That Affair at Elizabeth by Burton Egbert Stevenson (the first e reader txt) 📗
- Author: Burton Egbert Stevenson
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There was a flower-bed on either side the walk, well-kept and in a riot of bloom, and along the hedges and about the house were others. Evidently the women who lived here not only loved flowers, but had ample time to tend them. As I approached the house, I saw that the blinds were drawn, and there seemed no sign of life about the place, but the door was opened almost instantly in answer to my knock.
The woman who opened it, I knew at once for the elder Miss Kingdon, and my eyes were caught and my attention held by the bold, virile beauty of her face—a beauty which had, in a way, burnt itself out by its very fierceness. She resembled her sister, and yet there was something higher and finer about her. She gave me the impression of one who had passed through a fiery furnace—and not unscathed! I wondered, as Godfrey had, at the dark splendour of her eyes; I could fancy how they would burn and sparkle once she was roused to anger.
"This is Miss Kingdon?" I asked.
She bowed.
"I'm going to ask a favour, Miss Kingdon," I said, "the favour of a few moments' conversation."
"Are you a reporter?" she demanded, without seeking to soften the harshness of the question, and in an instant I knew that it was she who had threatened me through the door the night before, for the voice was the same and yet not the same. Then it had been edged and broken by a kind of frenzy; now it was almost domineering in its cool insolence. What was it had so shaken her? Fear at my knock at that hour of the night? Yet she seemed anything but a woman easily alarmed.
"No, I'm not a reporter," I answered, smiling as well as I could to hide the tumult of my thoughts. "My name is Lester, and I'm acting for Mr. Curtiss. I hope you'll grant my request."
She looked at me more closely, and her lips curved derisively.
"I've heard of you," she said.
"From your sister, no doubt. I had the pleasure of meeting her yesterday afternoon."
I could not wholly keep the irony out of my tone.
"I guess you didn't find out much from her," she retorted.
"Not half as much as she knew. I hope you'll be more frank with me."
She hesitated a moment longer, then stood aside.
"Very well; come in," she said, and as I entered, she pointed the way into a room at the right.
It was a large, pleasant room, well furnished and in excellent taste. On my first glance around, my eyes were caught and held by a portrait which occupied the place of honour on the wall opposite the front windows. It was a woman's head, life-size, evidently done from life, crude enough in execution, but of a woman so brilliantly beautiful that her face seemed to glow through the canvas, to rise superior to the lack of skill with which the artist had depicted her. There was something familiar about it, too—at least, I fancied so—and then I shook the thought away impatiently.
"Well?" asked a voice, and I turned to see that Miss Kingdon was waiting for me to speak. "Sit down," she added abruptly, and herself sat down opposite me, and gazed at me with fierce eyes that never wavered.
"Mr. Curtiss is naturally anxious," I began, "to find Miss Lawrence and to hear from her own lips the reason for her flight. He even thinks he has a certain right to know that reason. I'm trying to find where Miss Lawrence is."
"And why do you come here?" she asked with compressed lips.
"Because," I answered boldly, "I believe that Miss Lawrence came here when she left her home. She went first into the library, where she sat for a while until she decided what to do; then she opened the library window, descended from the balcony, and ran here along the path which leads through the trees to that gate out yonder. You received her and refused to allow any one to see her."
"I refused to allow the reporters to see her!" she cried. "Surely, you would have done as much!"
"Yes," I said, repressing as well as I could the sudden burst of triumph which glowed within me. "Yes—perhaps I should. But you'll not refuse me?"
She smiled grimly.
"That was cleverly done, Mr. Lester," she said. "Fortunately it's no longer a question of my consent or refusal."
"Miss Lawrence isn't here?"
"No; Miss Lawrence left here late last night."
"And went——"
"Ah, that I shall not tell."
I looked at her again and saw that by arguing I should be simply wasting my time. I saw something else, too—this woman also knew the reason for Marcia Lawrence's flight.
But she was looking at me with a sudden white intensity.
"It was you," she said hoarsely, "who knocked at the door in the middle of the night."
"Yes," I admitted, fascinated by her burning gaze, "it was I."
"Why did you do that?"
"I don't exactly know," I answered lamely, not daring to tell the truth. "I was passing the house and saw a light——"
"Where?" she demanded, her face contracting in a quick spasm.
"In the window yonder," and I heard her deep breath of relief. "I thought perhaps it was Miss Lawrence."
"It was I," she said, and I saw she was visibly forcing herself to go on. "I had been putting away some fruit in the cellar. Your knock at that hour startled me."
"Quite naturally," I assented. "I wonder at myself now for knocking."
"How did you happen to be passing the house at that time?" she asked suddenly.
"I'd been awakened by a bad dream and found I couldn't go to sleep again, so decided to walk a little. I walked in this direction, I suppose, because I was thinking about Miss Lawrence."
She was looking at me keenly, but saw that I spoke the truth and again gave a quick sigh of relief.
"Miss Lawrence was not here then?" I questioned, deciding to become the inquisitor in my turn.
"Oh, no; she had left several hours earlier. I was alone in the house—which rendered your knock all the more disquieting. My sister remained with Mrs. Lawrence last night," and she rose to indicate that my audience was at an end.
I rose somewhat reluctantly. I felt that she could tell me so much more, if she would. It was provoking to be so near success, and yet not to succeed.
"I'm sorry," I said, "that you refuse to tell me where Miss Lawrence has gone. I don't believe you're acting wisely—nor is she in running away. She should be brave enough to stay and face Mr. Curtiss. He has a right——"
"There are others who have rights," she cried, her self-control suddenly deserting her. "There are others who have waived their rights, and torn their hearts, and withered in silence——"
She stopped abruptly, and I saw the tremor which swept through her as she controlled herself.
"That is all," she said more calmly, but with working face. "Your parrot-like talk of Mr. Curtiss's rights provoked me," and she moved toward the door.
I paused for a last glance at the portrait, and again I was struck by its likeness to some one I knew.
"That is a most remarkable picture," I said. "The person who painted it seems to have been clumsy enough, and yet there is something vital and bewitching about it."
There was a signature scrawled in one corner, and I bent closer to decipher it.
"It was painted by a cousin of mine," said Miss Kingdon indifferently.
And suddenly the scrawl became intelligible.
"'Ruth Endicott,'" I read, with a quick glow of interest.
"What do you know of her?" she demanded, looking at me sharply.
"Nothing," I answered, as indifferently as I could. "Only, I should be interested to know how she developed. She seems to have had great talent."
"That was the last picture she ever painted," said Miss Kingdon shortly; then her eyes flamed suddenly and her face darkened, as she stepped close to the portrait and stared at it. "She was beautiful—beautiful!" she murmured hoarsely, and I knew that Ruth Endicott's last painting had been a portrait of herself.
And yet it was scarcely a portrait, either, for the features were barely indicated. But, gazing at it, one saw a woman there—a woman real and vital—and knew instinctively that she was beautiful. It was what I suppose would be called an impressionistic picture, but it differed from most impressionistic pictures in showing imagination in the artist instead of demanding it from the observer.
But why should that pictured face seem so familiar? Not in lineament, but in poise and expression it recalled some one vividly. There was no doubting the resemblance, but grope in my memory as I might, I could not place it.
"When you are quite ready," said Miss Kingdon, in a voice quivering with impatience, "I shall be glad to show you out."
I turned to find her glaring at me almost like a beast at bay. With an imperious gesture, which checked on my lips any questions I would have asked, she led the way out into the hall.
"You are at liberty to search the house," she said coldly, intercepting the glance I shot about me, "if you doubt my statement that Miss Lawrence is no longer here."
The thought flashed through my mind that I would welcome a chance to take a look into the cellar, and inspect the fruit which it had taken hours to arrange, but I did not dare suggest it.
"No," I protested; "I believe you," and in another moment I was in the street.
Godfrey was awaiting me.
"Well?" he asked.
"Not there," I said.
"But she was there?"
"Yes; it was there she took refuge—you were right about that; but she left late last night. I don't know how or where. Miss Kingdon refused to tell me."
He pondered this an instant with half-closed eyes.
"I don't think she can slip through our fingers," he said, at last. "Every one about here knows her."
"If she took the train," I suggested, "the agent may remember."
"Yes," he agreed. "And by the way," he added suddenly, "it was a letter which caused all this trouble."
"A letter?"
"Yes; a special-delivery letter. It was delivered at 11.15 o'clock yesterday morning. The boy mounted the steps and was going to ring the bell, when Miss Lawrence herself, who was just starting up the stairs, saw him and came to the door, which was open, and took the letter. It was addressed to her and she signed for it."
"Where was it from?" I asked.
"It was from New York, and across the front, in a bold hand, was written, 'Important—read at once.'"
CHAPTER XII Word from the FugitiveI glanced at my watch; it wanted still half an hour of eleven o'clock.
"Let's walk on together," I said; "this needs talking over. A special-delivery letter from New York, then, causes Marcia Lawrence, a well-poised, self-possessed, happy woman, to flee from the man she loves, to wreck her life, throw away her future——" I stopped in despair. Really, I felt for the moment like tearing my hair.
"It seems incredible, doesn't it?" asked Godfrey, smiling at my bewildered countenance.
"Incredible? Why, it's more than that—it's—it's—I don't know any word strong enough to describe it. Godfrey, what is this secret?"
"I know what it isn't."
"Well, what isn't it, then?"
"It isn't about Curtiss. We've looked into his life—I just got a report from Delaney—and he's as straight as a string."
"And the women?"
"With the women it isn't so easy. You see, they were in Europe for six or seven years, and it's hard to follow them. However, we're on their track, and I have hopes."
"Hopes?"
"Of proving my theory the right one. Depend upon it, Lester, there's either a lover or a husband in the background somewhere."
But again I remembered the photograph.
"A lover, perhaps," I admitted, "but not a husband, Godfrey. There's no stain like that on her—there's no stain at all. She's spotless—I'll stake my soul upon it!"
He was gazing at me curiously.
"You seem mighty certain about it," he commented.
For an instant, I had an impulse to show him the photograph. But I stifled it.
"I am certain," I answered lamely. "Certain your theory's all wrong."
"Well, I'm going to stick to it till I find a better one."
"Are you going to make it public?"
"No, not till we've something more to back it. We've wired our European correspondents to look up the record of the women while they were abroad. We'll wait till we get reports from them, which will be to-morrow or the day after. Let's see if we can find out which way Miss Lawrence went last night."
We had reached the hotel, and, as he spoke, Godfrey turned into it.
"The ticket agent boards here," he said, "and I took care
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