Don Rodriguez; Chronicles of Shadow Valley by Lord Dunsany (black male authors .txt) 📗

or believed he heard, further off than he could see, sounds on the plain beyond ridges, in hollows, behind clumps of bushes; as though small creatures all unknown to his learning played instruments cut from reeds upon unmapped streams. In this hour, among these fancies, Rodriguez saw clear on a hill the white walls of the village of Lowlight. And now they began to notice that a great round moon was shining. The sunset grew dimmer and the moonlight stole in softly, as a cat might walk through great doors on her silent feet into a throne-room just as the king had gone: and they entered the village slowly in the perfect moment of twilight.

The round horizon was brimming with a pale but magical colour, welling up to the tips of trees and the battlements of white towers. Earth seemed a mysterious cup overfull of this pigment of wonder. Clouds wandering low, straying far from their azure fields, were dipped in it. The towers of Lowlight turned slowly rose in that light, and glowed together with the infinite gloaming, so that for this brief hour the things of man were wed with the things of eternity. It was into this wide, pale flame of aetherial rose that the moon came stealing like a magician on tip-toe, to enchant the tips of the trees, low clouds and the towers of Lowlight. A blue light from beyond our world touched the pink that is Earth's at evening: and what was strange and a matter for hushed voices, marvellous but yet of our earth, became at that touch unearthly. All in a moment it was, and Rodriguez gasped to see it. Even Morano's eyes grew round with the coming of wonder, or with some dim feeling that an unnoticed moment had made all things strange and new.

For some moments the spell of moonlight on sunlight hovered: the air was brimming and quivering with it: magic touched earth. For some moments, some thirty beats of a heron's wing, had the angels sung to men, had their songs gone earthward into that rosy glow, gliding past layers of faintly tinted cloud, like moths at dusk towards a briar-rose; in those few moments men would have known their language. Rodriguez reined in his horse in the heavy silence and waited. For what he waited he knew not: some unearthly answer perhaps to his questioning thoughts that had wandered far from earth, though no words came to him with which to ask their question and he did not know what question they would ask. He was all vibrating with the human longing: I know not what it is, but perhaps philosophers know. He sat there waiting while a late bird sailed homeward, sat while Morano wondered. And nothing spake from anywhere.

And now a dog began to notice the moon: now a child cried suddenly that had been dragged back from the street, where it had wandered at bedtime: an old dog rose from where it had lain in the sun and feebly yet confidently scratched at a door: a cat peered round a corner: a man spoke: Rodriguez knew there would be no answer now.

Rodriguez hit his horse, the tired animal went forward, and he and Morano rode slowly up the street.

Dona Serafina of the Valley of Dawnlight had left the heat of the room that looked on the fields, and into which the sun had all day been streaming, and had gone at sunset to sit in the balcony that looked along the street. Often she would do this at sunset; but she rather dreamed as she sat there than watched the street, for all that it had to show she knew without glancing. Evening after evening as soon as winter was over the neighbour would come from next door and stretch himself and yawn and sit on a chair by his doorway, and the neighbour from opposite would saunter across the way to him, and they would talk with eagerness of the sale of cattle, and sometimes, but more coldly, of the affairs of kings. She knew, but cared not to know, just when the two old men would begin their talk. She knew who owned every dog that stretched itself in the dust until chilly winds blew in the dusk and they rose up dissatisfied. She knew the affairs of that street like an old, old lesson taught drearily, and her thoughts went far away to vales of an imagination where they met with many another maiden fancy, and they all danced there together through the long twilight in Spring. And then her mother would come and warn her that the evening grew cold, and Serafina would turn from the mystery of evening into the house and the candle-light. This was so evening after evening all through spring and summer for two long years of her youth. And then, this evening, just as the two old neighbours began to discuss whether or not the subjugation of the entire world by Spain would be for its benefit, just as one of the dogs in the road was rising slowly to shake itself, neighbours and dogs all raised their heads to look, and there was Rodriguez riding down the street and Morano coming behind him. When Serafina saw this she brought her eyes back from dreams, for she dreamed not so deeply but that the cloak and plume of Rodriguez found some place upon the boundaries of her day-dream. When she saw the way he sat his horse and how he carried his head she let her eyes flash for a little moment along the street from her balcony. And if some critical reader ask how she did it I answer, "My good sir, I can't tell you, because I don't know," or "My dear lady, what a question to ask!" And where she learned to do it I cannot think, but nothing was easier. And then she smiled to think that she had done the very thing that her mother had warned her there was danger in doing.

"Serafina," her mother said in that moment at the large window, "the evening grows cold. It might be dangerous to stay there longer." And Serafina entered the house, as she had done at the coming of dusk on many an evening.

Rodriguez missed as much of that flash of her eyes, shot from below the darkness of her hair, as youth in its first glory and freedom misses. For at the point on the road called life at which Rodriguez was then, one is high on a crag above the promontories of watchmen, lower only than the peaks of the prophets, from which to see such things. Yet it did not need youth to notice Serafina. Beggars had blessed her for the poise of her head.

She turned that head a little as she went between the windows, till Rodriguez gazing up to her saw the fair shape of her neck: and almost in that moment the last of the daylight died. The windows shut; and Rodriguez rode on with Morano to find the forge that was kept by Fernandez the smith. And presently they came to the village forge, a cottage with huge, high roof whose beams were safe from sparks; and its fire was glowing redly into the moonlight through the wide door made for horses, although there seemed no work to be done, and a man with a swart moustache was piling more logs on. Over the door was burned on oak in ungainly great letters—

"FERNANDEZ"

"For whom do you seek, se�or?" he said to Rodriguez, who had halted before him with his horse's nose inside the doorway sniffing.

"I look," he said, "for him who is not Fernandez."

"I am he," said the man by the fire.

Rodriguez questioned no further but dismounted, and bade Morano lead the horses in. And then he saw in the dark at the back of the forge the other two horses that he had seen in the wood. And they were shod as he had never seen horses shod before. For the front pair of shoes were joined by a chain riveted stoutly to each, and the hind pair also; and both horses were shod alike. The method was equally new to Morano. And now the man with the swart moustache picked up another bunch of horseshoes hanging in pairs on chains. And Rodriguez was not far out when he guessed that whenever la Garda overtook their horses they would find that Fernandez was far away making holiday, while he who shod them now would be gone upon other business. And all this work seemed to Rodriguez not to be his affair.

"Farewell," he said to the smith that was not Fernandez; and with a pat for his horse he left it, having obtained a promise of oats. And so Rodriguez and Morano went on foot again, Morano elated in spite of fatigue and pain, rejoicing to feel the earth once more, flat under the soles of his feet; Rodriguez a little humbled.

THE SIXTH CHRONICLE HOW HE SANG TO HIS MANDOLIN AND WHAT CAME OF HIS SINGING

They walked back slowly in silence up the street down which they had ridden. Earth darkened, the moon grew brighter: and Rodriguez gazing at the pale golden disk began to wonder who dwelt in the lunar valleys; and what message, if folk were there, they had for our peoples; and in what language such message could ever be, and how it could fare across that limpid remoteness that wafted light on to the coasts of Earth and lapped in silence on the lunar shores. And as he wondered he thought of his mandolin.

"Morano," he said, "buy bacon."

Morano's eyes brightened: they were forty-five miles from the hills on which he had last tasted bacon. He selected his house with a glance, and then he was gone. And Rodriguez reflected too late that he had forgotten to tell Morano where he should find him, and this with night coming on in a strange village. Scarcely, Rodriguez reflected, he knew where he was going himself. Yet if old tunes lurking in its hollows, echoing though imperceptibly from long-faded evenings, gave the mandolin any knowledge of human affairs that other inanimate things cannot possess, the mandolin knew.

Let us in fancy call up the shade of Morano from that far generation. Let us ask him where Rodriguez is going. Those blue eyes, dim with the distance over which our fancy has called them, look in our eyes with wonder.

"I do not know," he says, "where Don Rodriguez is going. My master did not tell me."

Did he notice nothing as they rode by that balcony?

"Nothing," Morano answers, "except my master riding."

We may let Morano's shade drift hence again, for we shall discover nothing: nor is this an age to which to call back spirits.

Rodriguez strolled slowly on the deep dust of that street as though wondering all the while where he should go; and soon he and his mandolin were below that very balcony whereon he had seen the white neck of Serafina gleam with the last of the daylight. And now the spells of the moon charmed Earth with their full power.

The balcony was empty. How should it have been otherwise? And yet Rodriguez grieved. For between the vision that had drawn his footsteps and that bare balcony below shuttered windows was the difference between a haven, sought over leagues of sea, and sheer, uncharted cliff. It brought a wistfulness into the music he played, and a melancholy that was all new to Rodriguez, yet often and often before had that mandolin sent up through evening against unheeding Space that cry that man cannot utter; for the spirit of man needs a mandolin as a comrade to face the verdict of the chilly stars as he needs a bulldog for more mundane things.

Soon out of the depth of that stout old mandolin, in which so many human sorrows had spun tunes out of themselves, as the spiders spin misty grey webs, till it was all haunted with music, soon the old cry went up to the stars again, a thread of supplication spun of the matter which else were distilled in tears, beseeching it knew not what. And, but that Fate is deaf, all that man asks in music had been granted then.

What sorrows had Rodriguez known in his life that he made so sad a melody? I know not. It was the mandolin. When the mandolin was made it knew at once all the sorrows of man, and all the old unnamed longings that none defines. It knew them as the dog knows the alliance that its forefathers made with man. A mandolin weeps the tears that its master cannot shed, or utters the prayers that are deeper than its master's lips can draw, as a dog will fight for his master with teeth that