The Treasure of Atlantis - J. Allan Dunn (finding audrey .TXT) 📗

he had exposed himself little to its conditions. Occasionally, when he was in New York after wanderings in little-known lands, he would find it necessary to attend some elaborate function of relatives or family friends. But here he would remain the silent, almost unseen

guest, lurking in some out-of-the-way corner and dreaming of his next exploration—much to the chagrin of many of the women whose main objective seemed to be “seeing Stanley married and securely tied down.”

Morse knew that he was not cut out for a life, that he was out of place in the society that bred him. But in Le-ol-a, priestess of Pasiphae, there was much to lure him. Le-ol-a, mentally alert, throwing out a challenge to men that, failing her standard, she would have none of; blessed with a beauty that was flawlessly alien to the women he knew; possessing an element of the very mystery that drew him irresistibly, time and again, to the unexplored and unknown. Leola…

From the first moment of meeting he had sensed the magic, the electricity between them. Now he knew what he had not seen before, hidden as it had been by this new feeling: that Leola must become his mate … jungle or civilization, it made no difference. And he knew, too, that he had pierced the armor of her reserve. Her eyes, the flush on her cheeks, the murmur of his name upon her lips; they told him.

But Morse did not blind himself. Rana was jealous. Leola was a priestess with vows that excluded men from her life. Love for him would expose her to a scorn—perhaps more—from the priestesses of Sele, and perhaps the virulence of Ru. Yet, if she loved him? His soul kindled at the thought. He loved her. She was the mystery that he had sought unknowingly over all the world. He would win her.

And Kiron would aid him. The king, beneath his practiced indifference, was a man, and he hid a passion for another priestess of that woman’s isle. They would flee Atlantis, its intrigues and threat of revolution.

Morse’s thoughts could not wait. Before him was a night of freedom. Unseen, he could slip across to the isle of Sele, forbidden though it was to men, and confront Leola in the very shrine of Pasiphae, if that were necessary.

He dressed himself with scrupulous care and lingered before the metal mirror in a fashion that would have been laughable to the Morse of a day before.

[paragraph continues] It had been only twenty-four hours since he had first seen her. Since then she had looked at him with eyes that hinted at understanding and spoken with lips that had betrayed her.

He called Maya and Xolo and cautioned them to tell any inquirers that he was asleep—that he could not be disturbed. These bronzed watchmen could be relied upon in case a message came from Rana. Then he slipped away toward the water stairs.

The night was brilliant, the deserted causeway illuminated by moon and stars. The nobles were at the palace fete; the populace, tired with the day’s excitement, in their homes.

Kiron had given him the key to a bronze lock that chained a light boat, and Morse stepped into it. He took up the strange, square-bladed oars and rowed the shallop swiftly from the shore, sending wavelets back along the calm surface. As the boat left the landing, two forms, clad in the tawny kilts of the priest’s guard, rose from the shadow and slipped away in the direction of the palace.

Morse turned his head and saw the isle of Sele, its temple columns white beneath the moon. A bluish ray, made more conspicuous by the smoke that curled in the spreading shaft of light, lifted from behind the pillars. The lake was destitute of other craft, and an almost invisible mist hung over it in patches. Morse ran his hand through the water and was startled at the temperature. It had been warm when he rescued Leola, but now it seemed to be almost the temperature of blood.

As he approached the island, the sound of singing came to his ears. It was the chant of women’s voices in a simple, pleasing harmony carried to him on the breeze. He faced the city, gray against the background of trees and cliff. The snowy cone of the volcano appeared silver, and from it came great puffs of cloud, Purple-bodied, laced at the edges by the moonlight. Morse noticed that they were on the increase from the morning.

Soon he was in the shadow of the isle. The water was deep close up to the steep and rocky shore which was thickly set with tall trees and a profusion of palms

and semi-tropical undergrowth. Flowers grew everywhere—on the ground—amid the shrubbery, in the treetops, and between them the vivid blossoms of orchids swung free, hanging from branches or trailing along the lianas.

Morse avoided the main landing, and paddled along easily, looking for a place to step ashore. The chanting came faintly through the trees, and above them the blue, vaporous ray showed ominously. He was aware of the danger of being discovered on the sacred island, and remembered the anger of the priestesses after his rescue of Leola. These women were trained in the use of arms, Kiron had said, and boasted of their ability to equal man in all athletic pursuits. Morse was inclined to believe in their capability. Yet, he reflected, they had screamed and shown signs of indecision in their alarm at the float. Perhaps they were unable to banish all feminine attributes.

A long, narrow cove appeared, and he headed into it silently. At its extreme the surface was covered with enormous circular leaves, the size of a table-top, among which floated huge, pink water lilies. Morse stepped ashore to a velvety turf, secured the boat, and moved through a wood in the direction of the singing. The trees were thick, and it took him a long time to make his way through the dense underbrush in the extreme darkness. Finally he broke through, and only by gripping some stout creepers did he hold himself back from a fall that would have meant instant discovery.

Morse had reached the rim of a grassy bowl that sloped before him in a sharp incline toward an oval of level ground at its center. The grass in the bowl was starred with gorgeous, night-blooming flowers. At one end of the oval twelve exquisitely carved columns were set in a circle. They were unroofed and unconnected and fashioned so skillfully and elaborately that they seemed to be shafts of magical growth, rather than pillars of solid stone. In the center of their circle stood an altar upon which burned the flame that formed the blue ray. Two priestesses stood beside it, one pouring oil occasionally into the reservoir that fed the flame, while the other from time to time cast into it a powder that produced the color and gave out a resinous

pungent perfume.

In the open space before the shrine, a figure, clad only in a diaphanous robe, postured within a group of priestesses who lay motionless on the ground, their vestments covering them in filmy folds. Surrounding them in double ranks were the singers, waving long branches of palm in rhythm to their chant. The sound of strings and notes of piping arose from somewhere in their midst.

Brilliant moonlight illumined the scene almost as vividly as by day, yet invested it with a mystery that caused it to seem unreal, the vision of a dream.

Crouched in the thicket, his gaze fixed on the center figure whose limbs moved with exquisite grace, Morse listened to the words of the song:

“Mother of Life and Love,

Thou the All Giving

Shine on us from above

Our faults forgiving.

Thou who divinest

All our desires;

Note, as thou shinest,

Thy altar fires.

Virgin and cold as we,

In emulation

Strive we to copy thee

With adoration.

Thy beams, descending,

Enter our hearts;

Pour prayers ascending

Mount on our darts.

Hear us, O Pasiphae

Being divine!

Smile on us, Pasiphae

Shine, goddess, shine!”

The chant ended, and the prostrate votaries arose. With arms aloft, they wove in and out the measures of a stately dance about their high priestess who stood in an attitude of appeal. Her arms were extended to the moon, its beams full upon her face, subduing the pale gold of her hair to frosted silver. Faster and faster

moved the dancers, their garments streaming with the pace until they formed a continuous, swiftly moving chain of shimmering silk, lowering their arms to shoulder level and linking fingers, while their naked feet seemed hardly to touch the ground.

The motion was reversed, the steps slackened, and the chain broke into separate links, each with a silent, motionless figure of supplication. The palm branches were raised moonward. The altar attendants left their fire and advanced toward Leola. From one of them she took a bow, and from the other four arrows. Impaled upon the latter, close to the points, were strips of papyrus. Leola bent the bow, and the first shaft sped upward, glittering as it curved in a graceful arc to fall beyond the rim of the basin among the trees.

The high priestess turned as she loosed one of the prayer-bearing messengers to each quarter of the heavens. The last arrow dropped within a few feet of Morse, its head buried in the turf. He reached out cautiously, secured it, and placed it within the folds of his chiton.

The altar fire was dying down. The singers and musicians had formed ranks and marched toward a path that led through the forest to their temple. The dancers followed. Only Leola remained.

When the oval was deserted, she moved slowly toward the shrine and knelt beside the altar. The flame fluttered and vanished. The high priestess regained her feet, passed her hands across her brows, then raised them toward the moon. Morse caught the sound of a faint sigh. The procession had disappeared. The words of the chant to which they marched were scarcely audible:

“Smile on us, Pasiphae!

Shine, goddess, shine!”

He cupped his hands and called softly but distinctly. “Le-ol-a!”

The high priestess started, set a swift hand to her heart, and looked toward him as he repeated her name. He stepped free of the thicket and advanced down the slope toward the shrine. She came toward him, her

arms motioning him away.

“Go back!” she cried. “You must not be seen-here. It means death. Go back!”

Morse’s heart gave a sudden leap. She did not want him discovered. She wanted to shield him, high priestess though she was.

“I will not go back unless you come with me,” he said simply.

“With you—where?” she answered, a little wildly.

“To the edge of the forest, where your last arrow fell at my feet.”

“Where my last arrow fell?” she repeated slowly, a strange look of awe upon her face.

“Yes,” he insisted. “Come!”

He held out his hand, and she slipped her cool fingers into it unresistingly. Instantly he thrilled to her touch, and knew that she shared the emotion.

At the fringe of the thicket she paused and attempted to withdraw her hand.

“I must not, I will not!” she cried. “What magic have you wrought on me, O stranger?”

“Not a stranger, but ‘Stan-na-li,’” he said. The moonlight could not efface the rosy color that stole into her face. “As for the magic, it was not I who used it; it was you, Leola.”

“I?”

“You. For never until now did I know for what I have been seeking. As you have lived without need of man, Leola, so did I live without need of woman—until I met you. Then, as the seed breaks through the dark earth and bears a blossom, my spirit flowered. But the