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so.

LADY CAROLINE (caressing her wedding ring). My dear golden fetter, listen to him. Kiss my fetter, Jim.

MATEY. Wait till I light this cigar.

LADY CAROLINE. Let me hold the darling match.

MATEY. Tidy-looking Petitey Corona, this. There was a time when one of that sort would have run away with two days of my screw.

LADY CAROLINE. How I should have loved, Jim, to know you when you were poor. Fancy your having once been a clerk.

MATEY (remembering Napoleon and others). We all have our beginnings. But it wouldn't have mattered how I began, Caroliny: I should have come to the top just the same. (Becoming a poet himself.) I am a climber and there are nails in my boots for the parties beneath me. Boots! I tell you if I had been a bootmaker, I should have been the first bootmaker in London.

LADY CAROLINE (a humourist at last). I am sure you would, Jim; but should you have made the best boots?

MATEY (uxoriously wishing that others could have heard this). Very good. Caroliny; that is the nearest thing I have heard you say. But it's late; we had best be strolling back to our Rolls-Royce.

LADY CAROLINE (as they rise). I do hope the ground wasn't damp.

MATEY. Don't matter if it was; I was lying on your rug.

(Indeed we notice now that he has had all the rug, and she the bare ground. JOANNA reaches the glade, now an unhappy lady who has got what she wanted. She is in country dress and is unknown to them as they are to her.) Who is the mournful party?

JOANNA (hesitating). I wonder, sir, whether you happen to have seen my husband? I have lost him in the wood.

MATEY. We are strangers in these parts ourselves, missis. Have we passed any one, Caroliny?

LADY CAROLINE (coyly). Should we have noticed, dear? Might it be that old gent over there? (After the delightful manner of those happily wed she has already picked up many of her lover's favourite words and phrases.)

JOANNA. Oh no, my husband is quite young.

(The woodlander referred to is MR COADE in gala costume; at his mouth a whistle he has made him from some friendly twig. To its ravishing music he is seen pirouetting charmingly among the trees, his new occupation.)

MATEY (signing to the unknown that he is wanted). Seems a merry old cock. Evening to you, sir. Do you happen to have seen a young gentleman in the wood lately, all by himself, and looking for his wife?

COADE (with a flourish of his legs). Can't say I have.

JOANNA (dolefully). He isn't necessarily by himself; and I don't know that he is looking for me. There may be a young lady with him.

(The more happily married lady smiles, and Joanna is quick to take offence.)

JOANNA. What do you mean by that? LADY CAROLINE (neatly). Oho--if you like that better.

MATEY. Now, now, now--your manners, Caroliny.

COADE. Would he be singing or dancing?

JOANNA. Oh no--at least, I hope not.

COADE (an artist to the tips). Hope not? Odd! If he is doing neither I am not likely to notice him, but if I do, what name shall I say?

JOANNA (gloating not). Purdie; I am Mrs. Purdie.

COADE. I will try to keep a look-out, and if I see him ... but I am rather occupied at present ... (The reference is to his legs and a new step they are acquiring. He sways this way and that, and, whistle to lips, minuets off in the direction of Paradise.)

JOANNA (looking elsewhere). I am sorry I troubled you. I see him now.

LADY CAROLINE. Is he alone?

(JOANNA glares at her.)

Ah, I see from your face that he isn't.

MATEY (who has his wench in training). Caroliny, no awkward questions. Evening, missis, and I hope you will get him to go along with you quietly. (Looking after COADE.) Watch the old codger dancing.

(Light-hearted as children they dance after him, while JOANNA behind a tree awaits her lord. PURDIE in knickerbockers approaches with misgivings to make sure that his JOANNA is not in hiding, and then he gambols joyously with a charming confection whose name is MABEL. They chase each other from tree to tree, but fortunately not round JOANNA'S tree.)

MABEL (as he catches her). No, and no, and no. I don't know you nearly well enough for that. Besides, what would your wife say! I shall begin to think you are a very dreadful man, Mr. Purdie.

PURDIE (whose sincerity is not to be questioned). Surely you might call me Jack by this time.

MABEL (heaving). Perhaps, if you are very good, Jack.

PURDIE (of noble thoughts compact). If only Joanna were more like you.

MABEL. Like me? You mean her face? It is a--well, if it is not precisely pretty, it is a good face. (Handsomely.) I don't mind her face at all. I am glad you have got such a dependable little wife, Jack.

PURDIE (gloomily). Thanks.

MABEL (seated with a moonbeam in her lap). What would Joanna have said if she had seen you just now?

PURDIE. A wife should be incapable of jealousy.

MABEL Joanna jealous? But has she any reason? Jack, tell me, who is the woman?

PURDIE (restraining himself by a mighty effort, for he wishes always to be true to JOANNA). Shall I, Mabel, shall I?

MABEL (faltering, yet not wholly giving up the chase). I can't think who she is. Have I ever seen her?

PURDIE. Every time you look in a mirror.

MABEL (with her head on one side). How odd, Jack, that can't be; when I look in a mirror I see only myself.

PURDIE (gloating). How adorably innocent you are, Mabel. Joanna would have guessed at once.

(Slowly his meaning comes to her, and she is appalled.)

MABEL. Not that!

PURDIE (aflame). Shall I tell you now?

MABEL (palpitating exquisitely). I don't know, I am not sure. Jack, try not to say it, but if you feel you must, say it in such a way that it would not hurt the feelings of Joanna if she happened to be passing by, as she nearly always is.

(A little moan from JOANNA'S tree is unnoticed.)

PURDIE. I would rather not say it at all than that way. (He is touchingly anxious that she should know him as he really is.) I don't know, Mabel, whether you have noticed that I am not like other men. (He goes deeply into the very structure of his being.) All my life I have been a soul that has had to walk alone. Even as a child I had no hope that it would be otherwise. I distinctly remember when I was six thinking how unlike other children I was. Before I was twelve I suffered from terrible self-depreciation; I do so still. I suppose there never was a man who had a more lowly opinion of himself.

MABEL. Jack, you who are so universally admired.

PURDIE. That doesn't help; I remain my own judge. I am afraid I am a dark spirit, Mabel. Yes, yes, my dear, let me leave nothing untold however it may damage me in your eyes. Your eyes! I cannot remember a time when I did not think of Love as a great consuming passion; I visualised it, Mabel, as perhaps few have done, but always as the abounding joy that could come to others but never to me. I expected too much of women: I suppose I was touched to finer issues than most. That has been my tragedy.

MABEL. Then you met Joanna.

PURDIE. Then I met Joanna. Yes! Foolishly, as I now see, I thought she would understand that I was far too deep a nature really to mean the little things I sometimes said to her. I suppose a man was never placed in such a position before. What was I to do? Remember, I was always certain that the ideal love could never come to me. Whatever the circumstances, I was convinced that my soul must walk alone.

MABEL. Joanna, how could you.

PURDIE (firmly). Not a word against her, Mabel; if blame there is the blame is mine.

MABEL. And so you married her.

PURDIE. And so I married her.

MABEL. Out of pity.

PURDIE. I felt it was a man's part. I was such a child in worldly matters that it was pleasant to me to have the right to pay a woman's bills; I enjoyed seeing her garments lying about on my chairs. In time that exultation wore off. But I was not unhappy, I didn't expect much, I was always so sure that no woman could ever plumb the well of my emotions.

MABEL. Then you met me.

PURDIE. Then I met you.

MABEL. Too late--never--forever--forever--never. They are the saddest words in the English tongue.

PURDIE. At the time I thought a still sadder word was Joanna.

MABEL. What was it you saw in me that made you love me?

PURDIE (plumbing the well of his emotions). I think it was the feeling that you are so like myself.

MABEL (with great eyes). Have you noticed that, Jack? Sometimes it has almost terrified me.

PURDIE. We think the same thoughts; we are not two, Mabel; we are one. Your hair--

MABEL. Joanna knows you admire it, and for a week she did hers in the same way.

PURDIE. I never noticed.

MABEL. That was why she gave it up. And it didn't really suit her. (Ruminating.) I can't think of a good way of doing dear Joanna's hair. What is that you are muttering to yourself, Jack? Don't keep anything from me.

PURDIE. I was repeating a poem I have written: it is in two words, 'Mabel Purdie.' May I teach it to you, sweet: say 'Mabel Purdie' to me.

MABEL (timidly covering his mouth with her little hand). If I were to say it, Jack, I should be false to Joanna: never ask me to be that. Let us go on.

PURDIE (merciless in his passion). Say it, Mabel, say it. See I write it on the ground with your sunshade.

MABEL. If it could be! Jack, I'll whisper it to you.

(She is whispering it as they wander, not two but one, farther into the forest, ardently believing in themselves; they are not hypocrites. The somewhat bedraggled figure of Joanna follows them, and the nightingale resumes his love-song. 'That's all you know, you bird!' thinks Joanna cynically. The nightingale, however, is not singing for them nor for her, but for another pair he has espied below. They are racing, the prize to be for the one who first finds the spot where the easel was put up last night. The hobbledehoy is sure to be the winner, for she is less laden, and the father loses time by singing as he comes. Also she is all legs and she started ahead. Brambles adhere to her, one boot has been in the water and she has as many freckles as there are stars in heaven. She is as lovely as you think she is, and she is aged the moment when you like your daughter best. A hoot of triumph from her brings her father to the spot.)

MARGARET. Daddy, Daddy. I have won. Here is the place.
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