The Woman in White - Wilkie Collins (best non fiction books of all time TXT) 📗

venomous as ever. “Amuse Mr. Hartright, my angel,” said the Count. He placed a chair for her, kissed her hand for the second time, withdrew to a sofa, and, in three minutes, was as peacefully and happily asleep as the most virtuous man in existence.

Madame Fosco took a book from the table, sat down, and looked at me, with the steady vindictive malice of a woman who never forgot and never forgave.

“I have been listening to your conversation with my husband,” she said. “If I had been in HIS place—I would have laid you dead on the hearthrug.”

With those words she opened her book, and never looked at me or spoke to me from that time till the time when her husband woke.

He opened his eyes and rose from the sofa, accurately to an hour from the time when he had gone to sleep.

“I feel infinitely refreshed,” he remarked. “Eleanor, my good wife, are you all ready upstairs? That is well. My little packing here can be completed in ten minutes—my travelling-dress assumed in ten minutes more. What remains before the agent comes?” He looked about the room, and noticed the cage with his white mice in it. “Ah!” he cried piteously, “a last laceration of my sympathies still remains. My innocent pets! my little cherished children! what am I to do with them? For the present we are settled nowhere; for the present we travel incessantly—the less baggage we carry the better for ourselves. My cockatoo, my canaries, and my little mice—who will cherish them when their good Papa is gone?”

He walked about the room deep in thought. He had not been at all troubled about writing his confession, but he was visibly perplexed and distressed about the far more important question of the disposal of his pets. After long consideration he suddenly sat down again at the writing-table.

“An idea!” he exclaimed. “I will offer my canaries and my cockatoo to this vast Metropolis—my agent shall present them in my name to the Zoological Gardens of London. The Document that describes them shall be drawn out on the spot.”

He began to write, repeating the words as they flowed from his pen.

“Number one. Cockatoo of transcendent plumage: attraction, of himself, to all visitors of taste. Number two. Canaries of unrivalled vivacity and intelligence: worthy of the garden of Eden, worthy also of the garden in the Regent’s Park. Homage to British Zoology. Offered by Fosco.”

The pen spluttered again, and the flourish was attached to his signature.

“Count! you have not included the mice,” said Madame Fosco

He left the table, took her hand, and placed it on his heart.

“All human resolution, Eleanor,” he said solemnly, “has its limits. MY limits are inscribed on that Document. I cannot part with my white mice. Bear with me, my angel, and remove them to their travelling cage upstairs.”

“Admirable tenderness!” said Madame Fosco, admiring her husband, with a last viperish look in my direction. She took up the cage carefully, and left the room.

The Count looked at his watch. In spite of his resolute assumption of composure, he was getting anxious for the agent’s arrival. The candles had long since been extinguished, and the sunlight of the new morning poured into the room. It was not till five minutes past seven that the gate bell rang, and the agent made his appearance. He was a foreigner with a dark beard.

“Mr. Hartright—Monsieur Rubelle,” said the Count, introducing us. He took the agent (a foreign spy, in every line of his face, if ever there was one yet) into a corner of the room, whispered some directions to him, and then left us together. “Monsieur Rubelle,” as soon as we were alone, suggested with great politeness that I should favour him with his instructions. I wrote two lines to Pesca, authorising him to deliver my sealed letter “to the bearer,” directed the note, and handed it to Monsieur Rubelle.

The agent waited with me till his employer returned, equipped in travelling costume. The Count examined the address of my letter before he dismissed the agent. “I thought so!” he said, turning on me with a dark look, and altering again in his manner from that moment.

He completed his packing, and then sat consulting a travelling map, making entries in his pocket-book, and looking every now and then impatiently at his watch. Not another word, addressed to myself, passed his lips. The near approach of the hour for his departure, and the proof he had seen of the communication established between Pesca and myself, had plainly recalled his whole attention to the measures that were necessary for securing his escape.

A little before eight o’clock, Monsieur Rubelle came back with my unopened letter in his hand. The Count looked carefully at the superscription and the seal, lit a candle, and burnt the letter. “I perform my promise,” he said, “but this matter, Mr. Hartright, shall not end here.”

The agent had kept at the door the cab in which he had returned. He and the maid-servant now busied themselves in removing the luggage. Madame Fosco came downstairs, thickly veiled, with the travelling cage of the white mice in her hand. She neither spoke to me nor looked towards me. Her husband escorted her to the cab. “Follow me as far as the passage,” he whispered in my ear; “I may want to speak to you at the last moment.”

I went out to the door, the agent standing below me in the front garden. The Count came back alone, and drew me a few steps inside the passage.

“Remember the Third condition!” he whispered. “You shall hear from me, Mr. Hartright—I may claim from you the satisfaction of a gentleman sooner than you think for.” He caught my hand before I was aware of him, and wrung it hard—then turned to the door, stopped, and came back to me again.

“One word more,” he said confidentially. “When I last saw Miss Halcombe, she looked thin and ill. I am anxious about that admirable woman. Take care of her, sir! With my hand on my heart, I solemnly implore you, take care of Miss Halcombe!”

Those were the last words he said to me before he squeezed his huge body into the cab and drove off.

The agent and I waited at the door a few moments looking after him. While we were standing together, a second cab appeared from a turning a little way down the road. It followed the direction previously taken by the Count’s cab, and as it passed the house and the open garden gate, a person inside looked at us out of the window. The stranger at the Opera again!—the foreigner with a scar on his left cheek.

“You wait here with me, sir, for half an hour more!” said Monsieur Rubelle.

“I do.”

We returned to the sitting-room. I was in no humour to speak to the agent, or to allow him to speak to me. I took out the papers which the Count had placed in my hands, and read the terrible story of the conspiracy told by the man who had planned and perpetrated it.

THE STORY CONTINUED BY ISIDOR, OTTAVIO, BALDASSARE FOSCO

(Count of the Holy Roman Empire, Knight Grand Cross of the Order of the Brazen Crown, Perpetual Arch-Master of the Rosicrucian Masons of Mesopotamia; Attached (in Honorary Capacities) to Societies Musical, Societies Medical, Societies Philosophical, and Societies General Benevolent, throughout Europe; etc. etc. etc.)

THE COUNT’S NARRATIVE

In the summer of eighteen hundred and fifty I arrived in England, charged with a delicate political mission from abroad. Confidential persons were semi-officially connected with me, whose exertions I was authorised to direct, Monsieur and Madame Rubelle being among the number. Some weeks of spare time were at my disposal, before I entered on my functions by establishing myself in the suburbs of London. Curiosity may stop here to ask for some explanation of those functions on my part. I entirely sympathise with the request. I also regret that diplomatic reserve forbids me to comply with it.

I arranged to pass the preliminary period of repose, to which I have just referred, in the superb mansion of my late lamented friend, Sir Percival Glyde. HE arrived from the Continent with his wife. I arrived from the Continent with MINE. England is the land of domestic happiness—how appropriately we entered it under these domestic circumstances!

The bond of friendship which united Percival and myself was strengthened, on this occasion, by a touching similarity in the pecuniary position on his side and on mine. We both wanted money. Immense necessity! Universal want! Is there a civilised human being who does not feel for us? How insensible must that man be! Or how rich!

I enter into no sordid particulars, in discussing this part of the subject. My mind recoils from them. With a Roman austerity, I show my empty purse and Percival’s to the shrinking public gaze. Let us allow the deplorable fact to assert itself, once for all, in that manner, and pass on.

We were received at the mansion by the magnificent creature who is inscribed on my heart as “Marian,” who is known in the colder atmosphere of society as “Miss Halcombe.”

Just Heaven! with what inconceivable rapidity I learnt to adore that woman. At sixty, I worshipped her with the volcanic ardour of eighteen. All the gold of my rich nature was poured hopelessly at her feet. My wife—poor angel!—my wife, who adores me, got nothing but the shillings and the pennies. Such is the World, such Man, such Love. What are we (I ask) but puppets in a show- box? Oh, omnipotent Destiny, pull our strings gently! Dance us mercifully off our miserable little stage!

The preceding lines, rightly understood, express an entire system of philosophy. It is mine.

I resume.

The domestic position at the commencement of our residence at Blackwater Park has been drawn with amazing accuracy, with profound mental insight, by the hand of Marian herself. (Pass me the intoxicating familiarity of mentioning this sublime creature by her Christian name.) Accurate knowledge of the contents of her journal—to which I obtained access by clandestine means, unspeakably precious to me in the remembrance—warns my eager pen from topics which this essentially exhaustive woman has already made her own.

The interests—interests, breathless and immense!—with which I am here concerned, begin with the deplorable calamity of Marian’s illness.

The situation at this period was emphatically a serious one. Large sums of money, due at a certain time, were wanted by Percival (I say nothing of the modicum equally necessary to myself), and the one source to look to for supplying them was the fortune of his wife, of which not one farthing was at his disposal until her death. Bad so far, and worse still farther on. My lamented friend had private troubles of his own, into which the delicacy of my disinterested attachment to him forbade me from inquiring too curiously. I knew nothing but that a woman, named Anne Catherick, was hidden in the neighbourhood, that she was in communication with Lady Glyde, and that the disclosure of a secret, which would be the certain ruin of Percival, might be the result. He had told me himself that he was a lost man, unless his wife was silenced, and unless Anne Catherick