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think myself his debtor, for those imperfections which arise from the ardour of his attachment.

LYDIA Well, I cannot blame you for defending him. But tell me candidly, Julia, had he never saved your life, do you think you should have been attached to him as you are?—Believe me, the rude blast that overset your boat was a prosperous gale of love to him.

JULIA Gratitude may have strengthened my attachment to Mr. Faulkland, but I loved him before he had preserved me; yet surely that alone were an obligation sufficient.

LYDIA Obligation! why a water spaniel would have done as much!—Well, I should never think of giving my heart to a man because he could swim.

JULIA
Come, Lydia, you are too inconsiderate.

LYDIA
Nay, I do but jest.—What's here?

[Re-enter LUCY in a hurry.]

LUCY
O ma'am, here is Sir Anthony Absolute just come home with your aunt.

LYDIA
They'll not come here.—Lucy, do you watch.

[Exit LUCY.]

JULIA Yet I must go. Sir Anthony does not know I am here, and if we meet, he'll detain me, to show me the town. I'll take another opportunity of paying my respects to Mrs. Malaprop, when she shall treat me, as long as she chooses, with her select words so ingeniously misapplied, without being mispronounced.

[Re-enter LUCY.]

LUCY
O Lud! ma'am, they are both coming up stairs.

LYDIA Well, I'll not detain you, coz.—Adieu, my dear Julia. I'm sure you are in haste to send to Faulkland.—There—through my room you'll find another staircase.

JULIA
Adieu! [Embraces LYDIA, and exit.]

LYDIA Here, my dear Lucy, hide these books. Quick, quick!—Fling Peregrine Pickle under the toilet—throw Roderick Random into the closet—put The Innocent Adultery into The Whole Duty of Man—thrust Lord Aimworth under the sofa—cram Ovid behind the bolster—there—put The Man of Feeling into your pocket—so, so—now lay Mrs. Chapone in sight, and leave Fordyce's Sermons open on the table.

LUCY
O burn it, ma'am! the hair-dresser has torn away as far as Proper
Pride
.

LYDIA
Never mind—open at Sobriety.—Fling me Lord Chesterfields
Letters
.—Now for 'em.

[Exit LUCY.]

[Enter Mrs. MALAPROP, and Sir ANTHONY ABSOLUTE.]

Mrs. MALAPROP There, Sir Anthony, there sits the deliberate simpleton who wants to disgrace her family, and lavish herself on a fellow not worth a shilling.

LYDIA
Madam, I thought you once——

Mrs. MALAPROP You thought, miss! I don't know any business you have to think at all—thought does not become a young woman. But the point we would request of you is, that you will promise to forget this fellow—to illiterate him, I say, quite from your memory.

LYDIA Ah, madam! our memories are independent of our wills. It is not so easy to forget.

Mrs. MALAPROP But I say it is, miss; there is nothing on earth so easy as to forget, if a person chooses to set about it. I'm sure I have as much forgot your poor dear uncle as if he had never existed—and I thought it my duty so to do; and let me tell you, Lydia, these violent memories don't become a young woman.

Sir ANTHONY Why sure she won't pretend to remember what she's ordered not!—ay, this comes of her reading!

LYDIA
What crime, madam, have I committed, to be treated thus?

Mrs. MALAPROP Now don't attempt to extirpate yourself from the matter; you know I have proof controvertible of it.—But tell me, will you promise to do as you're bid? Will you take a husband of your friends' choosing?

LYDIA Madam, I must tell you plainly, that had I no preferment for any one else, the choice you have made would be my aversion.

Mrs. MALAPROP What business have you, miss, with preference and aversion? They don't become a young woman; and you ought to know, that as both always wear off, 'tis safest in matrimony to begin with a little aversion. I am sure I hated your poor dear uncle before marriage as if he'd been a blackamoor—and yet, miss, you are sensible what a wife I made!—and when it pleased Heaven to release me from him, 'tis unknown what tears I shed!—But suppose we were going to give you another choice, will you promise us to give up this Beverley?

LYDIA Could I belie my thoughts so far as to give that promise, my actions would certainly as far belie my words.

Mrs. MALAPROP Take yourself to your room.—You are fit company for nothing but your own ill-humours.

LYDIA
Willingly, ma'am—I cannot change for the worse. [Exit.]

Mrs. MALAPROP
There's a little intricate hussy for you!

Sir ANTHONY
It is not to be wondered at, ma'am,—all this is the natural
consequence of teaching girls to read. Had I a thousand daughters, by
Heaven! I'd as soon have them taught the black art as their alphabet!

Mrs. MALAPROP
Nay, nay, Sir Anthony, you are an absolute misanthropy.

Sir ANTHONY In my way hither, Mrs. Malaprop, I observed your niece's maid coming forth from a circulating library!—She had a book in each hand—they were half-bound volumes, with marble covers!—From that moment I guessed how full of duty I should see her mistress!

Mrs. MALAPROP
Those are vile places, indeed!

Sir ANTHONY Madam, a circulating library in a town is as an evergreen tree of diabolical knowledge! It blossoms through the year!—And depend on it, Mrs. Malaprop, that they who are so fond of handling the leaves, will long for the fruit at last.

Mrs. MALAPROP
Fy, fy, Sir Anthony! you surely speak laconically.

Sir ANTHONY Why, Mrs. Malaprop, in moderation now, what would you have a woman know?

Mrs. MALAPROP Observe me, Sir Anthony. I would by no means wish a daughter of mine to be a progeny of learning; I don't think so much learning becomes a young woman; for instance, I would never let her meddle with Greek, or Hebrew, or algebra, or simony, or fluxions, or paradoxes, or such inflammatory branches of learning—neither would it be necessary for her to handle any of your mathematical, astronomical, diabolical instruments.—But, Sir Anthony, I would send her, at nine years old, to a boarding-school, in order to learn a little ingenuity and artifice. Then, sir, she should have a supercilious knowledge in accounts;—and as she grew up, I would have her instructed in geometry, that she might know something of the contagious countries;—but above all, Sir Anthony, she should be mistress of orthodoxy, that she might not mis-spell, and mis-pronounce words so shamefully as girls usually do; and likewise that she might reprehend the true meaning of what she is saying. This, Sir Anthony, is what I would have a woman know;—and I don't think there is a superstitious article in it.

Sir ANTHONY Well, well, Mrs. Malaprop, I will dispute the point no further with you; though I must confess, that you are a truly moderate and polite arguer, for almost every third word you say is on my side of the question. But, Mrs. Malaprop, to the more important point in debate—you say you have no objection to my proposal?

Mrs. MALAPROP None, I assure you. I am under no positive engagement with Mr. Acres, and as Lydia is so obstinate against him, perhaps your son may have better success.

Sir ANTHONY
Well, madam, I will write for the boy directly. He knows not a syllable
of this yet, though I have for some time had the proposal in my head.
He is at present with his regiment.

Mrs. MALAPROP We have never seen your son, Sir Anthony; but I hope no objection on his side.

Sir ANTHONY Objection!—let him object if he dare!—No, no, Mrs. Malaprop, Jack knows that the least demur puts me in a frenzy directly. My process was always very simple—in their younger days, 'twas "Jack, do this";—if he demurred, I knocked him down—and if he grumbled at that, I always sent him out of the room.

Mrs. MALAPROP Ay, and the properest way, o' my conscience!—nothing is so conciliating to young people as severity.—Well, Sir Anthony, I shall give Mr. Acres his discharge, and prepare Lydia to receive your son's invocations;—and I hope you will represent her to the captain as an object not altogether illegible.

Sir ANTHONY Madam, I will handle the subject prudently.—Well, I must leave you; and let me beg you, Mrs. Malaprop, to enforce this matter roundly to the girl.—Take my advice—keep a tight hand: if she rejects this proposal, clap her under lock and key; and if you were just to let the servants forget to bring her dinner for three or four days, you can't conceive how she'd come about. [Exit.]

Mrs. MALAPROP Well, at any rate, I shall be glad to get her from under my intuition. She has somehow discovered my partiality for Sir Lucius O'Trigger—sure, Lucy can't have betrayed me!—No, the girl is such a simpleton, I should have made her confess it.—Lucy!—Lucy!—[Calls.] Had she been one of your artificial ones, I should never have trusted her.

[Re-enter LUCY.]

LUCY
Did you call, ma'am?

Mrs. MALAPROP
Yes, girl.—Did you see Sir Lucius while you was out?

LUCY
No, indeed, ma'am, not a glimpse of him.

Mrs. MALAPROP
You are sure, Lucy, that you never mentioned——

LUCY
Oh gemini! I'd sooner cut my tongue out.

Mrs. MALAPROP
Well, don't let your simplicity be imposed on.

LUCY
No, ma'am.

Mrs. MALAPROP So, come to me presently, and I'll give you another letter to Sir Lucius; but mind, Lucy—if ever you betray what you are entrusted with (unless it be other people's secrets to me), you forfeit my malevolence for ever; and your being a simpleton shall be no excuse for your locality. [Exit.]

LUCY Ha! ha! ha!—So, my dear Simplicity, let me give you a little respite.—[Altering her manner.] Let girls in my station be as fond as they please of appearing expert, and knowing in their trusts; commend me to a mask of silliness, and a pair of sharp eyes for my own interest under it!—Let me see to what account have I turned my simplicity lately.—[Looks at a paper.] For abetting Miss Lydia Languish in a design of running away with an ensign!—in money, sundry times, twelve pound twelve; gowns, five; hats, ruffles, caps, &c., &c., numberless!—From the said ensign, within this last month, six guineas and a half.—About a quarter's pay!—Item, from Mrs. Malaprop, for betraying the young people to her—when I found matters were likely to be discovered—two guineas, and a black paduasoy.—Item, from Mr. Acres, for carrying divers letters—which I never delivered—two guineas, and a pair of buckles.—Item, from Sir Lucius O'Trigger, three crowns, two gold pocket-pieces, and a silver snuff-box!—Well done, Simplicity!—Yet I was forced to make my Hibernian believe, that he was corresponding, not with the aunt, but with the niece; for though not over rich, I found he had too much pride and delicacy to sacrifice the feelings of a gentleman to the necessities of his fortune. [Exit.]

* * * * * * * * * * *

ACT II

* * * * * * *

Scene I.—CAPTAIN ABSOLUTE's Lodgings. [CAPTAIN ABSOLUTE and FAG.]

FAG Sir, while I was there Sir Anthony came in: I told him you had sent me to inquire after his health, and to know if he was at leisure to see you.

ABSOLUTE
And what did he say, on hearing I was at Bath?

FAG Sir, in my life I never saw an elderly gentleman more astonished! He started back two or three paces, rapped out a dozen interjectural oaths, and asked, what the devil had brought you here.

ABSOLUTE
Well, sir, and what did you say?

FAG Oh, I lied, sir—I forgot the precise lie; but you may depend on't, he got no truth from me. Yet, with submission, for fear of blunders in future, I should be glad to fix what has brought us to Bath; in order that we may lie a little consistently. Sir Anthony's servants were curious, sir, very curious indeed.

ABSOLUTE
You have said nothing to them?

FAG Oh, not a word, sir,—not a word! Mr. Thomas, indeed, the coachman (whom I take to be the discreetest of whips)——

ABSOLUTE
'Sdeath!—you rascal! you have not trusted him!

FAG Oh, no, sir—no—no—not a syllable, upon my veracity!—He was, indeed, a little inquisitive; but I was sly, sir—devilish sly! My master (said I), honest Thomas (you know, sir, one says honest to one's inferiors,) is come to Bath to recruit—Yes, sir, I said to recruit—and whether for men, money, or constitution, you know, sir, is nothing to him, nor any one else.

ABSOLUTE
Well, recruit will do—let it be so.

FAG Oh, sir, recruit will do surprisingly—indeed, to give the thing an air, I told Thomas, that your honour had already enlisted five disbanded chairmen, seven minority waiters, and thirteen billiard-markers.

ABSOLUTE
You blockhead, never say more than is necessary.

FAG I beg pardon, sir—I beg pardon—but, with submission, a lie is nothing unless one supports it. Sir, whenever I draw on my invention for a good current lie, I always forge indorsements as well as the bill.

ABSOLUTE Well, take care you don't hurt your credit, by offering too much security.—Is Mr.

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