Don Rodriguez; Chronicles of Shadow Valley by Lord Dunsany (black male authors .txt) 📗

on that ruinous plain he might have anticipated, but not for all Spain would he have done so: it was for the sake of Spain that he was silent about much that he saw through that window. As he looked from war to war he saw almost the same men fighting, men with always the same attitude to the moment and with similar dim conception of larger, vaguer things; grandson differed imperceptibly from grandfather; he saw them fight sometimes mercifully, sometimes murderously, but in all the wars beyond that twinkling window he saw the machine spare nothing.

Then he looked farther, for the wars that were farthest from him in time were farther away from the window. He looked farther and saw the ruins of Peronne. He saw them all alone with their doom at night, all drenched in white moonlight, sheltering huge darkness in their stricken hollows. Down the white street, past darkness after darkness as he went by the gaping rooms that the moon left mourning alone, Rodriguez saw a captain going back to the wars in that far-future time, who turned his head a moment as he passed, looking Rodriguez in the face, and so went on through the ruins to find a floor on which to lie down for the night. When he was gone the street was all alone with disaster, and moonlight pouring down, and the black gloom in the houses.

Rodriguez lifted his eyes and glanced from city to city, to Albert, Bapaume, and Arras, his gaze moved over a plain with its harvest of desolation lying forlorn and ungathered, lit by the flashing clouds and the moon and peering rockets. He turned from the window and wept.

The deep round window glowed with serene blue glory. It seemed a foolish thing to weep by that beautiful glass. Morano tried to comfort him. That calm, deep blue, he felt, and those little lights, surely, could hurt no one.

What had Rodriguez seen? Morano asked. But that Rodriguez would not answer, and told no man ever after what he had seen through that window.

The Professor stood silent still: he had no comfort to offer; indeed his magical wisdom had found none for the world.

You wonder perhaps why the Professor did not give long ago to the world some of these marvels that are the pride of our age. Reader, let us put aside my tale for a moment to answer this. For all the darkness of his sinister art there may well have been some good in the Slave of Orion; and any good there was, and mere particle even, would surely have spared the world many of those inventions that our age has not spared it. Blame not the age, it is now too late to stop; it is in the grip of inventions now, and has to go on; we cannot stop content with mustard-gas; it is the age of Progress, and our motto is Onwards. And if there was no good in this magical man, then may it not have been he who in due course, long after he himself was safe from life, caused our inventions to be so deadly divulged? Some evil spirit has done it, then why not he?

He stood there silent: let us return to our story.

Perhaps the efforts of poor clumsy Morano to comfort him cheered Rodriguez and sent him back to the window, perhaps he turned from them to find comfort of his own; but, however he came by it, he had a hope that this was a passing curse that had come on the world, whose welfare he cared for whether he lived or died, and that looking a little farther into the future he would see Mother Earth smiling and her children happy again. So he looked through the deep-blue luminous window once more, beyond the battles we know. From this he turned back shuddering.

Again he saw the Professor smile with his lips, though whether at his own weakness, or whether with cynical mirth at the fate of the world, Rodriguez could not say.

THE FOURTH CHRONICLE HOW HE CAME TO THE MOUNTAINS OF THE SUN

The Professor said that in curiosity alone had been found the seeds of all that is needful for our damnation. Nevertheless, he said, if Rodriguez cared to see more of his mighty art the mysteries of Saragossa were all at his guest's disposal.

Rodriguez, sad and horrified though he was, forgot none of his courtesy. He thanked the Professor and praised the art of Saragossa, but his faith in man and his hope for the world having been newly disappointed, he cared little enough for the things we should care to see or for any of the amusements that are usually dear to youth.

"I shall be happy to see anything, se�or," he said to the Slave of Orion, "that is further from our poor Earth, and to study therein and admire your famous art."

The Professor bowed. He drew small curtains over the windows, matching his cloak. Morano sought a glimpse through the right-hand window before the curtains covered it. Rodriguez held him back. Enough had been seen already, he thought, through that window for the peace of mind of the world: but he said no word to Morano. He held him by the arm, and the Professor covered the windows. When the little mauve curtains were drawn it seemed to Rodriguez that the windows behind them disappeared and were there no more; but this he only guessed from uncertain indications.

Then the Professor drew forth his wand and went to his cupboard of wonder. Thence he brought condiments, oils, and dews of amazement. These he poured into a vessel that was in the midst of the room, a bowl of agate standing alone on a table. He lit it and it all welled up in flame, a low broad flame of the colour of pale emerald. Over this he waved his wand, which was of exceeding blackness. Morano watched as children watch the dancer, who goes from village to village when spring is come, with some new dance out of Asia or some new song.[Footnote: He doesn't, but why shouldn't he?] Rodriguez sat and waited. The Professor explained that to leave this Earth alive, or even dead, was prohibited to our bodies, unless to a very few, whose names were hidden. Yet the spirits of men could by incantation be liberated, and being liberated, could be directed on journeys by such minds as had that power passed down to them from of old. Such journeys, he said, were by no means confined by the hills of Earth. "The Saints," exclaimed Morano, "guard us utterly!" But Rodriguez smiled a little. His faith was given to the Saints of Heaven. He wondered at their wonders, he admired their miracles, he had little faith to spare for other marvels; in fact he did not believe the Slave of Orion.

"Do you desire such a journey?" said the Professor.

"It will delight me," answered Rodriguez, "to see this example of your art."

"And you?" he said to Morano.

The question seemed to alarm the placid Morano, but "I follow my master," he said.

At once the Professor stretched out his ebony wand, calling the green flame higher. Then he put out his hands over the flame, without the wand, moving them slowly with constantly tremulous fingers. And all at once they heard him begin to speak. His deep voice flowed musically while he scarcely seemed to be speaking but seemed only to be concerned with moving his hands. It came soft, as though blown faint from fabulous valleys, illimitably far from the land of Spain. It seemed full not so much of magic as mere sleep, either sleep in an unknown country of alien men, or sleep in a land dreamed sleeping a long while since. As the travellers heard it they thought of things far away, of mythical journeys and their own earliest years.

They did not know what he said or what language he used. At first Rodriguez thought Moorish, then he deemed it some secret language come down from magicians of old, while Morano merely wondered; and then they were lulled by the rhythm of those strange words, and so enquired no more. Rodriguez pictured some sad wandering angel, upon some mountain-peak of African lands, resting a moment and talking to the solitudes, telling the lonely valley the mysteries of his home. While lulled though Morano was he gave up his alertness uneasily. All the while the green flame flooded upwards: all the while the tremulous fingers made curious shadows. The shadow seemed to run to Rodriguez and beckon him thence: even Morano felt them calling. Rodriguez closed his eyes. The voice and the Moorish spells made now a more haunting melody: they were now like a golden organ on undiscoverable mountains. Fear came on Morano at the thought: who had power to speak like this? He grasped Rodriguez by the wrist. "Master!" he said, but at that moment on one of those golden spells the spirit of Rodriguez drifted away from his body, and out of the greenish light of the curious room; unhampered by weight, or fatigue, or pain, or sleep; and it rose above the rocks and over the mountain, an unencumbered spirit: and the spirit of Morano followed.

The mountain dwindled at once; the Earth swept out all round them and grew larger, and larger still, and then began to dwindle. They saw then that they were launched upon some astounding journey. Does my reader wonder they saw when they had no eyes? They saw as they had never seen before, with sight beyond what they had ever thought to be possible. Our eyes gather in light, and with the little rays of light that they bring us we gather a few images of things as we suppose them to be. Pardon me, reader, if I call them things as we suppose them to be; call them by all means Things As They Really Are, if you wish. These images then, this tiny little brainful that we gather from the immensities, are all brought in by our eyesight upside-down, and the brain corrects them again; and so, and so we know something. An oculist will tell you how it all works. He may admit it is all a little clumsy, or for the dignity of his profession he may say it is not at all. But be this as it may, our eyes are but barriers between us and the immensities. All our five senses that grope a little here and touch a little there, and seize, and compare notes, and get a little knowledge sometimes, they are only barriers between us and what there is to know. Rodriguez and Morano were outside these barriers. They saw without the imperfections of eyesight; they heard on that journey what would have deafened ears; they went through our atmosphere unburned by speed, and were unchilled in the bleak of the outer spaces. Thus freed of the imperfections of the body they sped, no less upon a terrible journey, whose direction as yet Rodriguez only began to fear.

They had seen the stars pale rapidly and then the flash of dawn. The Sun rushed up and at once began to grow larger. Earth, with her curved sides still diminishing violently, was soon a small round garden in blue and filmy space, in which mountains were planted. And still the Sun was growing wider and wider. And now Rodriguez, though he knew nothing of Sun or planets, perceived the obvious truth of their terrible journey: they were heading straight for the Sun. But the spirit of Morano was merely astounded; yet, being free of the body he suffered none of those inconveniences that perturbation may bring to us: spirits do not gasp, or palpitate, or weaken, or sicken.

The dwindling Earth seemed now no more than the size of some unmapped island seen from a mountain-top, an island a hundred yards or so across, looking like a big table.

Speed is comparative: compared to sound, their pace was beyond comparison; nor could any modern projectile attain any velocity comparable to it; even the speed of explosion was slow to it. And yet for spirits they were moving slowly, who being independent of all material things, travel with such velocities as that, for instance, of thought. But they were controlled by one still dwelling on Earth, who used material things, and the material that the Professor was using to hurl them upon their journey was light, the adaptation of which to this purpose he had learned at Saragossa. At the pace of light they were travelling towards the Sun.

They crossed the path of Venus, far from where Venus then was, so that she scarcely seemed larger to them; Earth was but little bigger than the Evening Star, looking dim in that monstrous daylight.

Crossing the path of Mercury, Mercury appeared huger than our Moon, an object