Ulysses - James Joyce (reading an ebook TXT) 📗

his hand) Hand hurts me slightly. Enfin ce sont vos oignons. (To Cissy Caffrey) Some trouble is on here. What is it precisely?

DOLLY GRAY: (From her balcony waves her handkerchief, giving the sign of the heroine of Jericho) Rahab. Cook's son, goodbye. Safe home to Dolly. Dream of the girl you left behind and she will dream of you.

(The soldiers turn their swimming eyes.)

BLOOM: (Elbowing through the crowd, plucks Stephen's sleeve vigorously) Come now, professor, that carman is waiting.

STEPHEN: (Turns) Eh? (He disengages himself) Why should I not speak to him or to any human being who walks upright upon this oblate orange? (He points his finger) I'm not afraid of what I can talk to if I see his eye. Retaining the perpendicular.

(He staggers a pace back)

BLOOM: (Propping him) Retain your own.

STEPHEN: (Laughs emptily) My centre of gravity is displaced. I have forgotten the trick. Let us sit down somewhere and discuss. Struggle for life is the law of existence but but human philirenists, notably the tsar and the king of England, have invented arbitration. (He taps his brow) But in here it is I must kill the priest and the king.

BIDDY THE CLAP: Did you hear what the professor said? He's a professor out of the college.

CUNTY KATE: I did. I heard that.

BIDDY THE CLAP: He expresses himself with such marked refinement of phraseology.

CUNTY KATE: Indeed, yes. And at the same time with such apposite trenchancy.

PRIVATE CARR: (Pulls himself free and comes forward) What's that you're saying about my king?

(Edward the Seventh appears in an archway. He wars a white jersey on which an image of the Sacred Heart is stitched with the insignia of Garter and Thistle, Golden Fleece, Elephant of Denmark, Skinner's and Probyn's horse, Lincoln's Inn bencher and ancient and honourable artillery company of Massachusetts. He sucks a red jujube. He is robed as a grand elect perfect and sublime mason with trowel and apron, marked made in Germany. In his left hand he holds a plasterer's bucket on which is printed Défense d'uriner. A roar of welcome greets him.)

EDWARD THE SEVENTH: (Slowly, solemnly but indistinctly) Peace, perfect peace. For identification, bucket in my hand. Cheerio, boys. (He turns to his subjects) We have come here to witness a clean straight fight and we heartily wish both men the best of good luck. Mahak makar a bak.

(He shakes hands with Private Carr, Private Compton, Stephen, Bloom and Lynch. General applause. Edward the Seventh lifts his bucket graciously in acknowledgment.)

PRIVATE CARR: (To Stephen) Say it again.

STEPHEN: (Nervous, friendly, pulls himself up) I understand your point of view though I have no king myself for the moment. This is the age of patent medicines. A discussion is difficult down here. But this is the point. You die for your country. Suppose. (He places his arm on Private Carr's sleeve) Not that I wish it for you. But I say: Let my country die for me. Up to the present it has done so. I didn't want it to die. Damn death. Long live life!

EDWARD THE SEVENTH: (Levitates over heaps of slain, in the garb and with the halo of Joking Jesus, a white jujube in his phosphorescent face)

My methods are new and are causing surprise. To make the blind see I throw dust in their eyes.

STEPHEN: Kings and unicorns! (He fills back a pace) Come somewhere and we'll... What was that girl saying?...

PRIVATE COMPTON: Eh, Harry, give him a kick in the knackers. Stick one into Jerry.

BLOOM: (To the privates, softly) He doesn't know what he's saying. Taken a little more than is good for him. Absinthe. Greeneyed monster. I know him. He's a gentleman, a poet. It's all right.

STEPHEN: (Nods, smiling and laughing) Gentleman, patriot, scholar and judge of impostors.

PRIVATE CARR: I don't give a bugger who he is.

PRIVATE COMPTON: We don't give a bugger who he is.

STEPHEN: I seem to annoy them. Green rag to a bull.

(Kevin Egan of Paris in black Spanish tasselled shirt and peep-o'-day boy's hat signs to Stephen.)

KEVIN EGAN: H'lo! Bonjour! The vieille ogresse with the dents jaunes.

(Patrice Egan peeps from behind, his rabbitface nibbling a quince leaf.)

PATRICE: Socialiste!

DON EMILE PATRIZIO FRANZ RUPERT POPE HENNESSY: (In medieval hauberk, two wild geese volant on his helm, with noble indignation points a mailed hand against the privates) Werf those eykes to footboden, big grand porcos of johnyellows todos covered of gravy!

BLOOM: (To Stephen) Come home. You'll get into trouble.

STEPHEN: (Swaying) I don't avoid it. He provokes my intelligence.

BIDDY THE CLAP: One immediately observes that he is of patrician lineage.

THE VIRAGO: Green above the red, says he. Wolfe Tone.

THE BAWD: The red's as good as the green. And better. Up the soldiers! Up King Edward!

A ROUGH: (Laughs) Ay! Hands up to De Wet.

THE CITIZEN: (With a huge emerald muffler and shillelagh, calls)

THE CROPPY BOY: (The ropenoose round his neck, gripes in his issuing bowels with both hands)

I bear no hate to a living thing, But I love my country beyond the king.

RUMBOLD, DEMON BARBER: (Accompanied by two blackmasked assistants, advances with gladstone bag which he opens) Ladies and gents, cleaver purchased by Mrs Pearcy to slay Mogg. Knife with which Voisin dismembered the wife of a compatriot and hid remains in a sheet in the cellar, the unfortunate female's throat being cut from ear to ear. Phial containing arsenic retrieved from body of Miss Barron which sent Seddon to the gallows.

(He jerks the rope. The assistants leap at the victim's legs and drag him downward, grunting the croppy boy's tongue protrudes violently.)

Horhot ho hray hor hother's hest.

(He gives up the ghost. A violent erection of the hanged sends gouts of sperm spouting through his deathclothes on to the cobblestones. Mrs Bellingham, Mrs Yelverton Barry and the Honourable Mrs Mervyn Talboys rush forward with their handkerchiefs to sop it up.)

RUMBOLD: I'm near it myself. (He undoes the noose) Rope which hanged the awful rebel. Ten shillings a time. As applied to Her Royal Highness. (He plunges his head into the gaping belly of the hanged and draws out his head again clotted with coiled and smoking entrails) My painful duty has now been done. God save the king!

EDWARD THE SEVENTH: (Dances slowly, solemnly, rattling his bucket, and sings with soft contentment)

On coronation day, on coronation day, O, won't we have a merry time, Drinking whisky, beer and wine!

PRIVATE CARR: Here. What are you saying about my king?

STEPHEN: (Throws up his hands) O, this is too monotonous! Nothing. He wants my money and my life, though want must be his master, for some brutish empire of his. Money I haven't. (He searches his pockets vaguely) GAVE IT TO SOMEONE.

PRIVATE CARR: Who wants your bleeding money?

STEPHEN: (Tries to move off) Will someone tell me where I am least likely to meet these necessary evils? Ça se voit aussi à paris. Not that I... But, by Saint Patrick...!

(The women's heads coalesce. Old Gummy Granny in sugarloaf hat appears seated on a toadstool, the deathflower of the potato blight on her breast.)

STEPHEN: Aha! I know you, gammer! Hamlet, revenge! The old sow that eats her farrow!

OLD GUMMY GRANNY: (Rocking to and fro) Ireland's sweetheart, the king of Spain's daughter, alanna. Strangers in my house, bad manners to them! (She keens with banshee woe) Ochone! Ochone! Silk of the kine! (She wails) You met with poor old Ireland and how does she stand?

STEPHEN: How do I stand you? The hat trick! Where's the third person of the Blessed Trinity? Soggarth Aroon? The reverend Carrion Crow.

CISSY CAFFREY: (Shrill) Stop them from fighting!

A ROUGH: Our men retreated.

PRIVATE CARR: (Tugging at his belt) I'll wring the neck of any fucker says a word against my fucking king.

BLOOM: (Terrified) He said nothing. Not a word. A pure misunderstanding.

THE CITIZEN: Erin go bragh!

(Major Tweedy and the Citizen exhibit to each other medals, decorations, trophies of war, wounds. Both salute with fierce hostility.)

PRIVATE COMPTON: Go it, Harry. Do him one in the eye. He's a proboer.

STEPHEN: Did I? When?

BLOOM: (To the redcoats) We fought for you in South Africa, Irish missile troops. Isn't that history? Royal Dublin Fusiliers. Honoured by our monarch.

THE NAVVY: (Staggering past) O, yes! O God, yes! O, make the kwawr a krowawr! O! Bo!

(Casqued halberdiers in armour thrust forward a pentice of gutted spearpoints. Major Tweedy, moustached like Turko the terrible, in bearskin cap with hackleplume and accoutrements, with epaulettes, gilt chevrons and sabretaches, his breast bright with medals, toes the line. He gives the pilgrim warrior's sign of the knights templars.)

MAJOR TWEEDY: (Growls gruffly) Rorke's Drift! Up, guards, and at them! Mahar shalal hashbaz.

PRIVATE CARR: I'll do him in.

PRIVATE COMPTON: (Waves the crowd back) Fair play, here. Make a bleeding butcher's shop of the bugger.

(Massed bands blare Garryowen and God save the King.)

CISSY CAFFREY: They're going to fight. For me!

CUNTY KATE: The brave and the fair.

BIDDY THE CLAP: Methinks yon sable knight will joust it with the best.

CUNTY KATE: (Blushing deeply) Nay, madam. The gules doublet and merry saint George for me!

The harlot's cry from street to street Shall weave Old Ireland's windingsheet.

PRIVATE CARR: (Loosening his belt, shouts) I'll wring the neck of any fucking bastard says a word against my bleeding fucking king.

BLOOM: (Shakes Cissy Caffrey's shoulders) Speak, you! Are you struck dumb? You are the link between nations and generations. Speak, woman, sacred lifegiver!

CISSY CAFFREY: (Alarmed, seizes Private Carr's sleeve) Amn't I with you? Amn't I your girl? Cissy's your girl. (She cries) Police!

STEPHEN: (Ecstatically, to Cissy Caffrey)

VOICES: Police!

DISTANT VOICES: Dublin's burning! Dublin's burning! On fire, on fire!

(Brimstone fires spring up. Dense clouds roll past. Heavy Gatling guns boom. Pandemonium. Troops deploy. Gallop of hoofs. Artillery. Hoarse commands. Bells clang. Backers shout. Drunkards bawl. Whores screech. Foghorns hoot. Cries of valour. Shrieks of dying. Pikes clash on cuirasses. Thieves rob the slain. Birds of prey, winging from the sea, rising from marshlands, swooping from eyries, hover screaming, gannets, cormorants, vultures, goshawks, climbing woodcocks, peregrines, merlins, blackgrouse, sea eagles, gulls, albatrosses, barnacle geese. The midnight sun is darkened. The earth trembles. The dead of Dublin from Prospect and Mount Jerome in white sheepskin overcoats and black goatfell cloaks arise and appear to many. A chasm opens with a noiseless yawn. Tom Rochford, winner, in athlete's singlet and breeches, arrives at the head of the national hurdle handicap and leaps into the void. He is followed by a race of runners and leapers. In wild attitudes they spring from the brink. Their bodies plunge. Factory lasses with fancy clothes toss redhot Yorkshire baraabombs. Society ladies lift their skirts above their heads to protect themselves. Laughing witches in red cutty sarks ride through the air on broomsticks. Quakerlyster plasters blisters. It rains dragons' teeth. Armed heroes spring up from furrows. They exchange in amity the pass of knights of the red cross and fight duels with cavalry sabres: Wolfe Tone against Henry Grattan, Smith O'Brien against Daniel O'Connell, Michael Davitt against Isaac Butt, Justin M'Carthy against Parnell, Arthur Griffith against John Redmond, John O'Leary against Lear O'Johnny, Lord Edward Fitzgerald against Lord Gerald Fitzedward, The O'Donoghue of the Glens against The Glens of The O'Donoghue. On an eminence, the centre of the earth, rises the feldaltar of Saint Barbara. Black candles rise from its gospel and epistle horns. From the high barbacans of the tower two shafts of light fall on the smokepalled altarstone. On the altarstone Mrs Mina Purefoy, goddess of unreason, lies, naked, fettered, a chalice resting on her swollen belly. Father Malachi O'Flynn in a lace petticoat and reversed chasuble, his two left feet back to the front, celebrates camp mass. The Reverend Mr Hugh C Haines Love M. A. in a plain cassock and mortarboard, his head and collar back to the front, holds over the celebrant's head an open umbrella.)

FATHER MALACHI O'FLYNN: Introibo ad altare diaboli.

THE REVEREND MR HAINES LOVE: To the devil which hath made glad my young days.

FATHER MALACHI O'FLYNN: (Takes from the chalice and elevates a blooddripping host) Corpus meum.

THE REVEREND MR HAINES LOVE: (Raises high behind the celebrant's petticoat, revealing his grey bare