London Pride, Or, When the World Was Younger by M. E. Braddon (books to read to be successful .txt) 📗

"But in palaces and noblemen's houses surely there would be little danger?" said Angela. "Plagues and fevers are the outcome of hunger and uncleanliness, and all such evils as the poor have to suffer."

"Nay, but the pestilence that walketh in darkness is no respecter of persons," answered the grim boatman. "I grant you that death has dealt hardest with the poor who dwell in crowded lanes and alleys. But now the very air reeks with poison. It may be carried in the folds of a woman's gown, or among the feathers of a courtier's hat. They are wise to go who can go. It is only such as I, who have to work for my grandchildren's bread, that must needs stay."

"You speak like one who has seen better days," said Angela.

"I was a sergeant in Hampden's regiment, madam, and went all through the war. When the King came back I had friends who stood by me, and bought me this boat. I was used to handle an oar in my boyhood, when I lived on a little bit of a farm that belonged to my father, between Reading and Henley. I was oftener on the water than on the land in those days. There are some who have treated me roughly because I fought against the late King; but folks are beginning to find out that the Brewer's disbanded red-coats can be honest and serviceable in time of peace."

After passing the Queen-mother's desolate palace the boat crept along near the Middlesex shore, till it stopped at the bottom of a flight of stone steps, against which the tide washed with a pleasant rippling sound, and above which there rose the walls of a stately building facing south-west; small as compared with Somerset and Northumberland houses, midway between which it stood, yet a spacious and noble mansion, with a richly decorated river-front, lofty windows with sculptured pediments, floriated cornice, and two side towers topped with leaded cupolas, the whole edifice gilded by the low sun, and very beautiful to look upon, the windows gleaming as if there were a thousand candles burning within, a light that gave a false idea of life and festivity, since that brilliant illumination was only a reflected glory.

"This, madam, is Fareham House," said the boatman, holding out his hand for his fee.

He charged treble the sum he would have asked half a year ago. In this time of evil those intrepid spirits who still plied their trades in the tainted city demanded a heavy fee for their labour; and it would have been hard to dispute their claim, since each man knew that he risked his life, and that the limbs which toiled to-day might be lifeless clay to-night. There was an awfulness about the time, a taste and odour of death mixed with all the common things of daily life, a morbid dwelling upon thoughts of corruption, a feverish expectancy of the end of all things, which no man can rightly conceive who has not passed through the Valley of the Shadow of Death.

Angela paid the man his price without question. She stepped lightly from the boat, while he deposited her two small leather-covered trunks on the stone landing-place in front of the Italian terrace which occupied the whole length of the façade. She went up a flight of marble steps, to a door facing the river. Here she rang a bell which pealed long and loud over the quiet water, a bell that must have been heard upon the Surrey shore. Yet no one opened the great oak door; and Angela had a sudden sinking at the heart as the slow minutes passed and brought no sound of footsteps within, no scrooping of a bolt to betoken the opening of the door.

"Belike the house is deserted, madam," said the boatman, who had moored his wherry to the landing-stage, and had carried the two trunks to the doorstep. "You had best try if the door be fastened or no. Stay!" he cried suddenly, pointing upwards, "Go not in, madam, for your life! Look at the red cross on the door, the sign of a plague-stricken house."

Angela looked up with awe and horror. A great cross was smeared upon the door with red paint, and above it some one had scrawled the words, "Lord, have mercy upon us!"

And the sister she loved, and the children whose faces she had never seen, were within that house, sick and in peril of death, perhaps dying—or dead! She did not hesitate for an instant, but took hold of the heavy iron ring which served as a handle for the door and tried to open it.

"I have no fear for myself," she said to the boatman; "I have nursed the sick and the fever-stricken, and am not afraid of contagion—and there are those within whom I love. Good night, friend."

The handle of the door turned somewhat stiffly in her hand, but it did turn, and the door opened, and she stood upon the threshold looking into a vast hall that was wrapped in shadow, save for a shaft of golden light that streamed from an oval window on the staircase. Other windows there were on each side of the door, shuttered and barred.

Seeing her enter the house, the old Cromwellian shrugged his shoulders, shook his head despondently, shoved the two trunks hastily over the threshold, ran back to his boat, and pushed off.

"God guard thy young life, mistress!" he cried, and the wherry shot out into the stream.

There had been silence on the river, the silence of a deserted city at eventide; but that had seemed as nothing to the stillness of this marble-paved hall, where the sunset was reflected on the dark oak panelling in one lurid splash like blood.

Not a mortal to be seen. Not a sound of voice or footstep. A crowd of gods and goddesses in draperies of azure and crimson, purple and orange, looked down from the ceiling. Curtains of tawny velvet hung beside the shuttered windows. A great brazen candelabrum, filled with half-consumed candles, stood tall and splendid at the foot of a wide oak staircase, the banister-rail whereof was cushioned with tawny velvet. Splendour of fabric, wood and marble, colour and gilding, showed on every side; but of humanity there was no sign.

Angela shuddered at the sight of all that splendour, as if death were playing hide and seek in those voluminous curtains, or were lurking in the deep shadow which the massive staircase cast across the hall. She looked about her, full of fear, then seeing a silver bell upon the table, she took it up and rang it loudly. Upon the same carved ebony table there lay a plumed hat, a cane with an amber handle, and a velvet cloak neatly folded, as if placed ready for the master of the house, when he went abroad; but looking at these things closely, even in that dim light, she saw that cloak and hat were white with dust, and, more even than the silence, that spectacle of the thick dust on the dark velvet impressed her with the idea of a deserted house.

She had no lack of courage, this pupil of the Flemish nuns, and her footstep did not falter as she went quickly up the broad staircase until she found herself in a spacious gallery, and amidst a flood of light, for the windows on this upper or noble floor were all unshuttered, and the sunset streamed in through the lofty Italian casements. Fareham House was built upon the plan of the Hôtel de Rambouillet, of which the illustrious Catherine de Vivonne was herself at once owner and architect. The staircase, instead of being a central feature, was at the western end of the house, allowing space for an unbroken suite of rooms communicating one with the other, and terminating in an apartment with a fine oriel window looking east.

The folding doors of a spacious saloon stood wide open, and Angela entered a room whose splendour was a surprise to her who had been accustomed to the sober simplicity of a convent parlour and the cold grey walls of the refectory, where the only picture was a pinched and angular Virgin by Memling, and the only ornament a crucifix of ebony and brass.

Here for the first time she beheld a saloon for whose decoration palaces had been ransacked and churches desecrated—the stolen treasures of many an ancestral mansion, spoil of rough soldiery or city rabble, things that had been slyly stowed away by their possessors during the stern simplicity of the Commonwealth, and had been brought out of their hiding-places and sold to the highest bidder. Gold and silver had been melted down in the Great Rebellion; but art treasures would not serve to pay soldiers or to buy ammunition; so these had escaped the melting-pot. At home and abroad the storehouses of curiosity merchants had been explored to beautify Lady Fareham's reception-rooms; and in the fading light Angela gazed upon hangings that were worthy of a royal palace, upon Italian crystals and Indian carvings, upon ivory and amber and jade and jasper, upon tables of Florentine mosaic, and ebony cabinets incrusted with rare agates, and upon pictures in frames of massive and elaborate carving, Venetian mirrors which gave back the dying light from a thousand facets, curtains and portières of sumptuous brocade, gold-embroidered, gorgeous with the silken semblance of peacock plumage, done with the needle, from the royal manufactory of the Crown Furniture at the Gobelins.

She passed into an ante-room, with tapestried walls, and a divan covered with raised velvet, a music desk of gilded wood, and a spinet, on which was painted the story of Orpheus and Eurydice. Beyond this there was the dining-room, more soberly though no less richly furnished than the saloon. Here the hangings were of Cordovan leather, stamped and gilded with fleur-de-lys, suggesting a French origin, and indeed these very hangings had been bought by a Dutch Jew dealer in the time of the Fronde, had belonged to the hated minister Mazarin, and had been sold among other of his effects when he fled from Paris: to vanish for a brief season behind the clouds of public animosity, and to blaze out again, an elderly phoenix, in a new palace, adorned with new treasures of art and industry that made royal princes envious.

Angela gazed on all this splendour as one bewildered. In front of that gilded wall, quivering in mid-air, as if it had been painted upon the shaft of light that streamed in from the tall window, her fancy pictured the blood-red cross and the piteous legend, "Lord, have mercy on us!" written in the same blood colour. For herself she had neither horror of the pestilence nor fear of death. Religion had familiarised her mind with the image of the destroyer. From her childhood she had been acquainted with the grave, and with visions of a world beyond the grave. It was not for herself she trembled, but for her sister, and her sister's children; for Lord Fareham, whose likeness she recalled even at this moment, the grave dark face which Hyacinth had shown her on the locket she wore upon her neck, the face which Sir John said reminded him of Strafford.

"He has just that fatal look," her father had told her afterwards when they talked of Fareham, "the look that men saw in Wentworth's face when he came from Ireland, and in his Majesty's countenance, after Wentworth's murder."

While she stood in the dying light, wavering for a moment, doubtful which way to turn—since the room had no less than three tall oak doors, two of them ajar—there came a pattering upon the polished floor, a scampering of feet that were lighter and quicker than those of the smallest child, and the first living creature Angela saw in that silent house came running towards her. It was only a little black-and-tan spaniel, with long silky hair and drooping ears, and great brown eyes, fond and gentle, a very toy and trifle in the canine kingdom; yet the sight of that living thing thrilled her awe-stricken heart, and her tears came thick and fast as she knelt and took the little dog in her arms and pressed him against her bosom, and kissed the cold muzzle, and looked, half laughing, half crying, into the pathetic brown eyes.

"At least there is life near. This dog would not be left in a deserted house," she thought, as the creature trembled against her bosom and licked the hand that held him.

The pattering was repeated in the adjoining room, and another spaniel, which might have been twin brother of