way."

"No, for I believe him to be honest and true."

I kept at a respectful distance, ready to go away with my splendid snuff-box at the first jest she might hurl at me.

The cardinal asked her if she intended to remain to dinner.

"Yes," she answered; "but I shall not enjoy my dinner, for I hate to eat alone."

"If you would honour him so far, the abbe would keep you company."

She gave me a gracious look, but without uttering one word.

This was the first time I had anything to do with a woman of quality, and that air of patronage, whatever kindness might accompany it, always put me out of temper, for I thought it made love out of the question. However, as we were in the presence of the cardinal, I fancied that she might be right in treating me in that fashion.

The table was laid out near the cardinal's bed, and the marchioness, who ate hardly anything, encouraged me in my good appetite.

"I have told you that the abbe is equal to me in that respect," said S. C.

"I truly believe," answered the marchioness, "that he does not remain far behind you; but," added she with flattery, "you are more dainty in your tastes."

"Would her ladyship be so good as to tell me in what I have appeared to her to be a mere glutton? For in all things I like only dainty and exquisite morsels."

"Explain what you mean by saying in all things," said the cardinal. Taking the liberty of laughing, I composed a few impromptu verses in which I named all I thought dainty and exquisite. The marchioness applauded, saying that she admired my courage.

"My courage, madam, is due to you, for I am as timid as a hare when I am not encouraged; you are the author of my impromptu."

"I admire you. As for myself, were I encouraged by Apollo himself, I could not compose four lines without paper and ink."

"Only give way boldly to your genius, madam, and you will produce poetry worthy of heaven."

"That--is my opinion, too," said the cardinal. "I entreat you to give me permission to skew your ten stanzas to the abbe."

"They are not very good, but I have no objection provided it remains between us."

The cardinal gave me, then, the stanzas composed by the marchioness, and I read them aloud with all the expression, all the feeling necessary to such reading.

"How well you have read those stanzas!" said the marchioness; "I can hardly believe them to be my own composition; I thank you very much. But have the goodness to give the benefit of your reading to the stanzas which his eminence has written in answer to mine. They surpass them much."

"Do not believe it, my dear abbe," said the cardinal, handing them to me. "Yet try not to let them lose anything through your reading."

There was certainly no need of his eminence enforcing upon me such a recommendation; it was my own poetry. I could not have read it otherwise than in my best style, especially when I had before me the beautiful woman who had inspired them, and when, besides, Bacchus was in me giving courage to Apollo as much as the beautiful eyes of the marchioness were fanning into an ardent blaze the fire already burning through my whole being.

I read the stanzas with so much expression that the cardinal was enraptured, but I brought a deep carnation tint upon the cheeks of the lovely marchioness when I came to the description of those beauties which the imagination of the poet is allowed to guess

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