In the Palace of the King: A Love Story of Old Madrid by F. Marion Crawford (e books free to read txt) 📗

in hearing his familiar orders and small directions and in seeing how thoughtful he was for his servants. She knew that he had always refused to be surrounded by valets and gentlemen-in-waiting, and lived very simply when he could, but it was different to be brought into such close contact with his life. There was a wonderful gentleness in his ways that contrasted widely with her father's despotic manner and harsh tone when he gave orders. Mendoza believed himself the type and model of a soldier and a gentleman, and he maintained that without rigid discipline there could be no order and no safety at home or in the army. But between him and Don John there was all the difference that separates the born leader of men from the mere martinet.

Dolores listened. It was clear that Don John was not going to send Fadrique away in order to see her again before he went down to the throne room, though she had almost hoped he might.

On the contrary, some one else came. She heard Fadrique announce him.

"The Captain Don Juan de Escobedo is in waiting, your Highness," said the servant. "There is also Adonis."

"Adonis!" Don John laughed, not at the name, for it was familiar to him, but at the mere mention of the person who bore it and who was the King's dwarf jester, Miguel de Antona, commonly known by his classic nickname. "Bring Adonis here--he is an old friend."

The door opened again, and Dolores heard the well-known voice of the hunchback, clear as a woman's, scornful and full of evil laughter,--the sort of voice that is heard instantly in a crowd, though it is not always recognizable. The fellow came in, talking loud.

"Ave Cæsar!" he cried from the door. "Hail, conqueror! All hail, thou favoured of heaven, of man,--and of the ladies!"

"The ladies too?" laughed Don John, probably amused by the dwarfs antics. "Who told you that?"

"The cook, sir. For as you rode up to the gate this afternoon a scullery maid saw you from the cellar grating and has been raving mad ever since, singing of the sun, moon, and undying love, until the kitchen is more like a mad-house than this house would be if the Day of Judgment came before or after Lent."

"Do you fast in Lent, Adonis?"

"I fast rigidly three times a day, my lord conqueror,--no, six, for I eat nothing either just before or just after my breakfast, my dinner, and my supper. No monk can do better than that, for at those times I eat nothing at all."

"If you said your prayers as often as you fast, you would be in a good way," observed Don John.

"I do, sir. I say a short grace before and after eating. Why have you come to Madrid, my lord? Do you not know that Madrid is the worst, the wickedest, the dirtiest, vilest, and most damnable habitation devised by man for the corruption of humanity? Especially in the month of November? Has your lordship any reasonable reason for this unreason of coming here, when the streets are full of mud, and men's hearts are packed like saddle-bags with all the sins they have accumulated since Easter and mean to unload at Christmas? Even your old friends are shocked to see so young and honest a prince in such a place!"

"My old friends? Who?"

"I saw Saint John the Conqueror graciously wave his hand to a most highly respectable old nobleman this afternoon, and the nobleman was so much shocked that he could not stir an arm to return the salutation! His legs must have done something, though, for he seemed to kick his own horse up from the ground under him. The shock must have been terrible. As for me, I laughed aloud, which made both the old nobleman and Don Julius Caesar of Austria exceedingly angry. Get before me, Don Fadrique! I am afraid of the terror of the Moors,--and no shame to me either! A poor dwarf, against a man who tears armies to shreds,--and sends scullery maids into hysterics! What is a poor crippled jester compared with a powerful scullery maid or an army of heathen Moriscoes? Give me that sword, Fadrique, or I am a dead man!"

But Don John was laughing good-naturedly.

"So it was you, Adonis? I might have-known your voice, I should think."

"No one ever knows my voice, sir. It is not a voice, it is a freak of grammar. It is masculine, feminine, and neuter in gender, singular by nature, and generally accusative, and it is optative in mood and full of acute accents. If you can find such another voice in creation, sir, I will forfeit mine in the King's councils."

Adonis laughed now, and Dolores remembered the laughter she had heard from the window.

"Does his Majesty consult you on matters of state?" inquired Don John. "Answer quickly, for I must be going."

"It takes twice as long to tell a story to two men, as to tell it to one,--when you have to tell them different stories,"

"Go, Fadrique," said Don John, "and shut the door."

The dwarf, seeing the servant gone, beckoned Don John to the other side of the room.

"It is no great secret, being only the King's," he said. "His Majesty bids me tell your Serene Highness that he wishes to speak with you privately about some matters, and that he will come here soon after supper, and begs you to be alone."

"I will be here--alone."

"Excellent, sir. Now there is another matter of secrecy which is just the contrary of what I have told you, for it is a secret from the King. A lady laid a letter and two white carnations on your writing-table. If there is any answer to be taken, I will take it."

"There is none," answered Don John sternly, "Tell the lady that I burned the letter without reading it. Go, Adonis, and the next time you come here, do not bring messages from women. Fadrique!"

"Your Highness burned the letter without reading it?"

"Yes. Fadrique!"

"I am sorry," said the dwarf, in a low voice.

No more words were spoken, and in a few moments there was deep silence, for they were all gone, and Dolores was alone, locked into the little room.

CHAPTER VI

The great throne room of the palace was crowded with courtiers long before the time when the King and Queen and Don John of Austria were to appear, and the entries and halls by which it was approached were almost as full. Though the late November air was keen, the state apartments were at summer heat, warmed by thousands of great wax candles that burned in chandeliers, and in huge sconces and on high candelabra that stood in every corner. The light was everywhere, and was very soft and yellow, while the odour of the wax itself was perceptible in the air, and helped the impression that the great concourse was gathered in a wide cathedral for some solemn function rather than in a throne room to welcome a victorious soldier. Vast tapestries, dim and rich in the thick air, covered the walls between the tall Moorish windows, and above them the great pointed vaulting, ornamented with the fantastically modelled stucco of the Moors, was like the creamy crests of waves lashed into foam by the wind, thrown upright here, and there blown forward in swift spray, and then again breaking in the fall to thousands of light and exquisite shapes; and the whole vault thus gathered up the light of the candles into itself and shed it downward, distributing it into every corner and lighting every face in a soft and golden glow.

At the upper end, between two great doors that were like the gateways of an eastern city, stood the vacant throne, on a platform approached by three broad steps and covered with deep red cloth; and there stood magnificent officers of the guard in gilded corslets and plumed steel caps, and other garments of scarlet and gold, with their drawn swords out. But Mendoza was not there yet, for it was his duty to enter with the King's own guard, preceding the Majorduomo. Above the throne, a huge canopy of velvet, red and yellow, was reared up around the royal coat of arms.

To the right and left, on the steps, stood carved stools with silken cushions--those on the right for the chief ministers and nobles of the kingdom, those on the left for the great ladies of the court. These would all enter in the King's train and take their places. For the throng of courtiers who filled the floor and the entries there were no seats, for only a score of the highest and greatest personages were suffered to sit in the royal presence. A few, who were near the windows, rested themselves surreptitiously on the high mouldings of the pilasters, pushing aside the curtains cautiously, and seeming from a distance to be standing while they were in reality comfortably seated, an object of laughing envy and of many witticisms to their less fortunate fellow-courtiers. The throng was not so close but that it was possible to move in the middle of the hall, and almost all the persons there were slowly changing place, some going forward to be nearer the throne, others searching for their friends among their many acquaintances, that they might help the tedious hour to pass more quickly.

Seen from the high gallery above the arch of the great entrance the hall was a golden cauldron full of rich hues that intermingled in streams, and made slow eddies with deep shadows, and then little waves of light that turned upon themselves, as the colours thrown into the dyeing vat slowly seethe and mix together in rivulets of dark blue and crimson, and of splendid purple that seems to turn black in places and then is suddenly shot through with flashes of golden and opalescent light. Here and there also a silvery gleam flashed in the darker surface, like a pearl in wine, for a few of the court ladies were dressed all in white, with silver and many pearls, and diamonds that shed little rays of their own.

The dwarf Adonis had been there for a few moments behind the lattice which the Moors had left, and as he stood there alone, where no one ever thought of going, he listened to the even and not unmusical sound that came up from the great assembly--the full chorus of speaking voices trained never to be harsh or high, and to use chosen words, with no loud exclamations, laughing only to please and little enough out of merriment; and they would not laugh at all after the King and Queen came in, but would only murmur low and pleasant flatteries, the change as sudden as when the musician at the keys closes the full organ all at once and draws gentle harmonies from softer stops.

The jester had stood there, and looked down with deep-set, eager eyes, his crooked face pathetically sad and drawn, but alive with a swift and meaning intelligence, while the thin and mobile lips expressed a sort of ready malice which could break out in bitterness or turn to a kindly irony according as the touch that moved the man's sensitive nature was cruel or friendly. He was scarcely taller than a boy of ten years old, but his full-grown arms hung down below his knees, and his man's head, with the long, keen face, was set far forward on his shapeless body, so that in speaking with persons of ordinary stature he looked up under his brows, a little sideways, to see better. Smooth red hair covered his bony head, and grew in a carefully trimmed and pointed beard on his pointed chin. A loose doublet of crimson velvet hid the outlines of his crooked back and projecting breastbone, and the rest of his dress was of materials as rich, and all red. He was, moreover, extraordinarily careful of his appearance, and no courtier had whiter or more delicately tended hands or spent more time before the mirror in tying a shoulder knot, and in fastening the stiffened collar of white embroidered linen at the fashionable angle behind his neck.

He had entered the latticed gallery on his way to Don John's apartments with the King's message. A small and half-concealed door, known to few except the servants of the palace, opened upon it suddenly from a niche in one of the upper corridors. In Moorish days the ladies of the harem had been wont to go there unseen to see the reception of ambassadors of state, and such ceremonies, at which, even veiled, they could never be present.

He only stayed a few moments, and though his eyes were eager, it was by habit rather than because they were searching for any one in the crowd. It pleased him now and then to see the court