An Ideal Husband - Oscar Wilde (phonics story books .txt) 📗
- Author: Oscar Wilde
- Performer: 048641423X
Book online «An Ideal Husband - Oscar Wilde (phonics story books .txt) 📗». Author Oscar Wilde
THE EARL OF CAVERSHAM, Mr. Alfred Bishop.
VISCOUNT GORING, Mr. Charles H. Hawtrey.
SIR ROBERT CHILTERN, Mr. Lewis Waller.
VICOMTE DE NANJAC, Mr. Cosmo Stuart.
MR. MONTFORD, Mr. Harry Stanford.
PHIPPS, Mr. C. H. Brookfield.
MASON, Mr. H. Deane.
JAMES, Mr. Charles Meyrick.
HAROLD, Mr. Goodhart.
LADY CHILTERN, Miss Julia Neilson.
LADY MARKBY, Miss Fanny Brough.
COUNTESS OF BASILDON, Miss Vane Featherston.
MRS. MARCHMONT, Miss Helen Forsyth.
MISS MABEL CHILTERN, Miss Maud Millet.
MRS. CHEVELEY, Miss Florence West.
FIRST ACT SCENEThe octagon room at Sir Robert Chiltern’s house in Grosvenor Square.
[The room is brilliantly lighted and full of guests. At the top of
the staircase stands LADY CHILTERN, a woman of grave Greek beauty,
about twenty-seven years of age. She receives the guests as they
come up. Over the well of the staircase hangs a great chandelier
with wax lights, which illumine a large eighteenth-century French
tapestry - representing the Triumph of Love, from a design by Boucher
- that is stretched on the staircase wall. On the right is the
entrance to the music-room. The sound of a string quartette is
faintly heard. The entrance on the left leads to other reception-rooms. MRS. MARCHMONT and LADY BASILDON, two very pretty women, are
seated together on a Louis Seize sofa. They are types of exquisite
fragility. Their affectation of manner has a delicate charm.
Watteau would have loved to paint them.]
MRS. MARCHMONT. Going on to the Hartlocks’ to-night, Margaret?
LADY BASILDON. I suppose so. Are you?
MRS. MARCHMONT. Yes. Horribly tedious parties they give, don’t
they?
LADY BASILDON. Horribly tedious! Never know why I go. Never know
why I go anywhere.
MRS. MARCHMONT. I come here to be educated
LADY BASILDON. Ah! I hate being educated!
MRS. MARCHMONT. So do I. It puts one almost on a level with the
commercial classes, doesn’t it? But dear Gertrude Chiltern is always
telling me that I should have some serious purpose in life. So I
come here to try to find one.
LADY BASILDON. [Looking round through her lorgnette.] I don’t see
anybody here to-night whom one could possibly call a serious purpose.
The man who took me in to dinner talked to me about his wife the
whole time.
MRS. MARCHMONT. How very trivial of him!
LADY BASILDON. Terribly trivial! What did your man talk about?
MRS. MARCHMONT. About myself.
LADY BASILDON. [Languidly.] And were you interested?
MRS. MARCHMONT. [Shaking her head.] Not in the smallest degree.
LADY BASILDON. What martyrs we are, dear Margaret!
MRS. MARCHMONT. [Rising.] And how well it becomes us, Olivia!
[They rise and go towards the music-room. The VICOMTE DE NANJAC, a
young attache known for his neckties and his Anglomania, approaches
with a low bow, and enters into conversation.]
MASON. [Announcing guests from the top of the staircase.] Mr. and
Lady Jane Barford. Lord Caversham.
[Enter LORD CAVERSHAM, an old gentleman of seventy, wearing the
riband and star of the Garter. A fine Whig type. Rather like a
portrait by Lawrence.]
LORD CAVERSHAM. Good evening, Lady Chiltern! Has my good-for-nothing young son been here?
LADY CHILTERN. [Smiling.] I don’t think Lord Goring has arrived
yet.
MABEL CHILTERN. [Coming up to LORD CAVERSHAM.] Why do you call Lord
Goring good-for-nothing?
[MABEL CHILTERN is a perfect example of the English type of
prettiness, the apple-blossom type. She has all the fragrance and
freedom of a flower. There is ripple after ripple of sunlight in her
hair, and the little mouth, with its parted lips, is expectant, like
the mouth of a child. She has the fascinating tyranny of youth, and
the astonishing courage of innocence. To sane people she is not
reminiscent of any work of art. But she is really like a Tanagra
statuette, and would be rather annoyed if she were told so.]
LORD CAVERSHAM. Because he leads such an idle life.
MABEL CHILTERN. How can you say such a thing? Why, he rides in the
Row at ten o’clock in the morning, goes to the Opera three times a
week, changes his clothes at least five times a day, and dines out
every night of the season. You don’t call that leading an idle life,
do you?
LORD CAVERSHAM. [Looking at her with a kindly twinkle in his eyes.]
You are a very charming young lady!
MABEL CHILTERN. How sweet of you to say that, Lord Caversham! Do
come to us more often. You know we are always at home on Wednesdays,
and you look so well with your star!
LORD CAVERSHAM. Never go anywhere now. Sick of London Society.
Shouldn’t mind being introduced to my own tailor; he always votes on
the right side. But object strongly to being sent down to dinner
with my wife’s milliner. Never could stand Lady Caversham’s bonnets.
MABEL CHILTERN. Oh, I love London Society! I think it has immensely
improved. It is entirely composed now of beautiful idiots and
brilliant lunatics. Just what Society should be.
LORD CAVERSHAM. Hum! Which is Goring? Beautiful idiot, or the
other thing?
MABEL CHILTERN. [Gravely.] I have been obliged for the present to
put Lord Goring into a class quite by himself. But he is developing
charmingly!
LORD CAVERSHAM. Into what?
MABEL CHILTERN. [With a little curtsey.] I hope to let you know
very soon, Lord Caversham!
MASON. [Announcing guests.] Lady Markby. Mrs. Cheveley.
[Enter LADY MARKBY and MRS. CHEVELEY. LADY MARKBY is a pleasant,
kindly, popular woman, with gray hair e la marquise and good lace.
MRS. CHEVELEY, who accompanies her, is tall and rather slight. Lips
very thin and highly-coloured, a line of scarlet on a pallid face.
Venetian red hair, aquiline nose, and long throat. Rouge accentuates
the natural paleness of her complexion. Gray-green eyes that move
restlessly. She is in heliotrope, with diamonds. She looks rather
like an orchid, and makes great demands on one’s curiosity. In all
her movements she is extremely graceful. A work of art, on the
whole, but showing the influence of too many schools.]
LADY MARKBY. Good evening, dear Gertrude! So kind of you to let me
bring my friend, Mrs. Cheveley. Two such charming women should know
each other!
LADY CHILTERN. [Advances towards MRS. CHEVELEY with a sweet smile.
Then suddenly stops, and bows rather distantly.] I think Mrs.
Cheveley and I have met before. I did not know she had married a
second time.
LADY MARKBY. [Genially.] Ah, nowadays people marry as often as they
can, don’t they? It is most fashionable. [To DUCHESS OF
MARYBOROUGH.] Dear Duchess, and how is the Duke? Brain still weak,
I suppose? Well, that is only to be expected, is it not? His good
father was just the same. There is nothing like race, is there?
MRS. CHEVELEY. [Playing with her fan.] But have we really met
before, Lady Chiltern? I can’t remember where. I have been out of
England for so long.
LADY CHILTERN. We were at school together, Mrs. Cheveley.
MRS. CHEVELEY [Superciliously.] Indeed? I have forgotten all about
my schooldays. I have a vague impression that they were detestable.
LADY CHILTERN. [Coldly.] I am not surprised!
MRS. CHEVELEY. [In her sweetest manner.] Do you know, I am quite
looking forward to meeting your clever husband, Lady Chiltern. Since
he has been at the Foreign Office, he has been so much talked of in
Vienna. They actually succeed in spelling his name right in the
newspapers. That in itself is fame, on the continent.
LADY CHILTERN. I hardly think there will be much in common between
you and my husband, Mrs. Cheveley! [Moves away.]
VICOMTE DE NANJAC. Ah! chere Madame, queue surprise! I have not
seen you since Berlin!
MRS. CHEVELEY. Not since Berlin, Vicomte. Five years ago!
VICOMTE DE NANJAC. And you are younger and more beautiful than ever.
How do you manage it?
MRS. CHEVELEY. By making it a rule only to talk to perfectly
charming people like yourself.
VICOMTE DE NANJAC. Ah! you flatter me. You butter me, as they say
here.
MRS. CHEVELEY. Do they say that here? How dreadful of them!
VICOMTE DE NANJAC. Yes, they have a wonderful language. It should
be more widely known.
[SIR ROBERT CHILTERN enters. A man of forty, but looking somewhat
younger. Clean-shaven, with finely-cut features, dark-haired and
dark-eyed. A personality of mark. Not popular - few personalities
are. But intensely admired by the few, and deeply respected by the
many. The note of his manner is that of perfect distinction, with a
slight touch of pride. One feels that he is conscious of the success
he has made in life. A nervous temperament, with a tired look. The
firmly-chiselled mouth and chin contrast strikingly with the romantic
expression in the deep-set eyes. The variance is suggestive of an
almost complete separation of passion and intellect, as though
thought and emotion were each isolated in its own sphere through some
violence of will-power. There is nervousness in the nostrils, and in
the pale, thin, pointed hands. It would be inaccurate to call him
picturesque. Picturesqueness cannot survive the House of Commons.
But Vandyck would have liked to have painted his head.]
SIR ROBERT CHILTERN. Good evening, Lady Markby! I hope you have
brought Sir John with you?
LADY MARKBY. Oh! I have brought a much more charming person than
Sir John. Sir John’s temper since he has taken seriously to politics
has become quite unbearable. Really, now that the House of Commons
is trying to become useful, it does a great deal of harm.
SIR ROBERT CHILTERN. I hope not, Lady Markby. At any rate we do our
best to waste the public time, don’t we? But who is this charming
person you have been kind enough to bring to us?
LADY MARKBY. Her name is Mrs. Cheveley! One of the Dorsetshire
Cheveleys, I suppose. But I really don’t know. Families are so
mixed nowadays. Indeed, as a rule, everybody turns out to be
somebody else.
SIR ROBERT CHILTERN. Mrs. Cheveley? I seem to know the name.
LADY MARKBY. She has just arrived from Vienna.
SIR ROBERT CHILTERN. Ah! yes. I think I know whom you mean.
LADY MARKBY. Oh! she goes everywhere there, and has such pleasant
scandals about all her friends. I really must go to Vienna next
winter. I hope there is a good chef at the Embassy.
SIR ROBERT CHILTERN. If there is not, the Ambassador will certainly
have to be recalled. Pray point out Mrs. Cheveley to me. I should
like to see her.
LADY MARKBY. Let me introduce you. [To MRS. CHEVELEY.] My dear,
Sir Robert Chiltern is dying to know you!
SIR ROBERT CHILTERN. [Bowing.] Every one is dying to know the
brilliant Mrs. Cheveley. Our attaches at Vienna write to us about
nothing else.
MRS. CHEVELEY. Thank you, Sir Robert. An acquaintance that begins
with a compliment is sure to develop into a real friendship. It
starts in the right manner. And I find that I know Lady Chiltern
already.
SIR ROBERT CHILTERN. Really?
MRS. CHEVELEY. Yes. She has just reminded me that we were at school
together. I remember it perfectly now. She always got the good
conduct prize. I have a distinct recollection of Lady Chiltern
always getting the good conduct prize!
SIR ROBERT CHILTERN. [Smiling.] And what prizes did you get, Mrs.
Cheveley?
MRS. CHEVELEY. My prizes came a little later on in life. I don’t
think any of them were for good conduct. I forget!
SIR ROBERT CHILTERN. I am sure they were for something charming!
MRS. CHEVELEY. I don’t know that women are always rewarded for being
charming. I think they are
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