The Ghost - Arnold Bennett (top 10 books to read .TXT) 📗

great authority, but he is not a surgeon, and here he would be useless."

She bowed—humbly, as I thought.

With such materials as came to hand I bound Alresca's legs together, making as usual the sound leg fulfil the function of a splint to the other one, and he was placed on a stretcher. It was my first case, and it is impossible for me to describe my shyness and awkwardness as the men who were to carry the stretcher to the dressing-room looked silently to me for instructions.

"Now," I said, "take short steps, keep your knees bent, but don't on any account keep step. As gently as you can—all together—lift."

Rosa followed the little procession as it slowly passed through the chaotic anarchy of the stage. Alresca was groaning, his eyes closed. Suddenly he opened them, and it seemed as though he caught sight of her for the first time. He lifted his head, and the sweat stood in drops on his brow.

"Send her away!" he cried sharply, in an agony which was as much mental as physical. "She is fatal to me."

The bearers stopped in alarm at this startling outburst; but I ordered them forward, and turned to Rosa. She had covered her face with her hands, and was sobbing.

"Please go away," I said. "It is very important he should not be agitated."

Without quite intending to do so, I touched her on the shoulder.

"Alresca doesn't mean that!" she stammered.

Her blue eyes were fixed on me, luminous through her tears, and I feasted on all the lovely curves of that incomparable oval which was her face.

"I am sure he doesn't," I answered. "But you had better go, hadn't you?"

"Yes," she said, "I will go."

"Forgive my urgency," I murmured. Then she drew back and vanished in the throng.

In the calm of the untidy dressing-room, with the aid of Alresca's valet, I made my patient as comfortable as possible on a couch. And then I had one of the many surprises of my life. The door opened, and old Toddy entered. No inhabitant of the city of Edinburgh would need explanations on the subject of Toddy MacWhister. The first surgeon of Scotland, his figure is familiar from one end of the town to the other—and even as far as Leith and Portobello. I trembled. And my reason for trembling was that the celebrated bald expert had quite recently examined me for my Final in surgery. On that dread occasion I had made one bad blunder, so ridiculous that Toddy's mood had passed suddenly from grim ferociousness to wild northern hilarity. I think I am among the few persons in the world who have seen and heard Toddy MacWhister laugh.

I hoped that he would not remember me, but, like many great men, he had a disconcertingly good memory for faces.

"Ah!" he said, "I've seen ye before."

"You have, sir."

"You are the callant who told me that the medulla oblongata—"

"Please—" I entreated.

Perhaps he would not have let me off had not Sir Cyril stood immediately behind him. The impresario explained that Toddy MacWhister (the impresario did not so describe him) had been in the audience, and had offered his services.

"What is it?" asked Toddy, approaching Alresca.

"Fracture of the femur."

"Simple, of course."

"Yes, sir, but so far as I can judge, of a somewhat peculiar nature. I've sent round to King's College Hospital for splints and bandages."

Toddy took off his coat.

"We sha'n't need ye, Sir Cyril," said he casually.

And Sir Cyril departed.

In an hour the limb was set—a masterly display of skill—and, except to give orders, Toddy had scarcely spoken another word. As he was washing his hands in a corner of the dressing-room he beckoned to me.

"How was it caused?" he whispered.

"No one seems to know, sir."

"Doesn't matter much, anyway! Let him lie a wee bit, and then get him home. Ye'll have no trouble with him, but there'll be no more warbling and cutting capers for him this yet awhile."

And Toddy, too, went. He had showed not the least curiosity as to Alresca's personality, and I very much doubt whether he had taken the trouble to differentiate between the finest tenor in Europe and a chorus-singer. For Toddy, Alresca was simply an individual who sang and cut capers.

I made the necessary dispositions for the transport of Alresca in an hour's time to his flat in the Devonshire Mansion, and then I sat down near him. He was white and weak, but perfectly conscious. He had proved himself to be an admirable patient. Even in the very crisis of the setting his personal distinction and his remarkable and finished politeness had suffered no eclipse. And now he lay there, with his silky mustache disarranged and his hair damp, exactly as I had once seen him on the couch in the garden by the sea in the third act of "Tristan," the picture of nobility. He could not move, for the sufficient reason that a strong splint ran from his armpit to his ankle, but his arms were free, and he raised his left hand, and beckoned me with an irresistible gesture to come quite close to him.

I smiled encouragingly and obeyed.

"My kind friend," he murmured, "I know not your name."

His English was not the English of an Englishman, but it was beautiful in its exotic quaintness.

"My name is Carl Foster," I said. "It will be better for you not to talk."

He made another gesture of protest with that wonderful left hand of his.

"Monsieur Foster, I must talk to Mademoiselle Rosa."

"Impossible," I replied. "It really is essential that you should keep quiet."

"Kind friend, grant me this wish. When I have seen her I shall be better. It will do me much good."

There was such a desire in his eyes, such a persuasive plaintiveness in his voice, that, against my judgment, I yielded.

"Very well," I said. "But I am afraid I can only let you see her for five minutes."

The hand waved compliance, and I told the valet to go and inquire for Rosa.

"She is here, sir," said the valet on opening the door. I jumped up. There she was, standing on the door-mat in the narrow passage! Yet I had been out of the room twice, once to speak to Sir Cyril Smart, and once to answer an inquiry from my cousin Sullivan, and I had not seen her.

She was still in the bridal costume of Elsa, and she seemed to be waiting for permission to enter. I went outside to her, closing the door.

"Sir Cyril would not let me come," she said. "But I have escaped him. I was just wondering if I dared peep in. How is he?"

"He is getting on splendidly," I answered. "And he wants to have a little chat with you."

"And may he?"

"If you will promise to be very, very ordinary, and not to excite him."

"I promise," she said with earnestness.

"Remember," I added, "quite a little, tiny chat!"

She nodded and went in, I following. Upon catching sight of her, Alresca's face broke into an exquisite, sad smile. Then he gave his valet a glance, and the valet crept from the room. I, as in professional duty bound, remained. The most I could do was to retire as far from the couch, and pretend to busy myself with the rolling up of spare bandages.

"My poor Rosa," I heard Alresca begin.

The girl had dropped to her knees by his side, and taken his hand.

"How did it happen, Alresca? Tell me."

"I cannot tell you! I saw—saw something, and I fell, and caught my leg against some timber, and I don't remember any more."

"Saw something? What did you see?"

There was a silence.

"Were you frightened?" Rosa continued softly.

Then another silence.

"Yes," said Alresca at length, "I was frightened."

"What was it?"

"I say I cannot tell you. I do not know."

"You are keeping something from me, Alresca," she exclaimed passionately.

I was on the point of interfering in order to bring the colloquy to an end, but I hesitated. They appeared to have forgotten that I was there.

"How so?" said Alresca in a curious whisper. "I have nothing to keep from you, my dear child."

"Yes," she said, "you are keeping something from me. This afternoon you told Sir Cyril that you were expecting a misfortune. Well, the misfortune has occurred to you. How did you guess that it was coming? Then, to-night, as they were carrying you away on that stretcher, do you remember what you said?"

"What did I say?"

"You remember, don't you?" Rosa faltered.

"I remember," he admitted. "But that was nonsense. I didn't know what I was saying. My poor Rosa, I was delirious. And that is just why I wished to see you—in order to explain to you that that was nonsense. You must forget what I said. Remember only that I love you."

("So Emmeline was right," I reflected.)

Abruptly Rosa stood up.

"You must not love me, Alresca," she said in a shaking voice. "You ask me to forget something; I will try. You, too, must forget something—your love."

"But last night," he cried, in accents of an almost intolerable pathos—"last night, when I hinted—you did not—did not speak like this, Rosetta."

I rose. I had surely no alternative but to separate them. If I allowed the interview to be prolonged the consequences to my patient might be extremely serious. Yet again I hesitated. It was the sound of Rosa's sobbing that arrested me.

Once more she dropped to her knees.

"Alresca!" she moaned.

He seized her hand and kissed it.

And then I came forward, summoning all my courage to assert the doctor's authority. And in the same instant Alresca's features, which had been the image of intense joy, wholly changed their expression, and were transformed into the embodiment of fear. With a look of frightful terror he pointed with one white hand to the blank wall opposite. He tried to sit up, but the splint prevented him. Then his head fell back.

"It is there!" he moaned. "Fatal! My Rosa—"

The words died in his mouth, and he swooned.

As for Rosetta Rosa, I led her from the room.

CHAPTER IV ROSA'S SUMMONS

Everyone knows the Gold Rooms at the Grand Babylon on the Embankment. They are immense, splendid, and gorgeous; they possess more gold leaf to the square inch than any music-hall in London. They were designed to throw the best possible light on humanity in the mass, to illuminate effectively not only the shoulders of women, but also the sombreness of men's attire. Not a tint on their walls that has not been profoundly studied and mixed and laid with a view to the great aim. Wherefore, when the electric clusters glow in the ceiling, and the "after-dinner" band (that unique corporation of British citizens disguised as wild Hungarians) breathes and pants out its after-dinner melodies from the raised platform in the main salon, people regard this coup d'oeil with awe, and feel glad that they are in the dazzling picture, and even the failures who are there imagine that they have succeeded. Wherefore, also, the Gold Rooms of the Grand Babylon are expensive, and only philanthropic societies, plutocrats, and the Titans of the theatrical world may persuade themselves that they can afford to engage them.

It was very late when I arrived at my cousin Sullivan's much advertised reception. I had wished not to go at all, simply because I was inexperienced and nervous; but both he and his wife were so good-natured and so obviously anxious to be friendly, that I felt bound to appear, if only for a short time. As I stood in the first room, looking vaguely about me at the lively throng of resplendent actresses who chattered and smiled so industriously and with such abundance of gesture to the male acquaintances who surrounded them, I said to myself that I was singularly out of place there.

I didn't know a soul, and the stream of arrivals having ceased, neither