Bones in London - Edgar Wallace (top books to read .txt) 📗

and, incredible as it may sound, the first half-dozen scenes that Bones has taken have passed muster."

"Who turns the handle of the camera?" asked the girl.

"Bones," said Hamilton, trying not to laugh. "He practised the revolutions on a knife-cleaning machine!"

The fourth day it rained, but the fifth day Bones took his company in a hired motor into the country, and, blissfully ignoring such admonitions as "Trespassers will be shot," he led the way over a wall to the sacred soil of an Englishman's stately home. Bones wanted the wood, because one of his scenes was laid on the edge of a wood. It was the scene where the bad girl, despairing of convincing anybody as to her inherent goodness, was taking a final farewell of the world before "leaving a life which had held nothing but sadness and misunderstanding," to quote the title which was to introduce this touching episode.

Bones found the right location, fitted up his camera, placed the yellow-faced girl--the cinema artiste has a somewhat bilious appearance when facing the lens--and began his instructions.

"Now, you walk on here, dear old Miss What's-Your-Name. You come from that tree with halting footsteps--like this, dear old thing. Watch and learn."

Bones staggered across the greensward, clasping his brow, sank on his knees, folded his arms across his chest, and looked sorrowfully at the heavens, shaking his head.

Hamilton screamed with laughter.

"Behave yourself, naughty old sceptic," said Bones severely.

After half an hour's preliminary rehearsal, the picture was taken, and Bones now prepared to depart; but Mr. Lew Becksteine, from whose hands Bones had taken, not only the direction of the play, but the very excuse for existence, let fall a few uncomfortable words.

"Excuse me, Mr. Tibbetts," he said, in the sad, bored voice of an artiste who is forced to witness the inferior work of another, "it is in this scene that the two lawyers must be taken, walking through the wood, quite unconscious of the unhappy fate which has overtaken the heiress for whom they are searching."

"True," said Bones, and scratched his nose.

He looked round for likely lawyers. Hamilton stole gently away.

"Now, why the dickens didn't you remind me, you careless old producer, to bring two lawyers with me?" asked Bones. "Dash it all, there's nothing here that looks like a lawyer. Couldn't it be taken somewhere else?"

Mr. Becksteine had reached the stage where he was not prepared to make things easy for his employer.

"Utterly impossible," he said; "you must have exactly the same scenery. The camera cannot lie."

Bones surveyed his little company, but without receiving any encouragement.

"Perhaps I might find a couple of fellows on the road," he suggested.

"It is hardly likely," said Mr. Lew Becksteine, "that you will discover in this remote country village two gentlemen arrayed in faultlessly fitting morning-coats and top-hats!"

"I don't know so much about that," said the optimistic Bones, and took a short cut through the wood, knowing that the grounds made an abrupt turn where they skirted the main road.

He was half-way through the copse when he stopped. Now, Bones was a great believer in miracles, but they had to be very spectacular miracles. The fact that standing in the middle of the woodland path were two middle-aged gentlemen in top-hats and morning-coats, seemed to Bones to be a mere slice of luck. It was, in fact, a miracle of the first class. He crept silently back, raced down the steps to where the little party stood.

"Camera!" he hissed. "Bring it along, dear old thing. Don't make a noise! Ham, old boy, will you help? You other persons, stay where you are."

Hamilton shouldered the camera, and on the way up the slope Bones revealed his fell intention.

"There is no need to tell these silly old jossers what we're doing," he said. "You see what I mean, Ham, old boy? We'll just take a picture of them as they come along. Nobody will be any the wiser, and all we'll have to do will be to put a little note in." All the time he was fixing the camera on the tripod, focussing the lens on a tree by the path. (It was amazing how quickly Bones mastered the technique of any new hobby he took up.)

From where Hamilton crouched in the bushes he could see the two men plainly. His heart quaked, realising that one at least was possibly the owner of the property on which he was trespassing; and he had all an Englishman's horror of trespass. They were talking together, these respectable gentlemen, when Bones began to turn the handle. They had to pass through a patch of sunlight, and it was upon this that Bones concentrated. Once one of them looked around as the sound of clicking came to him, but at that moment Bones decided he had taken enough and stopped.

"This," said he, as they gained the by-road where they had made their unauthorised entry into the park, "is a good day's work."

Their car was on the main road, and to Hamilton's surprise he found the two staid gentlemen regarding it when the party came up. They were regarding it from a high bank behind the wall--a bank which commanded a view of the road. One of them observed the camera and said something in a low tone to the other; then the speaker walked down the bank, opened a little wicker door in the wall, and came out.

He was a most polite man, and tactful.

"Have you been taking pictures?" he asked.

"Dear old fellow," said Bones. "I will not deceive you--we have."

There was a silence.

"In the--park, by any chance?" asked the gentleman carelessly.

Bones flinched. He felt rather guilty, if the truth be told.

"The fact is----" he began.

The elderly man listened to the story of "The Bad Girl's Legacy," its genesis, its remarkable literary qualities, and its photographic value. He seemed to know a great deal about cinematographs, and asked several questions.

"So you have an expert who sees the pieces as they are produced?" he asked. "Who is that?"

"Mr. Tim Lewis," said Bones. "He's one of the----"

"Lewis?" said the other quickly. "Is that Lewis the stockbroker? And does he see every piece you take?"

Bones was getting weary of answering questions.

"Respected sir and park proprietor," he said, "if we have trespassed, I apologise. If we did any harm innocently, and without knowing that we transgressed the jolly old conventions--if we, as I say, took a picture of you and your fellow park proprietor without a thank-you-very-much, I am sorry."

"You took me and my friend?" asked the elderly man quickly.

"I am telling you, respected sir and cross-examiner, that I took you being in a deuce of a hole for a lawyer."

"I see," said the elderly man. "Will you do me a favour? Will you let me see your copy of that picture before you show it to Mr. Lewis? As the respected park proprietor"--he smiled--"you owe me that."

"Certainly, my dear old friend and fellow-sufferer," said Bones. "Bless my life and heart and soul, certainly!"

He gave the address of the little Wardour Street studio where the film would be developed and printed, and fixed the morrow for an exhibition.

"I should very much like to see it to-night, if it is no trouble to you."

"We will certainly do our best, sir," Hamilton felt it was necessary to interfere at this point.

"Of course, any extra expense you are put to as the result of facilitating the printing, or whatever you do to these films," said the elderly man, "I shall be glad to pay."

He was waiting for Bones and Hamilton at nine o'clock that night in the dingy little private theatre which Bones, with great difficulty, had secured for his use. The printing of the picture had been accelerated, and though the print was slightly speckled, it was a good one.

The elderly man sat in a chair and watched it reeled off, and when the lights in the little theatre went up, he turned to Bones with a smile.

"I'm interested in cinema companies," he said, "and I rather fancy that I should like to include your property in an amalgamation I am making. I could assist you to fix a price," he said to the astonished Bones, "if you would tell me frankly, as I think you will, just what this business has cost you from first to last."

"My dear old amalgamator," said Bones reproachfully, "is that business? I ask you."

"It may be good business," said the other.

Bones looked at Hamilton. They and the elderly man, who had driven up to the door of the Wardour Street studio in a magnificent car, were the only three people, besides the operator, who were present.

Hamilton nodded.

"Well," said Bones, "business, dear old thing, is my weakness. Buying and selling is my passion and Lobby. From first to last, after paying jolly old Brickdust, this thing is going to cost me more than three thousand pounds--say, three thousand five hundred."

The elderly man nodded.

"Let's make a quick deal," he said. "I'll give you six thousand pounds for the whole concern, with the pictures as you have taken them--negatives, positives, cameras, etc. Is it a bargain?"

Bones held out his hand.

They dined together, a jubilant Bones and a more jubilant Hamilton, at a little restaurant in Soho.

"My dear old Ham," said Bones, "it only shows you how things happen. This would have been a grand week for me if those beastly oil shares of mine had gone up. I'm holding 'em for a rise." He opened a newspaper he had bought in the restaurant. "I see that Jorris and Walters--they're the two oil men--deny that they've ever met or that they're going to amalgamate. But can you believe these people?" he asked. "My dear old thing, the mendacity of these wretched financiers----"

"Have you ever seen them?" asked Hamilton, to whom the names of Jorris and Walters were as well known as to any other man who read his daily newspaper.

"Seen them?" said Bones. "My dear old fellow, I've met them time and time again. Two of the jolliest old birds in the world. Well, here's luck!"

At that particular moment Mr. Walters and Mr. Jorris were sitting together in the library of a house in Berkeley Square, the blinds being lowered and the curtains being drawn, and Mr. Walters was saying:

"We'll have to make this thing public on Wednesday. My dear fellow, I nearly fainted when I heard that that impossible young person had photographed us together. When do you go back to Paris?"

"I think I had better stay here," said Mr. Jorris. "Did the young man bleed you?"

"Only for six thousand," said the pleasant Mr. Walters. "I hope the young beggar's a bear in oil," he added viciously.

But Bones, as we know, was a bull.


CHAPTER VI

A DEAL IN JUTE

It is a reasonable theory that every man of genius is two men, one visible, one unseen and often unsuspected by