The Idiot - Fyodor Dostoyevsky (ereader for android .txt) 📗

her now so impatient to marry him—she who formerly had wept with rage and hurled curses and reproaches at him if he mentioned marriage! “It shows that she no longer fears, as she did then, that she would make me unhappy by marrying me,” he thought. And he felt sure that so sudden a change could not be a natural one. This rapid growth of self-confidence could not be due only to her hatred for Aglaya. To suppose that would be to suspect the depth of her feelings. Nor could it arise from dread of the fate that awaited her if she married Rogojin. These causes, indeed, as well as others, might have played a part in it, but the true reason, Muishkin decided, was the one he had long suspected—that the poor sick soul had come to the end of its forces. Yet this was an explanation that did not procure him any peace of mind. At times he seemed to be making violent efforts to think of nothing, and one would have said that he looked on his marriage as an unimportant formality, and on his future happiness as a thing not worth considering. As to conversations such as the one held with Evgenie Pavlovitch, he avoided them as far as possible, feeling that there were certain objections to which he could make no answer.

The prince had observed that Nastasia knew well enough what Aglaya was to him. He never spoke of it, but he had seen her face when she had caught him starting off for the Epanchins’ house on several occasions. When the Epanchins left Pavlofsk, she had beamed with radiance and happiness. Unsuspicious and unobservant as he was, he had feared at that time that Nastasia might have some scheme in her mind for a scene or scandal which would drive Aglaya out of Pavlofsk. She had encouraged the rumours and excitement among the inhabitants of the place as to her marriage with the prince, in order to annoy her rival; and, finding it difficult to meet the Epanchins anywhere, she had, on one occasion, taken him for a drive past their house. He did not observe what was happening until they were almost passing the windows, when it was too late to do anything. He said nothing, but for two days afterwards he was ill.

Nastasia did not try that particular experiment again. A few days before that fixed for the wedding, she grew grave and thoughtful. She always ended by getting the better of her melancholy, and becoming merry and cheerful again, but not quite so unaffectedly happy as she had been some days earlier.

The prince redoubled his attentive study of her symptoms. It was a most curious circumstance, in his opinion, that she never spoke of Rogojin. But once, about five days before the wedding, when the prince was at home, a messenger arrived begging him to come at once, as Nastasia Philipovna was very ill.

He had found her in a condition approaching to absolute madness. She screamed, and trembled, and cried out that Rogojin was hiding out there in the garden—that she had seen him herself—and that he would murder her in the night—that he would cut her throat. She was terribly agitated all day. But it so happened that the prince called at Hippolyte’s house later on, and heard from his mother that she had been in town all day, and had there received a visit from Rogojin, who had made inquiries about Pavlofsk. On inquiry, it turned out that Rogojin visited the old lady in town at almost the same moment when Nastasia declared that she had seen him in the garden; so that the whole thing turned out to be an illusion on her part. Nastasia immediately went across to Hippolyte’s to inquire more accurately, and returned immensely relieved and comforted.

On the day before the wedding, the prince left Nastasia in a state of great animation. Her wedding-dress and all sorts of finery had just arrived from town. Muishkin had not imagined that she would be so excited over it, but he praised everything, and his praise rendered her doubly happy.

But Nastasia could not hide the cause of her intense interest in her wedding splendour. She had heard of the indignation in the town, and knew that some of the populace was getting up a sort of charivari with music, that verses had been composed for the occasion, and that the rest of Pavlofsk society more or less encouraged these preparations. So, since attempts were being made to humiliate her, she wanted to hold her head even higher than usual, and to overwhelm them all with the beauty and taste of her toilette. “Let them shout and whistle, if they dare!” Her eyes flashed at the thought. But, underneath this, she had another motive, of which she did not speak. She thought that possibly Aglaya, or at any rate someone sent by her, would be present incognito at the ceremony, or in the crowd, and she wished to be prepared for this eventuality.

The prince left her at eleven, full of these thoughts, and went home. But it was not twelve o’clock when a messenger came to say that Nastasia was very bad, and he must come at once.

On hurrying back he found his bride locked up in her own room and could hear her hysterical cries and sobs. It was some time before she could be made to hear that the prince had come, and then she opened the door only just sufficiently to let him in, and immediately locked it behind him. She then fell on her knees at his feet. (So at least Dana Alexeyevna reported.)

“What am I doing? What am I doing to you?” she sobbed convulsively, embracing his knees.

The prince was a whole hour soothing and comforting her, and left her, at length, pacified and composed. He sent another messenger during the night to inquire after her, and two more next morning. The last brought back a message that Nastasia was surrounded by a whole army of dressmakers and maids, and was as happy and as busy as such a beauty should be on her wedding morning, and that there was not a vestige of yesterday’s agitation remaining. The message concluded with the news that at the moment of the bearer’s departure there was a great confabulation in progress as to which diamonds were to be worn, and how.

This message entirely calmed the prince’s mind.

The following report of the proceedings on the wedding day may be depended upon, as coming from eye-witnesses.

The wedding was fixed for eight o’clock in the evening. Nastasia Philipovna was ready at seven. From six o’clock groups of people began to gather at Nastasia’s house, at the prince’s, and at the church door, but more especially at the former place. The church began to fill at seven.

Colia and Vera Lebedeff were very anxious on the prince’s account, but they were so busy over the arrangements for receiving the guests after the wedding, that they had not much time for the indulgence of personal feelings.

There were to be very few guests besides the best men and so on; only Dana Alexeyevna, the Ptitsins, Gania, and the doctor. When the prince asked Lebedeff why he had invited the doctor, who was almost a stranger, Lebedeff replied:

“Why, he wears an ‘order,’ and it looks so well!”

This idea amused the prince.

Keller and Burdovsky looked wonderfully correct in their dress-coats and white kid gloves, although Keller caused the bridegroom some alarm by his undisguisedly hostile glances at the gathering crowd of sight-seers outside.

At about half-past seven the prince started for the church in his carriage.

We may remark here that he seemed anxious not to omit a single one of the recognized customs and traditions observed at weddings. He wished all to be done as openly as possible, and “in due order.”

Arrived at the church, Muishkin, under Keller’s guidance, passed through the crowd of spectators, amid continuous whispering and excited exclamations. The prince stayed near the altar, while Keller made off once more to fetch the bride.

On reaching the gate of Daria Alexeyevna’s house, Keller found a far denser crowd than he had encountered at the prince’s. The remarks and exclamations of the spectators here were of so irritating a nature that Keller was very near making them a speech on the impropriety of their conduct, but was luckily caught by Burdovsky, in the act of turning to address them, and hurried indoors.

Nastasia Philipovna was ready. She rose from her seat, looked into the glass and remarked, as Keller told the tale afterwards, that she was “as pale as a corpse.” She then bent her head reverently, before the ikon in the corner, and left the room.

A torrent of voices greeted her appearance at the front door. The crowd whistled, clapped its hands, and laughed and shouted; but in a moment or two isolated voices were distinguishable.

“What a beauty!” cried one.

“Well, she isn’t the first in the world, nor the last,” said another.

“Marriage covers everything,” observed a third.

“I defy you to find another beauty like that,” said a fourth.

“She’s a real princess! I’d sell my soul for such a princess as that!”

Nastasia came out of the house looking as white as any handkerchief; but her large dark eyes shone upon the vulgar crowd like blazing coals. The spectators’ cries were redoubled, and became more exultant and triumphant every moment. The door of the carriage was open, and Keller had given his hand to the bride to help her in, when suddenly with a loud cry she rushed from him, straight into the surging crowd. Her friends about her were stupefied with amazement; the crowd parted as she rushed through it, and suddenly, at a distance of five or six yards from the carriage, appeared Rogojin. It was his look that had caught her eyes.

Nastasia rushed to him like a madwoman, and seized both his hands.

“Save me!” she cried. “Take me away, anywhere you like, quick!”

Rogojin seized her in his arms and almost carried her to the carriage. Then, in a flash, he tore a hundred-rouble note out of his pocket and held it to the coachman.

“To the station, quick! If you catch the train you shall have another. Quick!”

He leaped into the carriage after Nastasia and banged the door. The coachman did not hesitate a moment; he whipped up the horses, and they were oft.

“One more second and I should have stopped him,” said Keller, afterwards. In fact, he and Burdovsky jumped into another carriage and set off in pursuit; but it struck them as they drove along that it was not much use trying to bring Nastasia back by force.

“Besides,” said Burdovsky,” the prince would not like it, would he?” So they gave up the pursuit.

Rogojin and Nastasia Philipovna reached the station just in time for the train. As he jumped out of the carriage and was almost on the point of entering the train, Rogojin accosted a young girl standing on the platform and wearing an old-fashioned, but respectable-looking, black cloak and a silk handkerchief over her head.

“Take fifty roubles for your cloak?” he shouted, holding the money out to the girl. Before the astonished young woman could collect her scattered senses, he pushed the money into her hand, seized the mantle, and threw it and the handkerchief over Nastasia’s head and shoulders. The latter’s wedding-array would have attracted too much attention, and it was not until some time later that the girl understood why her old cloak and kerchief had been bought at such a price.

The news of what had happened reached the church with extraordinary rapidity. When Keller arrived, a host of people whom he did not know thronged around to ask him