The Picture of Dorian Gray - Oscar Wilde (e reading malayalam books .TXT) 📗

But you understand now, don’t you?’

‘Understand what?’ he asked, angrily.

‘Why I was so bad to-night. Why I shall always be bad.

Why I shall never act well again.’

He shrugged his shoulders. ‘You are ill, I suppose.

When you are ill you shouldn’t act. You make yourself ridiculous. My friends were bored. I was bored.’

She seemed not to listen to him. She was transfigured with joy. An ecstasy of happiness dominated her.

‘Dorian, Dorian,’ she cried, ‘before I knew you, acting was the one reality of my life. It was only in the theatre that I lived. I thought that it was all true. I was Rosalind one night, and Portia the other. The joy of Beatrice was my joy, and the sorrows of Cordelia were mine also. I believed in everything. The common people who acted with me seemed to me to be godlike. The painted scenes were my world. I knew nothing but shadows, and I thought them real. You came,—oh, my beautiful love!—

and you freed my soul from prison. You taught me what reality really is. To-night, for the first time in my life, I saw through the hollowness, the sham, the silliness, of the empty pageant in which I had always played. To- night, 93 of 250

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for the first time, I became conscious that the Romeo was hideous, and old, and painted, that the moonlight in the orchard was false, that the scenery was vulgar, and that the words I had to speak were unreal, were not my words, not what I wanted to say. You had brought me something higher, something of which all art is but a reflection. You have made me understand what love really is. My love!

my love! I am sick of shadows. You are more to me than all art can ever be. What have I to do with the puppets of a play? When I came on to-night, I could not understand how it was that everything had gone from me. Suddenly it dawned on my soul what it all meant. The knowledge was exquisite to me. I heard them hissing, and I smiled. What should they know of love? Take me away, Dorian— take me away with you, where we can be quite alone. I hate the stage. I might mimic a passion that I do not feel, but I cannot mimic one that burns me like fire. Oh, Dorian, Dorian, you understand now what it all means? Even if I could do it, it would be profanation for me to play at being in love. You have made me see that.’

He flung himself down on the sofa, and turned away his face. ‘You have killed my love,’ he muttered.

She looked at him in wonder, and laughed. He made no answer. She came across to him, and stroked his hair 94 of 250

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with her little fingers. She knelt down and pressed his hands to her lips. He drew them away, and a shudder ran through him.

Then he leaped up, and went to the door. ‘Yes,’ he cried, ‘you have killed my love. You used to stir my imagination. Now you don’t even stir my curiosity. You simply produce no effect. I loved you because you were wonderful, because you had genius and intellect, because you realized the dreams of great poets and gave shape and substance to the shadows of art. You have thrown it all away. You are shallow and stupid. My God! how mad I was to love you! What a fool I have been! You are nothing to me now. I will never see you again. I will never think of you. I will never mention your name. You don’t know what you were to me, once. Why, once ….

Oh, I can’t bear to think of it! I wish I had never laid eyes upon you! You have spoiled the romance of my life. How little you can know of love, if you say it mars your art!

What are you without your art? Nothing. I would have made you famous, splendid, magnificent. The world would have worshipped you, and you would have belonged to me. What are you now? A third-rate actress with a pretty face.’

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The girl grew white, and trembled. She clinched her hands together, and her voice seemed to catch in her throat. ‘You are not serious, Dorian?’ she murmured.

‘You are acting.’

‘Acting! I leave that to you. You do it so well,’ he answered, bitterly.

She rose from her knees, and, with a piteous expression of pain in her face, came across the room to him. She put her hand upon his arm, and looked into his eyes. He thrust her back. ‘Don’t touch me!’ he cried.

A low moan broke from her, and she flung herself at his feet, and lay there like a trampled flower. ‘Dorian, Dorian, don’t leave me!’ she whispered. ‘I am so sorry I didn’t act well. I was thinking of you all the time. But I will try,—indeed, I will try. It came so suddenly across me, my love for you. I think I should never have known it if you had not kissed me,—if we had not kissed each other. Kiss me again, my love. Don’t go away from me. I couldn’t bear it. Can’t you forgive me for to-night? I will work so hard, and try to improve. Don’t be cruel to me because I love you better than anything in the world.

After all, it is only once that I have not pleased you. But you are quite right, Dorian. I should have shown myself more of an artist. It was foolish of me; and yet I couldn’t 96 of 250

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help it. Oh, don’t leave me, don’t leave me.’ A fit of passionate sobbing choked her. She crouched on the floor like a wounded thing, and Dorian Gray, with his beautiful eyes, looked down at her, and his chiselled lips curled in exquisite disdain. There is always something ridiculous about the passions of people whom one has ceased to love.

Sibyl Vane seemed to him to be absurdly melodramatic.

Her tears and sobs annoyed him.

‘I am going,’ he said at last, in his calm, clear voice. ‘I don’t wish to be unkind, but I can’t see you again. You have disappointed me.’

She wept silently, and made no answer, but crept nearer to him. Her little hands stretched blindly out, and appeared to be seeking for him. He turned on his heel, and left the room. In a few moments he was out of the theatre.

Where he went to, he hardly knew. He remembered wandering through dimly-lit streets with gaunt black-shadowed archways and evil-looking houses. Women with hoarse voices and harsh laughter had called after him.

Drunkards had reeled by cursing, and chattering to themselves like monstrous apes. He had seen grotesque children huddled upon door-steps, and had heard shrieks and oaths from gloomy courts.

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When the dawn was just breaking he found himself at Covent Garden. Huge carts filled with nodding lilies rumbled slowly down the polished empty street. The air was heavy with the perfume of the flowers, and their beauty seemed to bring him an anodyne for his pain. He followed into the market, and watched the men unloading their wagons. A white-smocked carter offered him some cherries. He thanked him, wondered why he refused to accept any money for them, and began to eat them listlessly. They had been plucked at midnight, and the coldness of the moon had entered into them. A long line of boys carrying crates of striped tulips, and of yellow and red roses, defiled in front of him, threading their way through the huge jade- green piles of vegetables. Under the portico, with its gray sun- bleached pillars, loitered a troop of draggled bareheaded girls, waiting for the auction to be over. After some time he hailed a hansom and drove home. The sky was pure opal now, and the roofs of the houses glistened like silver against it. As he was passing through the library towards the door of his bedroom, his eye fell upon the portrait Basil Hallward had painted of him. He started back in surprise, and then went over to it and examined it. In the dim arrested light that struggled through the cream-colored silk blinds, the face seemed to 98 of 250

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him to be a little changed. The expression looked different. One would have said that there was a touch of cruelty in the mouth. It was certainly curious.

He turned round, and, walking to the window, drew the blinds up. The bright dawn flooded the room, and swept the fantastic shadows into dusky corners, where they lay shuddering. But the strange expression that he had noticed in the face of the portrait seemed to linger there, to be more intensified even. The quivering, ardent sunlight showed him the lines of cruelty round the mouth as clearly as if he had been looking into a mirror after he had done some dreadful thing.

He winced, and, taking up from the table an oval glass framed in ivory Cupids, that Lord Henry had given him, he glanced hurriedly into it. No line like that warped his red lips. What did it mean?

He rubbed his eyes, and came close to the picture, and examined it again. There were no signs of any change when he looked into the actual painting, and yet there was no doubt that the whole expression had altered. It was not a mere fancy of his own. The thing was horribly apparent.

He threw himself into a chair, and began to think.

Suddenly there flashed across his mind what he had said in Basil Hallward’s studio the day the picture had been 99 of 250

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finished. Yes, he remembered it perfectly. He had uttered a mad wish that he himself might remain young, and the portrait grow old; that his own beauty might be untarnished, and the face on the canvas bear the burden of his passions and his sins; that the painted image might be seared with the lines of suffering and thought, and that he might keep all the delicate bloom and loveliness of his then just conscious boyhood. Surely his prayer had not been answered? Such things were impossible. It seemed monstrous even to think of them. And, yet, there was the picture before him, with the touch of cruelty in the mouth.

Cruelty! Had he been cruel? It was the girl’s fault, not his. He had dreamed of her as a great artist, had given his love to her because he had thought her great. Then she had disappointed him. She had been shallow and unworthy. And, yet, a feeling of infinite regret came over him, as he thought of her lying at his feet sobbing like a little child. He remembered with what callousness he had watched her. Why had he been made like that? Why had such a soul been given to him? But he had suffered also.

During the three terrible hours that the play had lasted, he had lived centuries of pain, aeon upon aeon of torture. His life was well worth hers. She had marred him for a 100 of 250

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moment, if he had wounded her for an age. Besides, women were better suited to bear sorrow than men. They lived on their emotions. They only thought of their emotions. When they took lovers, it was merely to have some one with whom they could have scenes. Lord Henry had told him that, and Lord Henry knew what women were. Why should he trouble about Sibyl Vane? She was nothing to him now.

But the picture? What was he to say of that? It held the secret of his life, and told his