The Man of Feeling - Henry Mackenzie (brene brown rising strong TXT) 📗
- Author: Henry Mackenzie
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It is possible the old gentleman had waked time enough to hear the last part of this discourse; at least (whether from that cause, or that he too was a physiognomist) he wore a look remarkably complacent to Harley, who, on his part, shewed a particular observance of him. Indeed, they had soon a better opportunity of making their acquaintance, as the coach arrived that night at the town where the officer’s regiment lay, and the places of destination of their other fellow-travellers, it seems, were at no great distance, for, next morning, the old gentleman and Harley were the only passengers remaining.
When they left the inn in the morning, Harley, pulling out a little pocket-book, began to examine the contents, and make some corrections with a pencil. “This,” said he, turning to his companion, “is an amusement with which I sometimes pass idle hours at an inn. These are quotations from those humble poets, who trust their fame to the brittle tenure of windows and drinking-glasses.” “From our inn,” returned the gentleman, “a stranger might imagine that we were a nation of poets; machines, at least, containing poetry, which the motion of a journey emptied of their contents. Is it from the vanity of being thought geniuses, or a mere mechanical imitation of the custom of others, that we are tempted to scrawl rhyme upon such places?”
“Whether vanity is the cause of our becoming rhymesters or not,” answered Harley, “it is a pretty certain effect of it. An old man of my acquaintance, who deals in apothegms, used to say that he had known few men without envy, few wits without ill-nature, and no poet without vanity; and I believe his remark is a pretty just one. Vanity has been immemorially the charter of poets. In this, the ancients were more honest than we are. The old poets frequently make boastful predictions of the immortality their works shall acquire them; ours, in their dedications and prefatory discourses, employ much eloquence to praise their patrons, and much seeming modesty to condemn themselves, or at least to apologise for their productions to the world. But this, in my opinion, is the more assuming manner of the two; for of all the garbs I ever saw Pride put on, that of her humility is to me the most disgusting.”
“It is natural enough for a poet to be vain,” said the stranger. “The little worlds which he raises, the inspiration which he claims, may easily be productive of self-importance; though that inspiration is fabulous, it brings on egotism, which is always the parent of vanity.”
“It may be supposed,” answered Harley, “that inspiration of old was an article of religious faith; in modern times it may be translated a propensity to compose; and I believe it is not always most readily found where the poets have fixed its residence, amidst groves and plains, and the scenes of pastoral retirement. The mind may be there unbent from the cares of the world, but it will frequently, at the same time, be unnerved from any great exertion. It will feel imperfect, and wander without effort over the regions of reflection.”
“There is at least,” said the stranger, “one advantage in the poetical inclination, that it is an incentive to philanthropy. There is a certain poetic ground, on which a man cannot tread without feelings that enlarge the heart: the causes of human depravity vanish before the romantic enthusiasm he professes, and many who are not able to reach the Parnassian heights, may yet approach so near as to be bettered by the air of the climate.”
“I have always thought so,” replied Harley; “but this is an argument with the prudent against it: they urge the danger of unfitness for the world.”
“I allow it,” returned the other; “but I believe it is not always rightfully imputed to the bent for poetry: that is only one effect of the common cause.—Jack, says his father, is indeed no scholar; nor could all the drubbings from his master ever bring him one step forward in his accidence or syntax: but I intend him for a merchant.—Allow the same indulgence to Tom.—Tom reads Virgil and Horace when he should be casting accounts; and but t’other day he pawned his great-coat for an edition of Shakespeare.—But Tom would have been as he is, though Virgil and Horace had never been born, though Shakespeare had died a link-boy; for his nurse will tell you, that when he was a child, he broke his rattle, to discover what it was that sounded within it; and burnt the sticks of his go-cart, because he liked to see the sparkling of timber in the fire.—‘Tis a sad case; but what is to be done?—Why, Jack shall make a fortune, dine on venison, and drink claret.—Ay, but Tom—Tom shall dine with his brother, when his pride will let him; at other times, he shall bless God over a half-pint of ale and a Welsh-rabbit; and both shall go to heaven as they may.—That’s a poor prospect for Tom, says the father.—To go to heaven! I cannot agree with him.”
“Perhaps,” said Harley, “we now-a-days discourage the romantic turn a little too much. Our boys are prudent too soon. Mistake me not, I do not mean to blame them for want of levity or dissipation; but their pleasures are those of hackneyed vice, blunted to every finer emotion by the repetition of debauch; and their desire of pleasure is warped to the desire of wealth, as the means of procuring it. The immense riches acquired by individuals have erected a standard of ambition, destructive of private morals, and of public virtue. The weaknesses of vice are left us; but the most allowable of our failings we are taught to despise. Love, the passion most natural to the sensibility of youth, has lost the plaintive dignity he once possessed, for the unmeaning simper of a dangling coxcomb; and the only serious concern, that of a dowry, is settled, even amongst the beardless leaders of the dancing-school. The Frivolous and the Interested (might a satirist say) are the characteristical features of the age; they are visible even in the essays of our philosophers. They laugh at the pedantry of our fathers, who complained of the times in which they lived; they are at pains to persuade us how much those were deceived; they pride themselves in defending things as they find them, and in exploding the barren sounds which had been reared into motives for action. To this their style is suited; and the manly tone of reason is exchanged for perpetual efforts at sneer and ridicule. This I hold to be an alarming crisis in the corruption of a state; when not only is virtue declined, and vice prevailing, but when the praises of virtue are forgotten, and the infamy of vice unfelt.”
They soon after arrived at the next inn upon the route of the stage-coach, when the stranger told Harley, that his brother’s house, to which he was returning, lay at no great distance, and he must therefore unwillingly bid him adieu.
“I should like,” said Harley, taking his hand, “to have some word to remember so much seeming worth by: my name is Harley.”
“I shall remember it,” answered the old gentleman, “in my prayers; mine is Silton.”
And Silton indeed it was! Ben Silton himself! Once more, my honoured friend, farewell!—Born to be happy without the world, to that peaceful happiness which the world has not to bestow! Envy never scowled on thy life, nor hatred smiled on thy grave.
When the stage-coach arrived at the place of its destination, Harley began to consider how he should proceed the remaining part of his journey. He was very civilly accosted by the master of the inn, who offered to accommodate him either with a post-chaise or horses, to any distance he had a mind: but as he did things frequently in a way different from what other people call natural, he refused these offers, and set out immediately a-foot, having first put a spare shirt in his pocket, and given directions for the forwarding of his portmanteau. This was a method of travelling which he was accustomed to take: it saved the trouble of provision for any animal but himself, and left him at liberty to chose his quarters, either at an inn, or at the first cottage in which he saw a face he liked: nay, when he was not peculiarly attracted by the reasonable creation, he would sometimes consort with a species of inferior rank, and lay himself down to sleep by the side of a rock, or on the banks of a rivulet. He did few things without a motive, but his motives were rather eccentric: and the useful and expedient were terms which he held to be very indefinite, and which therefore he did not always apply to the sense in which they are commonly understood.
The sun was now in his decline, and the evening remarkably serene, when he entered a hollow part of the road, which winded between the surrounding banks, and seamed the sward in different lines, as the choice of travellers had directed them to tread it. It seemed to be little frequented now, for some of those had partly recovered their former verdure. The scene was such as induced Harley to stand and enjoy it; when, turning round, his notice was attracted by an object, which the fixture of his eye on the spot he walked had before prevented him from observing.
An old man, who from his dress seemed to have been a soldier, lay fast asleep on the ground; a knapsack rested on a stone at his right hand, while his staff and brass-hilted sword were crossed at his left.
Harley looked on him with the most earnest attention. He was one of those figures which Salvator would have drawn; nor was the surrounding scenery unlike the wildness of that painter’s back-grounds. The banks on each side were covered with fantastic shrub-wood, and at a little distance, on the top of one of them, stood a finger-post, to mark the directions of two roads which diverged from the point where it was placed. A rock, with some dangling wild flowers, jutted out above where the soldier lay; on which grew the stump of a large tree, white with age, and a single twisted branch shaded his face as he slept. His face had the marks of manly comeliness impaired by time; his forehead was not altogether bald, but its hairs might have been numbered; while a few white locks behind crossed the brown of his neck with a contrast the most venerable to a mind like Harley’s. “Thou art old,” said he to himself; “but age has not brought thee rest for its infirmities; I fear those silver hairs have not found shelter from thy country, though that neck has been bronzed in its service.” The stranger waked. He looked at Harley with the appearance of some confusion: it was a pain the latter knew too well to think of causing in another; he turned and went on. The old man re-adjusted his knapsack, and followed in one of the tracks on the opposite side of the road.
When Harley heard the tread of his feet behind him, he could not help stealing back a glance at his fellow-traveller. He seemed to bend under the weight of his knapsack; he halted on his walk, and one of his arms was supported by a sling, and lay motionless across his breast. He had that steady look of sorrow, which indicates that its owner has gazed upon his griefs till he has forgotten to lament them; yet not without
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