Out Like a Light by Randall Garrett and Laurence M. Janifer (ereader with dictionary txt) 📗

Malone replaced the microphone and headed for the door. Halfway there, however, he stopped. He hadn't had a tequila in a long time, and he thought he owed it to himself. He felt he had come out ahead in his exchange with Lynch, and another medal was in order.

Only a small one, though. He told himself that he would order one tequila and quit. Besides, he had to meet Dorothy.

[Pg 62]

He sat down on one of the tall bar stools. The bartender bustled over and eyed him speculatively.

"Tequila con limon" he said negligently.

"Ah," the bartender said. "Si, senor."

Malone waited with ill-concealed impatience. At last it arrived.

Malone took the small glass of tequila in his right hand, with the slice of lemon held firmly between the index and middle fingers of the same hand, the rind facing in toward the glass. On the web between the thumb and forefinger of his left hand he had sprinkled a little salt. Moving adroitly and with dispatch, he downed the tequila, licked off the salt and bit his teeth into the lemon slice.

It felt better than good; it felt wonderful. He hadn't had such a good time in years.

He had three more before he left the Xochitl.

Then, noticing the time, he moved in a hurry and got out of the bar before temptation overcame him and he started ordering still more. It was nearly six o'clock, and he had to meet Dorothy at Topp's.

He hoped he could find it.

He headed downtown toward Forty-second Street, turned left and—sure enough—there was a big red sign. It said Topp's. Malone beamed his approval at it. It was just where it ought to be, and he was grateful.

He pushed open the glass door of the place and went in.

The maître d'hôtel was a chunky man with a pleasant face, a receding hairline and some distance back on his head, dark, curly hair. He beamed at Malone as if the FBI agent were a long-lost brother. "Table for one, sir?" he said.

"No," Malone said, peering into the place. It was much bigger than he had expected. "No," he said again. "I guess I'll just have a drink at the bar."

The maître d' smiled and bowed him to a bar stool. Malone sat down and looked the place over again. His first glance had shown him that Dorothy wasn't there yet, but he saw no harm in making sure. Always be careful of your facts, he admonished himself a little fuzzily.

There were a lot of women in the place, but they were all with escorts. Some of them had two escorts, and Malone wondered about them. Were they drunk, or was he? It was obvious that someone was seeing double, but Malone wasn't quite sure who.

He stared at his face in the bar mirror for a few seconds, and ordered a bourbon and soda when a bartender came over and occluded the image. The bartender went away and Malone went on studying himself.

He wasn't bad-looking for an FBI agent. He was taller than his father, anyway, and less heavily built. That was one good thing. As a matter of fact, Malone told himself, he was really a pretty good-looking guy.

So why did women keep him waiting?[Pg 63]

He heard her voice before he saw her, behind him. But she wasn't talking to him.

"Hello, Milty," she said. "How's everything?"

Malone turned around to get a look at Milty. He turned out to be the maître d'. What did he have that Malone didn't have? the agent asked himself sourly. Obviously Dorothy was captivated by his charm. Well, that showed him what city girls were like. Butterflies. Social butterflies. Flitting hither and yon with the wind, now attracted to this man, now to that. Once, Malone told himself sadly, he had known this beautiful woman. Now she belonged to someone else.

He felt a little bit sad about it, but he told himself to buck up and learn to live with his tragedy. He drank some more of his bourbon and soda, and then she noticed him.

He heard her say: "Oh. Excuse me, Milty. There's my man." She came over and sat down next to him.

He wanted to ignore her, just to teach her a lesson. But he had already turned around and smiled at her, and she smiled back.

"Hi," she said. "Did you get the tickets?"

Tickets!

Malone knew there had been something he'd forgotten, and now he knew what it was. "Oh," he said. "Sure. Just a second. I've got to check up."

"Check up?"

"Friend of mine," Malone improvised hurriedly. "Bringing them." He gave Dorothy a big smile and climbed down off the bar stool. He managed to find a phone booth, and dialed FBI headquarters on Sixty-ninth Street and blessed several saints when he found that A-in-C was still there.

"Tickets," Malone said.

The Agent-in-Charge blinked at him. "What tickets?" he said.

"The 'Hot Seat' tickets," Malone said. "Did you get 'em?"

"I got 'em," the Agent-in-Charge said sourly. "Had to chase all over town and pull more wires than there are on a grand piano. But they turned up, brother. Two seats. Do you know what a job like that entails?"

"I'm grateful," Malone said. "I'm hysterical with gratitude."

"I'd rather track down a gang of fingerless second-story men than go through that again," the Agent-in-Charge said. He looked as if his stomach trouble had suddenly gotten a great deal worse. Malone thought that the A-in-C was considering calling a doctor, and would probably decide to make it the undertaker instead, and save the price of a call.

"I can't express my gratitude," Malone told him. "Where are they? Where do I pick them up?"

"Box office," the A-in-C said sourly. "I tell you, everybody in Washington must be nuts. The things I have to go through—"

"Thanks," Malone said. "Thanks a lot. Thanks a million. If there's ever anything I can do for you, let me know and I'll do it." He hung up and went back to the bar.[Pg 64]

"Well?" Dorothy said. "Where do we go tonight? Joe's Hot Dog stand? Or a revival of 'The Wild Duck' in a loft on Bleecker Street?"

There was pride in Malone's manner as he stood there on his feet. There was just a touch of hauteur as he said: "We'll see 'Hot Seat'."

And he was repaid for all of the Agent-in-Charge's efforts. Dorothy's eyes went wide with appreciation and awe. "My goodness," she said. "A man of his word—and what a tough word, too! Mr. Malone, I congratulate you."

"Nothing," Malone said. "A mere absolute nothing."

"Nothing, the man says," Dorothy muttered. "My goodness. And modest, too. Tell me: how do you do, Mr. Malone?"

"Me?" Malone said. "Very well, so far." He finished his drink. "And you?"

"I work at it," she said cryptically. "May I have another drink?"

Malone gave her a grin. "Another?" he said. "Have two. Have a dozen."

"And what," she said, "would I do with half a dozen drinks? Don't answer. I think I can guess. But let's just take them one at a time—O.K.?" She signaled to the bartender. "Wally, I'll have a Martini. And Mr. Malone will have whatever it is he has, I imagine."

"Bourbon and soda," Malone said, and gave the bartender a grin, too, just to make sure he didn't feel left out. The sun was shining—although it was evening outside—and the birds were singing—although, Malone reflected, catching a bird on Forty-second Street and Broadway might take a bit of doing—and all was well with the world.

There was only a tiny, nagging disturbing thought in his mind. It had to do with Mike Fueyo and the Silent Spooks, and a lot of red Cadillacs. But he pushed it resolutely away. It had nothing to do with the evening he was about to spend. Nothing at all.

After all, this was supposed to be a vacation, wasn't it?

"Well, Mr. Malone," Dorothy said, when the drinks had arrived.

"Very well indeed," Malone said, raising his. "And just call me Ken. Didn't I tell you that once before?"

"You did," she said. "And I asked you to call me Dorothy. Not Dotty. Try and remember that."

"I will remember it," Malone said, "just as long as ever I live. You don't look the least bit dotty, anyhow. Which