The Picture of Dorian Gray - Oscar Wilde (e reading malayalam books .TXT) 📗

To realize one’s nature perfectly,—that is what each of us is here for. People are afraid of themselves, nowadays. They have forgotten the highest of all duties, the duty that one owes to one’s self. Of course they are charitable. They feed the hungry, and clothe the beggar. But their own souls starve, and are naked.

Courage has gone out of our race. Perhaps we never really had it. The terror of society, which is the basis of morals, 28 of 250

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the terror of God, which is the secret of religion,—these are the two things that govern us. And yet—‘

‘Just turn your head a little more to the right, Dorian, like a good boy,’ said Hallward, deep in his work, and conscious only that a look had come into the lad’s face that he had never seen there before.

‘And yet,’ continued Lord Henry, in his low, musical voice, and with that graceful wave of the hand that was always so characteristic of him, and that he had even in his Eton days, ‘I believe that if one man were to live his life out fully and completely, were to give form to every feeling, expression to every thought, reality to every dream,—I believe that the world would gain such a fresh impulse of joy that we would forget all the maladies of mediaevalism, and return to the Hellenic ideal,— to something finer, richer, than the Hellenic ideal, it may be.

But the bravest man among us is afraid of himself. The mutilation of the savage has its tragic survival in the self-denial that mars our lives. We are punished for our refusals. Every impulse that we strive to strangle broods in the mind, and poisons us. The body sins once, and has done with its sin, for action is a mode of purification.

Nothing remains then but the recollection of a pleasure, or the luxury of a regret. The only way to get rid of a 29 of 250

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temptation is to yield to it. Resist it, and your soul grows sick with longing for the things it has forbidden to itself, with desire for what its monstrous laws have made monstrous and unlawful. It has been said that the great events of the world take place in the brain. It is in the brain, and the brain only, that the great sins of the world take place also. You, Mr. Gray, you yourself, with your rose-red youth and your rose-white boyhood, you have had passions that have made you afraid, thoughts that have filled you with terror, day-dreams and sleeping dreams whose mere memory might stain your cheek with shame—‘

‘Stop!’ murmured Dorian Gray, ‘stop! you bewilder me. I don’t know what to say. There is some answer to you, but I cannot find it. Don’t speak. Let me think, or, rather, let me try not to think.’

For nearly ten minutes he stood there motionless, with parted lips, and eyes strangely bright. He was dimly conscious that entirely fresh impulses were at work within him, and they seemed to him to have come really from himself. The few words that Basil’s friend had said to him—words spoken by chance, no doubt, and with wilful paradox in them—had yet touched some secret chord, that 30 of 250

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had never been touched before, but that he felt was now vibrating and throbbing to curious pulses.

Music had stirred him like that. Music had troubled him many times. But music was not articulate. It was not a new world, but rather a new chaos, that it created in us.

Words! Mere words! How terrible they were! How clear, and vivid, and cruel! One could not escape from them.

And yet what a subtle magic there was in them! They seemed to be able to give a plastic form to formless things, and to have a music of their own as sweet as that of viol or of lute. Mere words! Was there anything so real as words?

Yes; there had been things in his boyhood that he had not understood. He understood them now. Life suddenly became fiery-colored to him. It seemed to him that he had been walking in fire. Why had he not known it?

Lord Henry watched him, with his sad smile. He knew the precise psychological moment when to say nothing.

He felt intensely interested. He was amazed at the sudden impression that his words had produced, and, remembering a book that he had read when he was sixteen, which had revealed to him much that he had not known before, he wondered whether Dorian Gray was passing through the same experience. He had merely shot 31 of 250

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an arrow into the air. Had it hit the mark? How fascinating the lad was!

Hallward painted away with that marvellous bold touch of his, that had the true refinement and perfect delicacy that come only from strength. He was unconscious of the silence.

‘Basil, I am tired of standing,’ cried Dorian Gray, suddenly. ‘I must go out and sit in the garden. The air is stifling here.’

‘My dear fellow, I am so sorry. When I am painting, I can’t think of anything else. But you never sat better. You were perfectly still. And I have caught the effect I wanted,—the half-parted lips, and the bright look in the eyes. I don’t know what Harry has been saying to you, but he has certainly made you have the most wonderful expression. I suppose he has been paying you compliments. You mustn’t believe a word that he says.’

‘He has certainly not been paying me compliments.

Perhaps that is the reason I don’t think I believe anything he has told me.’

‘You know you believe it all,’ said Lord Henry, looking at him with his dreamy, heavy-lidded eyes. ‘I will go out to the garden with you. It is horridly hot in the 32 of 250

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studio.—Basil, let us have something iced to drink, something with strawberries in it.’

‘Certainly, Harry. Just touch the bell, and when Parker comes I will tell him what you want. I have got to work up this background, so I will join you later on. Don’t keep Dorian too long. I have never been in better form for painting than I am to-day. This is going to be my masterpiece. It is my masterpiece as it stands.’

Lord Henry went out to the garden, and found Dorian Gray burying his face in the great cool lilac-blossoms, feverishly drinking in their perfume as if it had been wine.

He came close to him, and put his hand upon his shoulder. ‘You are quite right to do that,’ he murmured.

‘Nothing can cure the soul but the senses, just as nothing can cure the senses but the soul.’

The lad started and drew back. He was bareheaded, and the leaves had tossed his rebellious curls and tangled all their gilded threads. There was a look of fear in his eyes, such as people have when they are suddenly awakened.

His finely-chiselled nostrils quivered, and some hidden nerve shook the scarlet of his lips and left them trembling.

‘Yes,’ continued Lord Henry, ‘that is one of the great secrets of life,— to cure the soul by means of the senses, and the senses by means of the soul. You are a wonderful 33 of 250

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creature. You know more than you think you know, just as you know less than you want to know.’

Dorian Gray frowned and turned his head away. He could not help liking the tall, graceful young man who was standing by him. His romantic olive-colored face and worn expression interested him. There was something in his low, languid voice that was absolutely fascinating. His cool, white, flower-like hands, even, had a curious charm.

They moved, as he spoke, like music, and seemed to have a language of their own. But he felt afraid of him, and ashamed of being afraid. Why had it been left for a stranger to reveal him to himself? He had known Basil Hallward for months, but the friendship between then had never altered him. Suddenly there had come some one across his life who seemed to have disclosed to him life’s mystery. And, yet, what was there to be afraid of? He was not a school-boy, or a girl. It was absurd to be frightened.

‘Let us go and sit in the shade,’ said Lord Henry.

‘Parker has brought out the drinks, and if you stay any longer in this glare you will be quite spoiled, and Basil will never paint you again. You really must not let yourself become sunburnt. It would be very unbecoming to you.’

‘What does it matter?’ cried Dorian, laughing, as he sat down on the seat at the end of the garden.

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‘It should matter everything to you, Mr. Gray.’

‘Why?’

‘Because you have now the most marvellous youth, and youth is the one thing worth having.’

‘I don’t feel that, Lord Henry.’

‘No, you don’t feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead with its lines, and passion branded your lips with its hideous fires, you will feel it, you will feel it terribly.

Now, wherever you go, you charm the world. Will it always be so?

‘You have a wonderfully beautiful face, Mr. Gray.

Don’t frown. You have. And Beauty is a form of Genius,—is higher, indeed, than Genius, as it needs no explanation. It is one of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned.

It has its divine right of sovereignty. It makes princes of those who have it. You smile? Ah! when you have lost it you won’t smile.

‘People say sometimes that Beauty is only superficial.

That may be so. But at least it is not so superficial as Thought. To me, Beauty is the wonder of wonders. It is only shallow people who do not judge by appearances.

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The true mystery of the world is the visible, not the invisible.

‘Yes, Mr. Gray, the gods have been good to you. But what the gods give they quickly take away. You have only a few years in which really to live. When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you, or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats.

Every month as it wanes brings you nearer to something dreadful. Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.

‘Realize your youth while you have it. Don’t squander the gold of your days, listening to the tedious, trying to improve the hopeless failure, or giving away your life to the ignorant, the common, and the vulgar, which are the aims, the false ideals, of our age. Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing.

‘A new hedonism,—that is what our century wants.

You might be its visible symbol. With your personality there is nothing you could not do. The world belongs to you for a season.

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‘The moment I met you I saw that you were quite unconscious of what you really are, what you really might be. There was so much about you that charmed me that I felt I must tell you something about yourself. I thought how tragic it would be if you were wasted. For there is such a little time that your youth will last,—such a little time.

‘The common hill-flowers wither, but they blossom again. The laburnum will be as golden next June as it is now. In