The Bicyclers and Three Other Farces - John Kendrick Bangs (best books to read now TXT) 📗

I say that I am very fond of tea.

Barlow. So am I--here. [Rises and looks at pictures. Yardsley meanwhile sits in moody silence.

Dorothy (returning). You seem to have something on your mind, Mr. Yardsley. I never knew you to be so solemn before.

Yardsley. I have something on my mind, Miss Dorothy. It's--

Barlow (coming forward). Wise man, cold weather like this. It would be terrible if you let your mind go out in cold weather without anything on it. Might catch cold in your idea.

Dorothy. I wonder why Jennie doesn't come? I shall have to ring again.

[Pushes electric button again.

Yardsley (with an effort at brilliance). The kitchen belle doesn't seem to work.

Dorothy. Ordinarily she does, but she seems to be upset by something this afternoon. I'm afraid she's in love. If you will excuse me a moment I will go and prepare the tea myself.

Barlow. Do; good! Then we shall not need the sugar.

Yardsley. You might omit the spoons too, after a remark like that, Miss Dorothy.

Dorothy. We'll omit Mr. Barlow's spoon. I'll bring some for you and me. [She goes out.

Yardsley (with a laugh). That's one on you, Barlow. But I say, old man (taking out his watch and snapping the cover to three or four times), it's getting very late--after five now. If you want to go with Billy Wilkins you'd better take up your hat and walk. I'll say good-bye to Miss Andrews for you.

Barlow. Thanks. Too late now. You said Billie wouldn't wait after four thirty.

Yardsley. Did I say four thirty? I meant five thirty. Anyhow, Billie isn't over-prompt. Better go.

Barlow. You seem mighty anxious to get rid of me.

Yardsley. I? Not at all, my dear boy--not at all. I'm very, very fond of you, but I thought you'd prefer opera to me. Don't you see? That's where my modesty comes in. You're so fond of a good chat I thought you'd want to go to-night. Wilkins has a box.

Barlow. You said seats a little while ago.

Yardsley. Of course I did. And why not? There are seats in boxes. Didn't you know that?

Barlow. Look here, Yardsley, what's up, anyhow? You've been deuced queer to-day. What are you after?

Yardsley (tragically). Shall I confide in you? Can I, with a sense of confidence that you will not betray me?

Barlow (eagerly). Yes, Bob. Go on. What is it? I'll never give you away, and I _may_ be able to give you some good advice.

Yardsley. I am here to--to--to rob the house! Business has been bad, and one must live. [Barlow looks at him in disgust.

Yardsley (mockingly). You have my secret, John Barlow. Remember that it was wrung from me in confidence. You must not betray me. Turn your back while I surreptitiously remove the piano and the gas- fixtures, won't you?

Barlow (looking at him thoughtfully). Yardsley, I have done you an injustice.

Yardsley. Indeed?

Barlow. Yes. Some one claimed, at the club, the other day, that you were the biggest donkey in existence, and I denied it. I was wrong, old man, I was wrong, and I apologize. You are.

Yardsley. You are too modest, Jack. You forget--yourself.

Barlow. Well, perhaps I do; but I've nothing to conceal, and you have. You've been behaving in a most incomprehensible fashion this afternoon, as if you owned the house.

Yardsley. Well, what of it? Do you own it?

Barlow. No, I don't, but--

Yardsley. But you hope to. Well, I have no such mercenary motive. I'm not after the house.

Barlow (bristling up). After the house? Mercenary motive? I demand an explanation of those words. What do you mean?

Yardsley. I mean this, Jack Barlow: I mean that I am here for--for my own reasons; but you--you have come here for the purpose of--

Dorothy enters wish a tray, upon which are the tea things.

Barlow (about to retort to Yardsley, perceiving Dorothy). Ah! Let me assist you.

Dorothy. Thank you so much. I really believe I never needed help more. (She delivers the tray to Barlow, who sets it on the table. Dorothy, exhausted, drops into a chair.) Fan me--quick--or I shall faint. I've--I've had an awful time, and I really don't know what to do!

Barlow and Yardsley (together). Why, what's the matter?

Yardsley. I hope the house isn't on fire?

Barlow. Or that you haven't been robbed?

Dorothy. No, no; nothing like that. It's--it's about Jennie.

Yardsley (nervously). Jennie? Wha--wha--what's the matter with Jennie?

Dorothy. I only wish I knew. I--

Yardsley (aside). I'm glad you don't.

Barlow. What say?

Yardsley. I didn't say anything. Why should I say anything? I haven't anything to say. If people who had nothing to say would not insist upon talking, you'd be--

Dorothy. I heard the poor girl weeping down-stairs, and when I went to the dumbwaiter to ask her what was the matter, I heard--I heard a man's voice.

Yardsley. Man's voice?

Barlow. Man's voice is what Miss Andrews said.

Dorothy. Yes; it was Hicks, our coachman, and he was dreadfully angry about something.

Yardsley (sinking into chair). Good Lord! Hicks! Angry! At-- something!

Dorothy. He was threatening to kill somebody.

Yardsley. This grows worse and worse! Threatening to kill somebody! D-did-did you o-over-overhear huh-huh-whom he was going to kuk-kill?

Barlow. What's the matter with you, Yardsley? Are you going to die of fright, or have you suddenly caught a chill?

Dorothy. Oh, I hope not! Don't die here, anyhow, Mr. Yardsley. If you must die, please go home and die. I couldn't stand another shock to-day. Why, really, I was nearly frightened to death. I don't know now but what I ought to send for the police, Hicks was so violent.

Barlow. Perhaps she and Hicks have had a lovers' quarrel.

Yardsley. Very likely; very likely indeed. I think that is no doubt the explanation of the whole trouble. Lovers will quarrel. They were engaged, you know.

Dorothy (surprised). No, I didn't know it. Were they? Who told you?

Yardsley (discovering his mistake). Why--er--wasn't it you said so, Miss Dorothy? Or you, Barlow?

Barlow. I have not the honor of the young woman's confidence, and so could not have given you the information.

Dorothy. I didn't know it, so how could I have told you?

Yardsley (desperately). Then I must have dreamed it. I do have the queerest dreams sometimes, but there's nothing strange about this one, anyhow. Parlor-maids frequently do--er--become engaged to coachmen and butlers and that sort of thing. It isn't a rare occurrence at all. If I'd said she was engaged to Billie Wilkins, or to--to Barlow here--

Barlow. Or to yourself.

Yardsley. Sir? What do you mean to insinuate? That I am engaged to Jennie?

Barlow. I never said so.

Dorothy. Oh dear, let us have the tea. You quarrelsome men are just wearing me out. Mr. Barlow, do you want cream in yours?

Barlow. If you please; and one lump of sugar. (Dorothy pours is out.) Thanks.

Dorothy. Mr. Yardsley?

Yardsley. Just a little, Miss Andrews. No cream, and no sugar.

[Dorothy prepares a cup for Yardsley. He is about to take it when--

Dorothy. Well, I declare! It's nothing but hot water! I forgot the tea entirely!

Barlow (with a laugh). Oh, never mind. Hot water is good for dyspepsia.

[With a significant look at Yardsley.

Yardsley. It depends on how you get it, Mr. Barlow. I've known men who've got dyspepsia from living in hot water too much.

[As Yardsley speaks the portiere is violently clutched from without, and Jennie's head is thrust into the room. No one observes her.

Barlow. Well, my cup is very satisfactory to me, Miss Dorothy. Fact is, I've always been fond of cambric tea, and this is just right.

Yardsley (patronizingly). It _is_ good for children.

Jennie (trying to attract Yardsley's attention). Pst!

Yardsley. My mamma lets me have it Sunday nights.

Dorothy. Ha, ha, ha!

Barlow. Another joke? Good. Let me enjoy it too. Hee, Hee!

Jennie. Pst!

[Barlow looks around; Jennie hastily withdraws her head.

Barlow. I didn't know you had steam heat in this house.

Dorothy. We haven't. What put such an idea as that into your head?

Barlow. Why, I thought I heard the hissing of steam, the click of a radiator, or something of that sort back by the door.

Yardsley. Maybe the house is haunted.

Dorothy. I fancy it was your imagination: or perhaps it was the wind blowing through the hall. The pantry window is open.

Barlow. I guess maybe that's it. How fine it must be in the country now!

[Jennie pokes her head in through the portieres again, and follows it with her arm and hand, in which is a feather duster, which she waves wildly in an endeavor to attract Yardsley's attention.

Dorothy. Divine. I should so love to be out of town still. It seems to me people always make a great mistake returning to the city so early in the fall. The country is really at its best at this time of year.

[Yardsley turns half around, and is about to speak, when he catches sight of the now almost hysterical Jennie and her feather duster.

Barlow. Yes; I think so too. I was at Lenox last week, and the foliage was gorgeous.

Yardsley (feeling that he must say something). Yes. I suppose all the feathers on the maple-trees are turning red by this time.

Dorothy. Feathers, Mr. Yardsley?

Barlow. Feathers?

Yardsley (with a furtive glance at Jennie). Ha, ha! What an absurd slip! Did I say feathers? I meant--I meant leaves, of course. All the leaves on the dusters are turning.

Barlow. I don't believe you know what you do mean. Who ever heard of leaves on dusters? What are dusters? Do you know, Miss Dorothy?

[As he turns to Miss Andrews, Yardsley tries to wave Jennie away. She beckons with her arms more wildly than ever, and Yardsley silently speaks the words, "Go away."

Dorothy. I'm sure I don't know of any tree by that name, but then I'm not a--not a what?

Yardsley (with a forced