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last, on a blank stony place dotted with spiky bushes, empty and desolate and so flat that a grove of eucalyptus far away showed to the feet of its stems. How I can see it! My lady was sitting down under a bush resting a little, for she was very weak and weary, and I was standing up watching to see if I could tell the distance of the firing that came and went. They were still, you know, fighting far from each other, with those terrible new weapons that had never before been used: guns that would carry beyond sight, and aeroplanes that would do—What they would do no man could foretell.

“I knew that we were between the two armies, and that they drew together. I knew we were in danger, and that we could not stop there and rest!

“Though all these things were in my mind, they were in the background. They seemed to be affairs beyond our concern. Chiefly, I was thinking of my lady. An aching distress filled me. For the first time she had owned herself beaten and had fallen a-weeping. Behind me I could hear her sobbing, but I would not turn round to her because I knew she had need of weeping, and had held herself so far and so long for me. It was well, I thought, that she would weep and rest and then we would toil on again, for I had no inkling of the thing that hung so near. Even now I can see her as she sat there, her lovely hair upon her shoulder, can mark again the deepening hollow of her cheek.

“‘If we had parted,’ she said, ‘if I had let you go.’

“‘No,’ said I. ‘Even now, I do not repent. I will not repent; I made my choice, and I will hold on to the end.’

“And then—

“Overhead in the sky flashed something and burst, and all about us I heard the bullets making a noise like a handful of peas suddenly thrown. They chipped the stones about us, and whirled fragments from the bricks and passed . . . .”

He put his hand to his mouth, and then moistened his lips.

“At the flash I had turned about . . .

“You know—she stood up—

“She stood up, you know, and moved a step towards me—as though she wanted to reach me—

“And she had been shot through the heart.”

He stopped and stared at me. I felt all that foolish incapacity an Englishman feels on such occasions. I met his eyes for a moment, and then stared out of the window. For a long space we kept silence. When at last I looked at him he was sitting back in his corner, his arms folded, and his teeth gnawing at his knuckles.

He bit his nail suddenly, and stared at it.

“I carried her,” he said, “towards the temples, in my arms—as though it mattered. I don’t know why. They seemed a sort of sanctuary, you know, they had lasted so long, I suppose.

“She must have died almost instantly. Only—I talked to her all the way.”

Silence again.

“I have seen those temples,” I said abruptly, and indeed he had brought those still, sunlit arcades of worn sandstone very vividly before me.

“It was the brown one, the big brown one. I sat down on a fallen pillar and held her in my arms . . . Silent after the first babble was over. And after a little while the lizards came out and ran about again, as though nothing unusual was going on, as though nothing had changed . . . It was tremendously still there, the sun high and the shadows still; even the shadows of the weeds upon the entablature were still—in spite of the thudding and banging that went all about the sky.

“I seem to remember that the aeroplanes came up out of the south, and that the battle went away to the west. One aeroplane was struck, and overset and fell. I remember that—though it didn’t interest me in the least. It didn’t seem to signify. It was like a wounded gull, you know—flapping for a time in the water. I could see it down the aisle of the temple—a black thing in the bright blue water.

“Three or four times shells burst about the beach, and then that ceased. Each time that happened all the lizards scuttled in and hid for a space. That was all the mischief done, except that once a stray bullet gashed the stone hard by—made just a fresh bright surface.

“As the shadows grew longer, the stillness seemed greater.

“The curious thing,” he remarked, with the manner of a man who makes a trivial conversation, “is that I didn’t think—at all. I sat with her in my arms amidst the stones—in a sort of lethargy—stagnant.

“And I don’t remember waking up. I don’t remember dressing that day. I know I found myself in my office, with my letters all slit open in front of me, and how I was struck by the absurdity of being there, seeing that in reality I was sitting, stunned, in that Paestum Temple with a dead woman in my arms. I read my letters like a machine. I have forgotten what they were about.”

He stopped, and there was a long silence.

Suddenly I perceived that we were running down the incline from Chalk Farm to Euston. I started at this passing of time. I turned on him with a brutal question, with the tone of “Now or never.”

“And did you dream again?”

“Yes.”

He seemed to force himself to finish. His voice was very low.

“Once more, and as it were only for a few instants. I seemed to have suddenly awakened out of a great apathy, to have risen into a sitting position, and the body lay there on the stones beside me. A gaunt body. Not her, you know. So soon—it was not her . . . .

“I may have heard voices. I do not know. Only I knew clearly that men were coming into the solitude and that that was a last outrage.

“I stood up and walked through the temple, and then there came into sight—first one man with a yellow face, dressed in a uniform of dirty white, trimmed with blue, and then several, climbing to the crest of the old wall of the vanished city, and crouching there. They were little bright figures in the sunlight, and there they hung, weapon in hand, peering cautiously before them.

“And further away I saw others and then more at another point in the wall. It was a long lax line of men in open order.

“Presently the man I had first seen stood up and shouted a command, and his men came tumbling down the wall and into the high weeds towards the temple. He scrambled down with them and led them. He came facing towards me, and when he saw me he stopped.

“At first I had watched these men with a mere curiosity, but when I had seen they meant to come to the temple I was moved to forbid them. I shouted to the officer.

“‘You must not come here,’ I cried, ‘I am here. I am here with my dead.’

“He stared, and then shouted a question back to me in some unknown tongue.

“I repeated what I had said.

“He shouted again, and I folded my arms and stood still. Presently he spoke to his men and came forward. He carried a drawn sword.

“I signed to him to keep away, but he continued to advance. I told him again very patiently and clearly: ‘You must not come here. These are old temples and I am here with my dead.’

“Presently he was so close I could see his face clearly. It was a narrow face, with dull gray eyes, and a black moustache. He had a scar on his upper lip, and he was dirty and unshaven. He kept shouting unintelligible things, questions, perhaps, at me.

“I know now that he was afraid of me, but at the time that did not occur to me. As I tried to explain to him, he interrupted me in imperious tones, bidding me, I suppose, stand aside.

“He made to go past me, and I caught hold of him.

“I saw his face change at my grip.

“‘You fool,’ I cried. ‘Don’t you know? She is dead!’

“He started back. He looked at me with cruel eyes. I saw a sort of exultant resolve leap into them—delight. Then, suddenly, with a scowl, he swept his sword back—so—and thrust.”

He stopped abruptly.

I became aware of a change in the rhythm of the train. The brakes lifted their voices and the carriage jarred and jerked. This present world insisted upon itself, became clamourous. I saw through the steamy window huge electric lights glaring down from tall masts upon a fog, saw rows of stationary empty carriages passing by, and then a signal-box hoisting its constellation of green and red into the murky London twilight, marched after them. I looked again at his drawn features.

“He ran me through the heart. It was with a sort of astonishment—no fear, no pain—but just amazement, that I felt it pierce me, felt the sword drive home into my body. It didn’t hurt, you know. It didn’t hurt at all.”

The yellow platform lights came into the field of view, passing first rapidly, then slowly, and at last stopping with a jerk. Dim shapes of men passed to and fro without.

“Euston!” cried a voice.

“Do you mean—?”

“There was no pain, no sting or smart. Amazement and then darkness sweeping over everything. The hot, brutal face before me, the face of the man who had killed me, seemed to recede. It swept out of existence—”

“Euston!” clamoured the voices outside; “Euston!”

The carriage door opened admitting a flood of sound, and a porter stood regarding us. The sounds of doors slamming, and the hoof-clatter of cab-horses, and behind these things the featureless remote roar of the London cobble-stones, came to my ears. A truckload of lighted lamps blazed along the platform.

“A darkness, a flood of darkness that opened and spread and blotted out all things.”

“Any luggage, sir?” said the porter.

“And that was the end?” I asked.

He seemed to hesitate. Then, almost inaudibly, he answered, “no.”

“You mean?”

“I couldn’t get to her. She was there on the other side of the temple— And then—”

“Yes,” I insisted. “Yes?”

“Nightmares,” he cried; “nightmares indeed! My God! Great birds that fought and tore.”

THE CONE

The night was hot and overcast, the sky red, rimmed with the lingering sunset of mid-summer. They sat at the open window, trying to fancy the air was fresher there. The trees and shrubs of the garden stood stiff and dark; beyond in the roadway a gas-lamp burnt, bright orange against the hazy blue of the evening. Farther were the three lights of the railway signal against the lowering sky. The man and woman spoke to one another in low tones.

“He does not suspect?” said the man, a little nervously.

“Not he,” she said peevishly, as though that too irritated her. “He thinks of nothing but the works and the prices of fuel. He has no imagination, no poetry.”

“None of these men of iron have,” he said sententiously. “They have no hearts.”

He has not,” she said. She turned her discontented face towards the window. The distant sound of a roaring and rushing drew nearer and grew in volume; the house quivered; one heard the metallic rattle of the tender. As the train passed, there was a glare of light above the cutting and a driving tumult of smoke; one, two, three, four, five, six, seven, eight black oblongs—eight trucks—passed across the dim grey of the embankment, and were suddenly extinguished one by one in the throat of the tunnel, which, with the last, seemed to swallow down train, smoke, and sound in one abrupt gulp.

“This country was all fresh and beautiful once,” he said; “and now—it is Gehenna. Down that way—nothing but pot-banks and chimneys belching fire and dust into the face of heaven . . . . . But what does it matter? An end comes, an end to all this cruelty . . . . . To-morrow.” He spoke the last word in a whisper.

To-morrow,” she said, speaking in a whisper too, and still staring out of the window.

“Dear!” he said, putting his hand on hers.

She turned with a start, and their eyes searched one another’s. Hers softened to his gaze. “My dear one!” she said, and then: “It seems so strange—that you should have come into my life like this—to open—” She paused.

“To open?” he said.

“All this wonderful world—” she hesitated, and spoke still more softly—“this world of love to me.”

Then suddenly the door clicked and closed. They turned their heads, and he started violently back. In the shadow of the room stood a great shadowy figure—silent.

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