Don Rodriguez; Chronicles of Shadow Valley by Lord Dunsany (black male authors .txt) 📗

the distant sea, and there was the mistress of all gardeners facing you, Mother Nature nursing her children, the things of the wild. She too had azaleas and oleanders, but they stood more solitary in their greater garden than those that grew in the garden of Dona Mirana; and she too had little paths, only they were without borders and without end. Yet looking from the long and narrow garden at the back of that house in Lowlight to the wider garden that sweeps round the world, and is fenced by Space from the garden in Venus and by Space from the garden in Mars, you scarce saw any difference or noticed where they met: the solitary azaleas beyond were gathered together by distance, and from Lowlight to the horizon seemed all one garden in bloom. And afterwards, all his years, whenever Rodriguez heard the name of Spain, spoken by loyal men, it was thus that he thought of it, as he saw it now.

And here he used to walk with Serafina when she tended flowers in the cool of the morning or went at evening to water favourite blooms. And Rodriguez would bring with him his mandolin, and sometimes he touched it lightly or even sang, as they rested on some carved seat at the garden's end, looking out towards shadowy shrubs on the shining hill, but mostly he heard her speak of the things she loved, of what moths flew to their garden, and which birds sang, and how the flowers grew. Serafina sat no longer in her balcony but, disguising idleness by other names, they loitered along those paths that the seashells narrowed; yet there was a grace in their loitering such as we have not in our dances now. And evening stealing in from the wild places, from darkening azaleas upon distant hills, still found them in the garden, found Rodriguez singing in idleness undisguised, or anxiously helping in some trivial task, tying up some tendril that had gone awry, helping some magnolia that the wind had wounded. Almost unnoticed by him the sunlight would disappear, and the coloured blaze of the sunset, and then the gloaming; till the colours of all the flowers queerly changed and they shone with that curious glow which they wear in the dusk. They returned then to the house, the garden behind them with its dim hushed air of a secret, before them the candlelight like a different land. And after the evening meal Alderon and Rodriguez would sit late together discussing the future of the world, Rodriguez holding that it was intended that the earth should be ruled by Spain, and Alderon fearing it would all go to the Moors.

Days passed thus.

And then one evening Rodriguez was in the garden with Serafina; the flowers, dim and pale and more mysterious than ever, poured out their scent towards the coming night, luring huge hawk-moths from the far dusk that was gathering about the garden, to hover before each bloom on myriad wingbeats too rapid for human eye: another inch and the fairies had peeped out from behind azaleas, yet both of these late loiterers felt fairies were surely there: it seemed to be Nature's own most secret hour, upon which man trespasses if he venture forth from his house: an owl from his hidden haunt flew nearer the garden and uttered a clear call once to remind Rodriguez of this: and Rodriguez did not heed, but walked in silence.

He had played his mandolin. It had uttered to the solemn hush of the understanding evening all it was able to tell; and after that cry, grown piteous with so many human longings, for it was an old mandolin, Rodriguez felt there was nothing left for his poor words to say. So he went dumb and mournful.

Serafina would have heard him had he spoken, for her thoughts vibrated yet with the voice of the mandolin, which had come to her hearing as an ambassador from Rodriguez, but he found no words to match with the mandolin's high mood. His eyes said, and his sighs told, what the mandolin had uttered; but his tongue was silent.

And then Serafina said, as he walked all heavy with silence past a curving slope of dimly glowing azaleas, "You like flowers, se�or?"

"Se�orita, I adore them," he replied.

"Indeed?" said Dona Serafina.

"Indeed I do," said Rodriguez.

"And yet," asked Dona Serafina, "was it not a somewhat withered or altogether faded flower that you carried, unless I fancied wrong, when you rode past our balcony?"

"It was indeed faded," said Rodriguez, "for the rose was some weeks old."

"One who loved flowers, I thought," said Serafina, "would perhaps care more for them fresh."

Half-dumb though Rodriguez was his shrewdness did not desert him. To have said that he had the rose from Serafina would have been to claim as though proven what was yet no more than a hope.

"Se�orita," he said, "I found the flower on holy ground."

"I did not know," she said, "that you had travelled so far."

"I found it here," he said, "under your balcony."

"Perchance I let it fall," said she. "It was idle of me."

"I guard it still," he said, and drew forth that worn brown rose.

"It was idle of me," said Serafina.

But then in that scented garden among the dim lights of late evening the ghost of that rose introduced their spirits one to the other, so that the listening flowers heard Rodriguez telling the story of his heart, and, bending over the shell-bordered path, heard Serafina's answer; and all they seemed to do was but to watch the evening, with leaves uplifted in the hope of rain.

Film after film of dusk dropped down from where twilight had been, like an army of darkness slowly pitching their tents on ground that had been lost to the children of light. Out of the wild lands all the owls flew nearer: their long, clear cries and the huge hush between them warned all those lands that this was not man's hour. And neither Rodriguez nor Serafina heard them.

In pale blue sky where none had thought to see it one smiling star appeared. It was Venus watching lovers, as men of the crumbled centuries had besought her to do, when they named her so long ago, kneeling upon their hills with bended heads, and arms stretched out to her sweet eternal scrutiny. Beneath her wandering rays as they danced down to bless them Rodriguez and Serafina talked low in the sight of the goddess, and their voices swayed through the flowers with whispers and winds, not troubling the little wild creatures that steal out shy in the dusk, and Nature forgave them for being abroad in that hour; although, so near that a single azalea seemed to hide it, so near seemed to beckon and whisper old Nature's eldest secret.

When flowers glimmered and Venus smiled and all things else were dim, they turned on one of those little paths hand in hand homeward.

Dona Mirana glanced once at her daughter's eyes and said nothing. Don Alderon renewed his talk with Rodriguez, giving reasons for his apprehension of the conquest of the world by the Moors, which he had thought of since last night; and Rodriguez agreed with all that Don Alderon said, but understood little, being full of dreams that seemed to dance on the further, side of the candlelight to a strange, new, unheard tune that his heart was aware of. He gazed much at Serafina and said little.

He drank no wine that night with Don Alderon: what need had he of wine? On wonderful journeys that my pen cannot follow, for all the swiftness of the wing from which it came; on darting journeys outspeeding the lithe swallow or that great wanderer the white-fronted goose, his young thoughts raced by a myriad of golden evenings far down the future years. And what of the days he saw? Did he see them truly? Enough that he saw them in vision. Saw them as some lone shepherd on lifted downs sees once go by with music a galleon out of the East, with windy sails, and masts ablaze with pennants, and heroes in strange dress singing new songs; and the galleon goes nameless by till the singing dies away. What ship was it? Whither bound? Why there? Enough that he has seen it. Thus do we glimpse the glory of rare days as we swing round the sun; and youth is like some high headland from which to see.

On the next day he spoke with Dona Mirano. There was little to say but to observe the courtesies appropriate to this occasion, for Dona Mirana and her daughter had spoken long together already; and of one thing he could say little, and indeed was dumb when asked of it, and that was the question of his home. And then he said that he had a castle; and when Dona Mirana asked him where it was he said vaguely it was to the North. He trusted the word of the King of Shadow Valley and so he spoke of his castle as a man speaks the truth. And when she asked him of his castle again, whether on rock or river or in leafy lands, he began to describe how its ten towers stood, being builded of a rock that was slightly pink, and how they glowed across a hundred fields, especially at evening; and suddenly he ceased, perceiving all in a moment he was speaking unwittingly in the words of Don Alvidar and describing to Dona Mirana that rose-pink castle on Ebro. And Dona Mirana knew then that there was some mystery about Rodriguez' home.

She spoke kindly to Rodriguez, yet she neither gave her consent nor yet withheld it, and he knew there was no immediate hope in her words. Graceful as were his bows as he withdrew, he left with scarcely another word to say. All day his castle hung over him like a cloud, not nebulous and evanescent only, but brooding darkly, boding storms, such as the orange blossoms dread.

He walked again in the garden with Serafina, but Dona Mirana was never far, and the glamour of the former evening, lit by one star, was driven from the garden by his anxieties about that castle of which he could not speak. Serafina asked him of his home. He would not parry her question, and yet he could not tell her that all their future hung on the promise of a man in an old leathern jacket calling himself a king. So the mystery of his habitation deepened, spoiling the glamour of the evening. He spoke, instead, of the forest, hoping she might know something of that strange monarch to whom they dwelt so near; but she glanced uneasily towards Shadow Valley and told him that none in Lowlight went that way. Sorrow grew heavier round Rodriguez' heart at this: believing in the promise of a man whose eyes he trusted he had asked Serafina to marry him, and Serafina had said Yes; and now he found she knew nothing of such a man, which seemed somehow to Rodriguez to weaken his promise, and, worst of all, she feared the place where he lived. He welcomed the approach of Dona Mirana, and all three returned to the house. For the rest of that evening he spoke little; but he had formed his project.

When the two ladies retired Rodriguez, who had seemed tongue-tied for many hours, turned to Don Alderon. His mother had told Don Alderon nothing yet; for she was troubled by the mystery of Rodriguez' castle, and would give him time to make it clear if he could; for there was something about Rodriguez of which with many pages I have tried to acquaint my reader but which was clear when first she saw him to Dona Mirana. In fact she liked him at once, as I hope that perhaps by now my reader may. He turned to Don Alderon, who was surprised to see the vehemence with which his guest suddenly spoke after those hours of silence, and Rodriguez told him the story of his love and the story of both his castles, that which had vanished from the bank of the Ebro and that which was promised him by the King of Shadow Valley. And often Don Alderon interrupted.

"Oh, Rodriguez," he said, "you are welcome to our ancient, unfortunate house": and later he said, "I have met no man that had a prettier way with the sword."

But Rodriguez held on to the end, telling all he had to tell; and especially that he was landless and penniless but for that one promise; and as for the sword, he said, he was but as a child playing before the sword of Don Alderon. And this Don Alderon said was in no wise so, though there were a few cunning passes that he had learned, hoping that the day