Myths and Legends of Ancient Greece and Rome - E. M. Berens (audio ebook reader .TXT) 📗

The Sphinx is represented, according to Greek genealogy, as the offspring of Typhon and Echidna.[48] Hera, being upon one occasion displeased with the Thebans, sent them this awful monster, as a punishment for their offences. Taking her seat on a rocky eminence near the city of Thebes, commanding a pass which the Thebans were compelled to traverse in their usual way of business, she propounded to all comers a riddle, and if they failed to solve it, she tore them in pieces.

During the reign of King Creon, so many people had fallen a sacrifice to this monster, that he determined to use every effort to rid the country of so terrible a scourge. On consulting the oracle of Delphi, he was informed that the only way to destroy the Sphinx was to solve one of her riddles, when she would immediately precipitate herself from the rock on which she was seated.

Creon, accordingly, made a public declaration to the effect, that whoever could give the true interpretation of a riddle propounded by the monster, should obtain the crown, and the hand of his sister Jocaste. Œdipus offered himself as a candidate, and proceeding to the spot where she kept guard, received from her the following riddle for solution: "What creature goes in the morning on four legs, at noon on two, and in the evening on three?" Œdipus replied, that it must be man, who during his infancy creeps on all fours, in his prime walks erect on two legs, and when old age has enfeebled his powers, calls a staff to his assistance, and thus has, as it were, three legs.

The Sphinx no sooner heard this reply, which was the correct solution of her riddle, than she flung herself over the precipice, and perished in the abyss below.

The Greek Sphinx may be recognized by having wings and by being of smaller dimensions than the Egyptian Sphinx.

TYCHE (Fortuna).

Tyche personified that peculiar combination of circumstances which we call luck or fortune, and was considered to be the source of all unexpected events in human life, whether good or evil. If a person succeeded in all he undertook without possessing any special merit of his own, Tyche was supposed to have smiled on his birth. If, on the other hand, undeserved ill-luck followed him through life, and all his efforts resulted in failure, it was ascribed to her adverse influence.

This goddess of Fortune is variously represented. Sometimes she is depicted bearing in her hand two rudders, with one of which she steers the bark of the fortunate, and with the other that of the unfortunate among mortals. In later times she appears blindfolded, and stands on a ball or wheel, indicative of the fickleness and ever-revolving changes of fortune. She frequently bears the sceptre and cornucopia[49] or horn of plenty, and is usually winged. In her temple at Thebes, she is represented holding the infant Plutus in her arms, to symbolize her power over riches and prosperity.

Tyche was worshipped in various parts of Greece, but more particularly by the Athenians, who believed in her special predilection for their city.

FORTUNA.

Tyche was worshipped in Rome under the name of Fortuna, and held a position of much greater importance among the Romans than the Greeks.

In later times Fortuna is never represented either winged or standing on a ball; she merely bears the cornucopia. It is evident, therefore, that she had come to be regarded as the goddess of good luck only, who brings blessings to man, and not, as with the Greeks, as the personification of the fluctuations of fortune.

In addition to Fortuna, the Romans worshipped Felicitas as the giver of positive good fortune.

ANANKE (Necessitas).

As Ananke, Tyche assumes quite another character, and becomes the embodiment of those immutable laws of nature, by which certain causes produce certain inevitable results.

In a statue of this divinity at Athens she was represented with hands of bronze, and surrounded with nails and hammers. The hands of bronze probably indicated the irresistible power of the inevitable, and the hammer and chains the fetters which she forged for man.

Ananke was worshipped in Rome under the name of Necessitas.

In addition to the Moiræ, who presided over the life of mortals, there was another divinity, called Ker, appointed for each human being at the moment of his birth. The Ker belonging to an individual was believed to develop with his growth, either for good or evil; and when the ultimate fate of a mortal was about to be decided, his Ker was weighed in the balance, and, according to the preponderance of its worth or worthlessness, life or death was awarded to the human being in question. It becomes evident, therefore, that according to the belief of the early Greeks, each individual had it in his power, to a certain extent, to shorten or prolong his own existence.

The Keres, who are frequently mentioned by Homer, were the goddesses who delighted in the slaughter of the battle-field.

Ate, the daughter of Zeus and Eris, was a divinity who delighted in evil.

Having instigated Hera to deprive Heracles of his birthright, her father seized her by the hair of her head, and hurled her from Olympus, forbidding her, under the most solemn imprecations, ever to return. Henceforth she wandered among mankind, sowing dissension, working mischief, and luring men to all actions inimical to their welfare and happiness. Hence, when a reconciliation took place between friends who had quarrelled, Ate was blamed as the original cause of disagreement.

Momus, the son of Nyx, was the god of raillery and ridicule, who delighted to criticise, with bitter sarcasm, the actions of gods and men, and contrived to discover in all things some defect or blemish. Thus when Prometheus created the first man, Momus considered his work incomplete because there was no aperture in the breast through which his inmost thoughts might be read. He also found fault with a house built by Athene because, being unprovided with the means of locomotion, it could never be removed from an unhealthy locality. Aphrodite alone defied his criticism, for, to his great chagrin, he could find no fault with her perfect form.[50]

In what manner the ancients represented this god is unknown. In modern art he is depicted like a king's jester, with a fool's cap and bells.

According to Hesiod's Theogony, Eros, the divine spirit of Love, sprang forth from Chaos, while all was still in confusion, and by his beneficent power reduced to order and harmony the shapeless, conflicting elements, which, under his influence, began to assume distinct forms. This ancient Eros is represented as a full-grown and very beautiful youth, crowned with flowers, and leaning on a shepherd's crook.

In the course of time, this beautiful conception gradually faded away, and though occasional mention still continues to be made of the Eros of Chaos, he is replaced by the son of Aphrodite, the popular, mischief-loving little god of Love, so familiar to us all.

In one of the myths concerning Eros, Aphrodite is described as complaining to Themis, that her son, though so beautiful, did not appear to increase in stature; whereupon Themis suggested that his small proportions were probably attributable to the fact of his being always alone, and advised his mother to let him have a companion. Aphrodite accordingly gave him, as a playfellow, his younger brother Anteros (requited love), and soon had the gratification of seeing the little Eros begin to grow and thrive; but, curious to relate, this desirable result only continued as long as the brothers remained together, for the moment they were separated, Eros shrank once more to his original size.

By degrees the conception of Eros became multiplied and we hear of little love-gods (Amors), who appear under the most charming and diversified forms. These love-gods, who afforded to artists inexhaustible subjects for the exercise of their imagination, are represented as being engaged in various occupations, such as hunting, fishing, rowing, driving chariots, and even busying themselves in mechanical labour.