The Rivet in Grandfather's Neck: A Comedy of Limitations by James Branch Cabell (chrysanthemum read aloud TXT) 📗

the table in one of those fluffy lace-trimmed garments such as Agatha affected at the day's beginning?

The question was a nice one. It was not as though servants were willing to be bothered with carrying trays to people's rooms; he knew what Agatha had to say upon that subject. It was not as though he were the chit's first cousin, either. He almost wished himself in the decline of life, and free to treat the girl paternally.

And so he fretted all that afternoon.

* * * * *

Then, too, he reflected that it would be very awkward if Agatha should be unwell while this Patricia person was in the house. Agatha in her normal state was of course the kindliest and cheeriest gentlewoman in the universe, but any physical illness appeared to transform her nature disastrously. She had her "attacks," she "felt badly" very often nowadays, poor dear; and how was a Patricia person to be expected to make allowances for the fact that at such times poor Agatha was unavoidably a little cross and pessimistic?

V

Yet Colonel Musgrave strolled into his garden, later, with a tolerable affectation of unconcern. Women, after all, he assured himself, were necessary for the perpetuation of the species; and, resolving for the future to view these weakly, big-hipped and slope-shouldered makeshifts of Nature's with larger tolerance, he cocked his hat at a devil-may-carish angle, and strode up the walk, whistling jauntily and having, it must be confessed, to the unprejudiced observer very much the air of a sheep in wolf's clothing.

"At worst," he was reflecting, "I can make love to her. They, as a rule, take kindlily enough to that; and in the exercise of hospitality a host must go to all lengths to divert his guests. Failure is not permitted…."

Then She came to him.

She came to him across the trim, cool lawn, leisurely, yet with a resilient tread that attested the vigor of her slim young body. She was all in white, diaphanous, ethereal, quite incredibly incredible; but as she passed through the long shadows of the garden—fire-new, from the heart of the sunset, Rudolph Musgrave would have sworn to you,—the lacy folds and furbelows and semi-transparencies that clothed her were now tinged with gold, and now, as a hedge or flower-bed screened her from the horizontal rays, were softened into multitudinous graduations of grays and mauves and violets.

"Failure is not permitted," he was repeating in his soul….

"You're Cousin Rudolph, aren't you?" she asked. "How perfectly entrancing! You see until to-day I always thought that if I had been offered the choice between having cousins or appendicitis I would have preferred to be operated on."

And Rudolph Musgrave noted, with a delicious tingling somewhere about his heart, that her hair was really like the reflection of a sunset in rippling waters,—only many times more beautiful, of course,—and that her mouth was an inconsiderable trifle, a scrap of sanguine curves, and that her eyes were purple glimpses of infinity.

Then he observed that his own mouth was giving utterance to divers irrelevant and foolish sounds, which eventually resolved themselves into the statement he was glad to see her. And immediately afterward the banality of this remark brought the hot blood to his face and, for the rest of the day, stung him and teased him, somewhere in the background of his mind, like an incessant insect.

Glad, indeed!

Before he had finished shaking hands with Patricia Stapylton, it was all over with the poor man.

"Er—h'm!" quoth he.

"Only," Miss Stapylton was meditating, with puckered brow, "it would be unseemly for me to call you Rudolph—"

"You impertinent minx!" cried he, in his soul; "I should rather think it would be!"

"—and Cousin Rudolph sounds exactly like a dried-up little man with eyeglasses and crows' feet and a gentle nature. I rather thought you were going to be like that, and I regard it as extremely hospitable of you not to be. You are more like—like what now?" Miss Stapylton put her head to one side and considered the contents of her vocabulary,—"you are like a viking. I shall call you Olaf," she announced, when she had reached a decision.

This, look you, to the most dignified man in Lichfield,—a person who had never borne a nickname in his life. You must picture for yourself how the colonel stood before her, big, sturdy and blond, and glared down at her, and assured himself that he was very indignant; like Timanthes, the colonel's biographer prefers to draw a veil before the countenance to which art is unable to do justice.

Then, "I have no admiration for the Northmen," Rudolph Musgrave declared, stiffly. "They were a rude and barbarous nation, proverbially addicted to piracy and intemperance."

"My goodness gracious!" Miss Stapylton observed,—and now, for the first time, he saw the teeth that were like grains of rice upon a pink rose petal. Also, he saw dimples. "And does one mean all that by a viking?"

"The vikings," he informed her—and his Library manner had settled upon him now to the very tips of his fingers—"were pirates. The word is of Icelandic origin, from vik, the name applied to the small inlets along the coast in which they concealed their galleys. I may mention that Olaf was not a viking, but a Norwegian king, being the first Christian monarch to reign in Norway."

"Dear me!" said Miss Stapylton; "how interesting!"

Then she yawned with deliberate cruelty.

"However," she concluded, "I shall call you Olaf, just the same."

"Er—h'm!" said the colonel.

* * * * *

And this stuttering boor (he reflected) was Colonel Rudolph Musgrave, confessedly the social triumph of his generation! This imbecile, without a syllable to say for himself, without a solitary adroit word within tongue's reach, wherewith to annihilate the hussy, was a Musgrave of Matocton!

* * * * *

And she did. To her he was "Olaf" from that day forth.

Rudolph Musgrave called her, "You." He was nettled, of course, by her forwardness—"Olaf," indeed!—yet he found it, somehow, difficult to bear this fact in mind continuously.

For while it is true our heroes and heroines in fiction no longer fall in love at first sight, Nature, you must remember, is too busily employed with other matters to have much time to profit by current literature. Then, too, she is not especially anxious to be realistic. She prefers to jog along in the old rut, contentedly turning out chromolithographic sunrises such as they give away at the tea stores, contentedly staging the most violent and improbable melodramas; and—sturdy old Philistine that she is—she even now permits her children to fall in love in the most primitive fashion.

She is not particularly interested in subtleties and soul analyses; she merely chuckles rather complacently when a pair of eyes are drawn, somehow, to another pair of eyes, and an indescribable something is altered somewhere in some untellable fashion, and the world, suddenly, becomes the most delightful place of residence in all the universe. Indeed, it is her favorite miracle, this. For at work of this sort the old Philistine knows that she is an adept; and she has rejoiced in the skill of her hands, with a sober workmanly joy, since Cain first went a-wooing in the Land of Nod.

So Colonel Rudolph Musgrave, without understanding what had happened to him, on a sudden was strangely content with life.

It was at supper—dinner, in Lichfield, when not a formal entertainment, is eaten at two in the afternoon—that he fell a-speculating as to whether Her eyes, after all, could be fitly described as purple.

Wasn't there a grayer luminosity about them than he had at first suspected?—wasn't the cool glow of them, in a word, rather that of sunlight falling upon a wet slate roof?

It was a delicate question, an affair of nuances, of almost imperceptible graduations; and in debating a matter of such nicety, a man must necessarily lay aside all petty irritation, such as being nettled by an irrational nickname, and approach the question with unbiased mind.

He did. And when, at last, he had come warily to the verge of decision, Miss Musgrave in all innocence announced that they would excuse him if he wished to get back to his work.

He discovered that, somehow, the three had finished supper; and, somehow, he presently discovered himself in his study, where eight o'clock had found him every evening for the last ten years, when he was not about his social diversions. An old custom, you will observe, is not lightly broken.

VI

Subsequently: "I have never approved of these international marriages," said Colonel Musgrave, with heat. "It stands to reason, she is simply marrying the fellow for his title. (The will of Jeremiah Brown, dated 29 November, 1690, recorded 2 February, 1690-1, mentions his wife Eliza Brown and appoints her his executrix.) She can't possibly care for him. (This, then, was the second wife of Edward Osborne of Henrico, who, marrying him 15 June, 1694, died before January, 1696-7.) But they are all flibbertigibbets, every one of them. (She had apparently no children by either marriage—) And I dare say she is no better than the rest."

Came a tap on the door. Followed a vision of soft white folds and furbelows and semi-transparencies and purple eyes and a pouting mouth.

"I am become like a pelican in the wilderness, Olaf," the owner of these vanities complained. "Are you very busy? Cousin Agatha is about her housekeeping, and I have read the afternoon paper all through,—even the list of undelivered letters and the woman's page,—and I just want to see the Gilbert Stuart picture," she concluded,—exercising, one is afraid, a certain economy in regard to the truth.

This was a little too much. If a man's working-hours are not to be respected—if his privacy is to be thus invaded on the flimsiest of pretexts,—why, then, one may very reasonably look for chaos to come again. This, Rudolph Musgrave decided, was a case demanding firm and instant action. Here was a young person who needed taking down a peg or two, and that at once.

But he made the mistake of looking at her first. And after that, he lied glibly. "Good Lord, no! I am not in the least busy now. In fact, I was just about to look you two up."

"I was rather afraid of disturbing you." She hesitated; and a lucent mischief woke in her eyes. "You are so patriarchal, Olaf," she lamented. "I felt like a lion venturing into a den of Daniels. But if you cross your heart you aren't really busy—why, then, you can show me the Stuart, Olaf."

It is widely conceded that Gilbert Stuart never in his after work surpassed the painting which hung then in Rudolph Musgrave's study,—the portrait of the young Gerald Musgrave, afterward the friend of Jefferson and Henry, and, still later, the author of divers bulky tomes, pertaining for the most part to ethnology. The boy smiles at you from the canvas, smiles ambiguously,—smiles with a woman's mouth, set above a resolute chin, however,—and with a sort of humorous sadness in his eyes. These latter are of a dark shade of blue—purple, if you will,—and his hair is tinged with red.

"Why, he took after me!" said Miss Stapylton. "How thoughtful of him,
Olaf!"

And Rudolph Musgrave saw the undeniable resemblance. It gave him a queer sort of shock, too, as he comprehended, for the first time, that the faint blue vein on that lifted arm held Musgrave blood,—the same blood which at this thought quickened. For any person guided by appearances, Rudolph Musgrave considered, would have surmised that the vein in question contained celestial ichor or some yet diviner fluid.

"It is true," he conceded, "that there is a certain likeness."

"And he is a very beautiful boy," said Miss Stapylton, demurely. "Thank you, Olaf; I begin to think you are a dangerous flatterer. But he is only a boy, Olaf! And I had always thought of Gerald Musgrave as a learned person with a fringe of whiskers all around his face—like a centerpiece, you know."

The colonel smiled. "This portrait was painted early in life.