Recalled to Life - Grant Allen (reading strategies book TXT) 📗

It'll hurt you to know I even thought such a thing of her!"

"You MUST tell me, Jane," I exclaimed, with a cold shudder of terror, half guessing what she meant. "Don't keep me in suspense. Let me know what it is. I'm accustomed to shocks now. I know I can stand them."

Jane answered nothing directly. She only held out her coarse red hand and asked me, with a face growing pale as she spoke:

"Where's that picture of the murder?"

I produced it from my box, trembling inwardly all over.

Jane darted one finger demonstratively at a point in the photograph.

"Whose hand is THAT?" she asked with a strange earnestness, putting her nail on the murderer's.

The words escaped me in a cry of horror almost before I was aware of them:

"Aunt Emma's!" I said, gasping. "I NEVER noticed it before."

Then I drew back and stared at it in speechless awe and consternation.

It was quite, quite true. No use in denying it. The figure that escaped through the window was dressed in man's clothes, to be sure, and as far as one could judge from the foreshortening and the peculiar stoop, had a man's form and stature. But the hand was a woman's--soft, and white, and delicate: nay more, the hand, as I said in my haste, was line for line Aunt Emma's.

In a moment a terrible sinking came over me from head to foot. I trembled like an aspen-leaf. Could this, then, be the meaning of Dr. Marten's warning, that I should let sleeping dogs lie, lest I should be compelled to punish someone whom I loved most dearly? Had Fate been so cruel to me, that I had learned to cling most in my Second State to the very criminal whose act had blotted out my First? Had I grown to treat like a mother my father's murderer?

Aunt Emma's hand! Aunt Emma's hand! That was Aunt Emma's hand, every touch and every line of it. But no! where were the marks, those well-known marks on the palm? I took up the big magnifying-glass with which I had often scanned that photograph close before. Not a sign or a trace of them. I shut my eyes, and called up again the mental Picture of the murder. I looked hard at the phantom-hand in it, that floated like a vision, all distinct before my mind's eye. It was flat and smooth and white. Not a scar--not a sign on it. I turned round to Jane, that too natural detective.

"No, no!" I cried hastily, with a quick tone of triumph. "Aunt Emma's hand is marked on the palm with great gashes and cuts. This one's smooth as smooth can be. And so's the one I can see in the Picture within me!"

Jane drew back with a startled air, and opened her mouth, all agog, to let in a deep breath.

"The wall!" she said slowly. "The bottle-glass, don't you know! The blood on the top! Whoever did it, climbed over and tore his hands. Or HER hands, if it was a woman! That would account for the gashes."

This was more than I could endure. The coincidence was too crushing. I bent down my head on my arms and cried silently, bitterly. I hated Jane in my heart for even suggesting it. Yet I couldn't deny to myself for a moment the strength and suggestiveness of her half-spoken argument.

Not that for a second I believed it true. I could never believe it. Aunt Emma, so gentle, so kindly, so sweet: incapable of hurting any living thing: the tenderest old lady that breathed upon earth: and my own mother's sister, whom I loved as I never before loved anyone! Aunt Emma the murderess! The bare idea was preposterous! I couldn't entertain it. My whole nature revolted from it.

And indeed, how very slight, after all, was the mere scrap of evidence on which Jane ventured to suggest so terrible a charge! A man--in man's clothes--fairly tall and slim, and apparently dark- haired, but stooping so much that he looked almost hump-backed: how different from Aunt Emma, with her womanly figure, and her upright gait, and her sweet old white head! Why, it was clearly ridiculous.

And yet, the fact remained that as Jane pointed to the Picture and asked, "Whose hand is that?" the answer came up all spontaneously to my lips, without hesitation, "Aunt Emma's!"

I sat there long in my misery, thinking it over to myself. I didn't know what to do. I couldn't go and confide to Aunt Emma's ear this new and horrible doubt,--which was no doubt after all, for I KNEW it was impossible. I hated Jane for suggesting it; I hated her for telling me. Yet I couldn't be left alone. I was far too terrified.

"Oh, Jane;" I cried, looking up to her, and yet despising myself for saying it, "you must stop here to-night and sleep with me. If I'm left by myself in the room alone, I know I shall go mad--I can feel it--I'm sure of it!"

Jane stopped with me and soothed me. She was certainly very kind. Yet I felt in a dim underhand sort of way it was treason to Aunt Emma to receive her caresses at all after what she had said to me. Though to be sure, it was I, not she, who spoke those hateful words. It was I myself who had said the hand was Aunt Emma's.

As I lay awake and thought, the idea flashed across me suddenly, could Jane have any grudge of her own against Aunt Emma? Was this a deliberate plot? What did she mean by her warnings that I should keep my mind open? Why had she said from the very first it was a woman's hand? Did she want to set me against my aunt? And was Dr. Marten in league with her? In my tortured frame of mind, I felt all alone in the world. I covered my head and sobbed in my misery. I didn't know who were my friends and who were against me.

At last, after long watching, I dozed off into an uneasy sleep. Jane had already been snoring long beside me. I woke up again with a start. I was cold and shuddering. I had dreamed once more the same Australian dream. My mamma as before stood gentle beside me. She stooped down and smoothed my hair: I could see her face and her form distinctly. And I noticed now she was like her sister, Aunt Emma, only younger and prettier, and ever so much slighter. And her hand, too, was soft and white like auntie's--very gentle and delicate.

It was just there that I woke up--with the hand before my eyes. Oh, how vividly I noted it! Aunt Emma's hand, only younger, and unscarred on the palm. The family hand, no doubt: the hand of the Moores. I remembered, now, that Aunt Emma had spoken more than once of that family peculiarity. It ran through the house, she said. But my hand was quite different: not the Moore type at all: I supposed I must have taken it, as was natural, from the Callinghams.

And then, in my utter horror and loneliness, a still more awful and ghastly thought presented itself to me. This was my mother's hand I saw in the picture. Was it my mother, indeed, who wrought the murder? Was she living or dead? Had my father put upon her some grievous wrong? Had he pretended to get her out of the way? Had he buried her alive, so to speak, in some prison or madhouse? Had she returned in disguise from the asylum or the living grave to avenge herself and murder him? In my present frame of mind, no idea was too wild or too strange for me to entertain. If this strain continued much longer, I should go mad myself with suspense and horror!


CHAPTER X.

YET ANOTHER PHOTOGRAPH


Next morning my head ached. After all I'd suffered, I could hardly bear to recur to the one subject that now always occupied my thoughts. And yet, on the other hand, I couldn't succeed in banishing it. To relieve my mind a little, I took out the photographs I had brought from the box at The Grange, and began to sort them over according to probable date and subject.

They were of different periods, some old, some newer. I put them together in series, as well as I could, by the nature of the surroundings. The most recent of all were my father's early attempts at instantaneous electric photography--the attempts which led up at last to his automatic machine, the acmegraph, that produced all unconsciously the picture of the murder. Some of these comparatively recent proofs represented men running and horses trotting: but the best of all, tied together with a bit of tape, clearly belonged to a single set, and must have been taken at the same time at an athletic meeting. There was one of a flat race, viewed from a little in front, with the limbs of the runners in seemingly ridiculous attitudes, so instantaneous and therefore so grotesquely rigid were they. There was another of a high jump, seen from one side at the very moment of clearing the pole, so that the figure poised solid in mid-air as motionless as a statue. And there was a third, equally successful, of a man throwing the hammer, in which the hammer, in the same way, seemed to hang suspended of itself like Mahomet's coffin between earth and heaven.

But the one that attracted my attention the most was a photograph of an obstacle-race, in which the runners had to mount and climb over a wagon placed obtrusively sideways across the course on purpose to baffle them. This picture was taken from a few yards in the rear; and the athletes were seen in it in the most varied attitudes. Some of them were just climbing up one side of the wagon: others had mounted to the top ledge of the body: and one, standing on the further edge, was in the very act of leaping down to the ground in front of him. He was bent double, to spring, with a stoop like a hunchback, and balanced himself with one hand held tightly behind him.

As my eye fell on that figure, a cold thrill ran through me. For a moment I only knew something important had happened. Next instant I realised what the thrill portended. I could only see the man's back, to be sure, but I knew him in a second. I had no doubt as to who it was. This was HIM--the murderer!

Yes, yes! There could be no mistaking that arched round back that had haunted me so long in my waking dreams. I knew him at sight. It was the man I had seen on the night of the murder getting out of the window!

Perhaps I was overwrought. Perhaps my fancy ran away with me. But I didn't doubt for a second. I rose from my seat, and in a tremulous voice called Jane into the room. Without one word I laid both pictures down before her together. Jane glanced first at the one, then turned quickly to the other. A sharp little cry broke from her lips all unbidden. She saw it as fast and as instinctively as I had done.

"That's him!" she exclaimed, aghast, and as pale as a sheet. "That's him, right enough, Miss Una. That's the very same back! That's the very same hand! That's the man! That's the murderer!"

And indeed, this