Tales of Wonder by Lord Dunsany (e book reader for pc txt) 📗

turned them to dreams, and so I fell asleep.

A small wind having arisen, I was awakened by a sprig of heather that beat continually against my face. It was morning on Mallington Moor, and the city was quite gone.

Why the Milkman Shudders When He Perceives the Dawn

In the Hall of the Ancient Company of Milkmen round the great fireplace at the end, when the winter logs are burning and all the craft are assembled they tell to-day, as their grandfathers told before them, why the milkman shudders when he perceives the dawn.

When dawn comes creeping over the edges of hills, peers through the tree-trunks making wonderful shadows, touches the tops of tall columns of smoke going up from awakening cottages in the valleys, and breaks all golden over Kentish fields, when going on tip-toe thence it comes to the walls of London and slips all shyly up those gloomy streets the milkman perceives it and shudders.

A man may be a Milkman's Working Apprentice, may know what borax is and how to mix it, yet not for that is the story told to him. There are five men alone that tell that story, five men appointed by the Master of the Company, by whom each place is filled as it falls vacant, and if you do not hear it from one of them you hear the story from no one and so can never know why the milkman shudders when he perceives the dawn.

It is the way of one of these five men, greybeards all and milkmen from infancy, to rub his hands by the fire when the great logs burn, and to settle himself more easily in his chair, perhaps to sip some drink far other than milk, then to look round to see that none are there to whom it would not be fitting the tale should be told and, looking from face to face and seeing none but the men of the Ancient Company, and questioning mutely the rest of the five with his eyes, if some of the five be there, and receiving their permission, to cough and to tell the tale. And a great hush falls in the Hall of the Ancient Company, and something about the shape of the roof and the rafters makes the tale resonant all down the hall so that the youngest hears it far away from the fire and knows, and dreams of the day when perhaps he will tell himself why the milkman shudders when he perceives the dawn.

Not as one tells some casual fact is it told, nor is it commented on from man to man, but it is told by that great fire only and when the occasion and the stillness of the room and the merit of the wine and the profit of all seem to warrant it in the opinion of the five deputed men: then does one of them tell it, as I have said, not heralded by any master of ceremonies but as though it arose out of the warmth of the fire before which his knotted hands would chance to be; not a thing learned by rote, but told differently by each teller, and differently according to his mood, yet never has one of them dared to alter its salient points, there is none so base among the Company of Milkmen. The Company of Powderers for the Face know of this story and have envied it, the Worthy Company of Chin-Barbers, and the Company of Whiskerers; but none have heard it in the Milkmen's Hall, through whose wall no rumour of the secret goes, and though they have invented tales of their own Antiquity mocks them.

This mellow story was ripe with honourable years when milkmen wore beaver hats, its origin was still mysterious when smocks were the vogue, men asked one another when Stuarts were on the throne (and only the Ancient Company knew the answer) why the milkman shudders when he perceives the dawn. It is all for envy of this tale's reputation that the Company of Powderers for the Face have invented the tale that they too tell of an evening, "Why the Dog Barks when he hears the step of the Baker"; and because probably all men know that tale the Company of the Powderers for the Face have dared to consider it famous. Yet it lacks mystery and is not ancient, is not fortified with classical allusion, has no secret lore, is common to all who care for an idle tale, and shares with "The Wars of the Elves," the Calf-butcher's tale, and "The Story of the Unicorn and the Rose," which is the tale of the Company of Horse-drivers, their obvious inferiority.

But unlike all these tales so new to time, and many another that the last two centuries tell, the tale that the milkmen tell ripples wisely on, so full of quotation from the profoundest writers, so full of recondite allusion, so deeply tinged with all the wisdom of man and instructive with the experience of all times that they that hear it in the Milkmen's Hall as they interpret allusion after allusion and trace obscure quotation lose idle curiosity and forget to question why the milkman shudders when he perceives the dawn.

You also, O my reader, give not yourself up to curiosity. Consider of how many it is the bane. Would you to gratify this tear away the mystery from the Milkmen's Hall and wrong the Ancient Company of Milkmen? Would they if all the world knew it and it became a common thing to tell that tale any more that they have told for the last four hundred years? Rather a silence would settle upon their hall and a universal regret for the ancient tale and the ancient winter evenings. And though curiosity were a proper consideration yet even then this is not the proper place nor this the proper occasion for the Tale. For the proper place is only the Milkmen's Hall and the proper occasion only when logs burn well and when wine has been deeply drunken, then when the candles were burning well in long rows down to the dimness, down to the darkness and mystery that lie at the end of the hall, then were you one of the Company, and were I one of the five, would I rise from my seat by the fireside and tell you with all the embellishments that it has gleaned from the ages that story that is the heirloom of the milkmen. And the long candles would burn lower and lower and gutter and gutter away till they liquefied in their sockets, and draughts would blow from the shadowy end of the hall stronger and stronger till the shadows came after them, and still I would hold you with that treasured story, not by any wit of mine but all for the sake of its glamour and the times out of which it came; one by one the candles would flare and die and, when all were gone, by the light of ominous sparks when each milkman's face looks fearful to his fellow, you would know, as now you cannot, why the milkman shudders when he perceives the dawn.

The Bad Old Woman in Black

The bad old woman in black ran down the street of the ox-butchers.

Windows at once were opened high up in those crazy gables; heads were thrust out: it was she. Then there arose the counsel of anxious voices, calling sideways from window to window or across to opposite houses. Why was she there with her sequins and bugles and old black gown? Why had she left her dreaded house? On what fell errand she hasted?

They watched her lean, lithe figure, and the wind in that old black dress, and soon she was gone from the cobbled street and under the town's high gateway. She turned at once to her right and was hid from the view of the houses. Then they all ran down to their doors, and small groups formed on the pavement; there they took counsel together, the eldest speaking first. Of what they had seen they said nothing, for there was no doubt it was she; it was of the future they spoke, and the future only.

In what notorious thing would her errand end? What gains had tempted her out from her fearful home? What brilliant but sinful scheme had her genius planned? Above all, what future evil did this portend? Thus at first it was only questions. And then the old grey-beards spoke, each one to a little group; they had seen her out before, had known her when she was younger, and had noted the evil things that had followed her goings: the small groups listened well to their low and earnest voices. No one asked questions now or guessed at her infamous errand, but listened only to the wise old men who knew the things that had been, and who told the younger men of the dooms that had come before.

Nobody knew how many times she had left her dreaded house; but the oldest recounted all the times that they knew, and the way she had gone each time, and the doom that had followed her going; and two could remember the earthquake that there was in the street of the shearers.

So were there many tales of the times that were, told on the pavement near the old green doors by the edge of the cobbled street, and the experience that the aged men had bought with their white hairs might be had cheap by the young. But from all their experience only this was clear, that never twice in their lives had she done the same infamous thing, and that the same calamity twice had never followed her goings. Therefore it seemed that means were doubtful and few for finding out what thing was about to befall; and an ominous feeling of gloom came down on the street of the ox-butchers. And in the gloom grew fears of the very worst. This comfort they only had when they put their fear into words—that the doom that followed her goings had never yet been anticipated. One feared that with magic she meant to move the moon; and he would have dammed the high tide on the neighbouring coast, knowing that as the moon attracted the sea the sea must attract the moon, and hoping by his device to humble her spells. Another would have fetched iron bars and clamped them across the street, remembering the earthquake there was in the street of the shearers. Another would have honoured his household gods, the little cat-faced idols seated above his hearth, gods to whom magic was no unusual thing, and, having paid their fees and honoured them well, would have put the whole case before them. His scheme found favour with many, and yet at last was rejected, for others ran indoors and brought out their gods, too, to be honoured, till there was a herd of gods all seated there on the pavement; yet would they have honoured them and put their case before them but that a fat man ran up last of all, carefully holding under a reverent arm his own two hound-faced gods, though he knew well—as, indeed, all men must—that they were notoriously at war with the little cat-faced idols. And although the animosities natural to faith had all been lulled by the crisis, yet a look of anger had come into the cat-like faces that no one dared disregard, and all perceived that if they stayed a moment longer there would be flaming around them the jealousy of the gods; so each man hastily took his idols home, leaving the fat man insisting that his hound-faced gods should be honoured.

Then there were schemes again and voices raised in debate, and many new dangers feared and new plans made.

But in the end they made no defence against danger, for they knew not what it would be, but wrote upon parchment as a warning, and in order that all might know: "The bad old woman in black ran down the street of the ox-butchers."

The Bird of the Difficult Eye

Observant men and women that know their Bond Street well will appreciate my astonishment when in a jewellers' shop I perceived that nobody was furtively watching me. Not only this but when I even picked up a little carved crystal to examine it no shop-assistants crowded round me. I walked the whole length of the shop, still no one politely followed.

Seeing from this that some extraordinary revolution had occurred in the jewelry business I went with my curiosity well aroused to a queer old person half demon and half man who has an idol-shop in a byway of the City and who keeps me informed of affairs at the Edge of the World. And briefly over a pinch of