Jurgen: A Comedy of Justice by James Branch Cabell (book recommendations based on other books .TXT) 📗

anybody. Even so, I consider this heath to be unwholesome. And upon the whole, I prefer to seek whatever I may encounter in this cave."

So in went Jurgen, for the second time.

And the tale tells that all was dark there, and Jurgen could see no one. But the cave stretched straight forward, and downward, and at the far end was a glow of light. Jurgen went on and on, and so came to the place where he had found the Centaur. This part of the cave was now vacant. But behind where Nessus had lain in wait for Jurgen was an opening in the cave's wall, and through this opening streamed the light. Jurgen stooped and crawled through the orifice.

He stood erect. He caught his breath sharply. Here at his feet was, of all things, a tomb carved with the recumbent effigy of a woman. Now this part of the cave was lighted by lamps upon tall iron stands, so that everything was clearly visible, even to Jurgen, whose eyesight had of late years failed him. This was certainly a low flat tombstone such as Jurgen had seen in many churches: but the tinted effigy thereupon was curious, somehow Jurgen looked more closely. He touched the thing.

Then he recoiled, because there is no mistaking the feel of dead flesh. The effigy was not colored stone: it was the body of a dead woman. More unaccountable still, it was the body of Félise de Puysange, whom Jurgen had loved very long ago in Gâtinais, a great many years before he set up in business as a pawnbroker.

Very strange it was to Jurgen again to see her face. He had often wondered what had become of this large brown woman; had wondered if he were really the first man for whom she had put a deceit upon her husband; and had wondered what sort of person Madame Félise de Puysange had been in reality.

"Two months it was that we played at intimacy, was it not, Félise? You comprehend, my dear, I really remember very little about you. But I recall quite clearly the door left just a-jar, and how as I opened it gently I would see first of all the lamp upon your dressing-table, turned down almost to extinction, and the glowing dust upon its glass shade. Is it not strange that our exceeding wickedness should have resulted in nothing save the memory of dust upon a lamp chimney? Yet you were very handsome, Félise. I dare say I would have liked you if I had ever known you. But when you told me of the child you had lost, and showed me his baby picture, I took a dislike to you. It seemed to me you were betraying that child by dealing over-generously with me: and always between us afterward was his little ghost. Yet I did not at all mind the deceits you put upon your husband. It is true I knew your husband rather intimately—. Well, and they tell me the good Vicomte was vastly pleased by the son you bore him some months after you and I had parted. So there was no great harm done, after all—"

Then Jurgen saw there was another woman's body lying like an effigy upon another low flat tomb, and beyond that another, and then still others. And Jurgen whistled.

"What, all of them!" he said. "Am I to be confronted with every pound of tender flesh I have embraced? Yes, here is Graine, and Rosamond, and Marcouève, and Elinor. This girl, though, I do not remember at all. And this one is, I think, the little Jewess I purchased from Hassan Bey in Sidon, but how can one be sure? Still, this is certainly Judith, and this is Myrina. I have half a mind to look again for that mole, but I suppose it would be indecorous. Lord, how one's women do add up! There must be several scores of them in all. It is the sort of spectacle that turns a man to serious thinking. Well, but it is a great comfort to reflect that I dealt fairly with every one of them. Several of them treated me most unjustly, too. But that is past and done with: and I bear no malice toward such fickle and short-sighted creatures as could not be contented with one lover, and he the Jurgen that was!"

Thereafter, Jurgen, standing among his dead, spread out his arms in an embracing gesture.

"Hail to you, ladies, and farewell! for you and I have done with love. Well, love is very pleasant to observe as he advances, overthrowing all ancient memories with laughter. And yet for each gay lover who concedes the lordship of love, and wears intrepidly love's liveries, the end of all is death. Love's sowing is more agreeable than love's harvest: or, let us put it, he allures us into byways leading nowhither, among blossoms which fall before the first rough wind: so at the last, with much excitement and breath and valuable time quite wasted, we find that the end of all is death. Then would it have been more shrewd, dear ladies, to have avoided love? To the contrary, we were unspeakably wise to indulge the high-hearted insanity that love induced; since love alone can lend young people rapture, however transiently, in a world wherein the result of every human endeavor is transient, and the end of all is death."

Then Jurgen courteously bowed to his dead loves, and left them, and went forward as the cave stretched.

But now the light was behind him, so that Jurgen's shadow, as he came to a sharp turn in the cave, loomed suddenly upon the cave wall, confronting him. This shadow was clear-cut and unarguable.

Jurgen regarded it intently. He turned this way, then the other; he looked behind him, raised one hand, shook his head tentatively; then he twisted his head sideways with his chin well lifted, and squinted so as to get a profile view of this shadow. Whatever Jurgen did the shadow repeated, which was natural enough. The odd part was that it in nothing resembled the shadow which ought to attend any man, and this was an uncomfortable discovery to make in loneliness deep under ground.

"I do not exactly like this," said Jurgen. "Upon my word, I do not like this at all. It does not seem fair. It is perfectly preposterous. Well"—and here he shrugged,—"well, and what could anybody expect me to do about it? Ah, what indeed! So I shall treat the incident with dignified contempt, and continue my exploration of this cave."

9.

The Orthodox Rescue of Guenevere

Now the tale tells how the cave narrowed and again turned sharply, so that Jurgen came as through a corridor into quite another sort of underground chamber. Yet this also was a discomfortable place.

Here suspended from the roof of the vault was a kettle of quivering red flames. These lighted a very old and villainous looking man in full armor, girded with a sword, and crowned royally: he sat erect upon a throne, motionless, with staring eyes that saw nothing. Back of him Jurgen noted many warriors seated in rows, and all staring at Jurgen with wide-open eyes that saw nothing. The red flaming of the kettle was reflected in all these eyes, and to observe this was not pleasant.

Jurgen waited non-committally. Nothing happened. Then Jurgen saw that at this unengaging monarch's feet were three chests. The lids had been ripped from two of them, and these were filled with silver coins. Upon the middle chest, immediately before the king, sat a woman, with her face resting against the knees of the glaring, withered, motionless, old rascal.

"And this is a young woman. Obviously! Observe the glint of that thick coil of hair! the rich curve of the neck! Oh, clearly, a tidbit fit to fight for, against any moderate odds!"

So ran the thoughts of Jurgen. Bold as a dragon now, he stepped forward and lifted the girl's head.

Her eyes were closed. She was, even so, the most beautiful creature
Jurgen had ever imagined.

"She does not breathe. And yet, unless memory fails me, this is certainly a living woman in my arms. Evidently this is a sleep induced by necromancy. Well, it is not for nothing I have read so many fairy tales. There are orthodoxies to be observed in the awakening of every enchanted princess. And Lisa, wherever she may be, poor dear! is nowhere in this neighborhood, because I hear nobody talking. So I may consider myself at liberty to do the traditional thing by this princess. Indeed, it is the only fair thing for me to do, and justice demands it."

In consequence, Jurgen kissed the girl. Her lips parted and softened, and they assumed a not unpleasant sort of submissive ardor. Her eyes, enormous when seen thus closely, had languorously opened, had viewed him without wonder, and then the lids had fallen, about half-way, just as, Jurgen remembered, the eyelids of a woman ought to do when she is being kissed properly. She clung a little, and now she shivered a little, but not with cold: Jurgen perfectly remembered that ecstatic shudder convulsing a woman's body: everything, in fine, was quite as it should be. So Jurgen put an end to the kiss, which, as you may surmise, was a tolerably lengthy affair.

His heart was pounding as though determined to burst from his body, and he could feel the blood tingling at his finger-tips. He wondered what in the world had come over him, who was too old for such emotions.

Yet, truly, this was the loveliest girl that Jurgen had ever imagined. Fair was she to look on, with her shining gray eyes and small smiling lips, a fairer person might no man boast of having seen. And she regarded Jurgen graciously, with her cheeks flushed by that red flickering overhead, and she was very lovely to observe. She was clothed in a robe of flame-colored silk, and about her neck was a collar of red gold. When she spoke her voice was music.

"I knew that you would come," the girl said, happily.

"I am very glad that I came," observed Jurgen.

"But time presses."

"Time sets an admirable example, my dear Princess—"

"Oh, messire, but do you not perceive that you have brought life into this horrible place! You have given of this life to me, in the most direct and speedy fashion. But life is very contagious. Already it is spreading by infection."

And Jurgen regarded the old king, as the girl indicated. The withered ruffian stayed motionless: but from his nostrils came slow augmenting jets of vapor, as though he were beginning to breathe in a chill place. This was odd, because the cave was not cold.

"And all the others too are snorting smoke," says Jurgen. "Upon my word I think this is a delightful place to be leaving."

First, though, he unfastened the king's sword-belt, and girded himself therewith, sword, dagger and all. "Now I have arms befitting my fine shirt," says Jurgen.

Then the girl showed him a sort of passage way, by which they ascended forty-nine steps roughly hewn in stone, and so came to daylight. At the top of the stairway was an iron trapdoor, and this door at the girl's instruction Jurgen lowered. There was no way of fastening the door from without.

"But Thragnar is not to be stopped by bolts or padlocks," the girl said. "Instead, we must straightway mark this door with a cross, since that is a symbol which Thragnar cannot pass."

Jurgen's hand had gone instinctively to his throat. Now he shrugged.
"My dear young lady, I no longer carry the cross. I must fight
Thragnar with other weapons."

"Two sticks will serve, laid crosswise—"

Jurgen submitted that nothing would be easier than to lift the trapdoor, and thus dislodge the sticks. "They will tumble apart without anyone having to touch them, and then what becomes of your crucifix?"

"Why, how quickly you think of everything!" she said, admiringly. "Here is a strip from my sleeve, then. We will tie the twigs together."

Jurgen did this, and laid upon the trapdoor a recognizable crucifix. "Still, when anyone raises the trapdoor whatever lies upon it will fall off. Without disparaging the potency of your charm, I cannot but observe that in this case it is peculiarly difficult to handle. Magician or no, I would put heartier faith in a stout padlock."

So the girl tore another strip, from the hem of her gown, and then another from her right sleeve, and with these they fastened their cross to the surface of the trapdoor, in such a fashion that the twigs could not be dislodged from beneath. They mounted