The Impossibles by Randall Garrett and Laurence M. Janifer (books for 20 year olds TXT) 📗

less heavily built. That was one good thing. As a matter of fact, Malone told himself, he was really a pretty good-looking guy.

So why did women keep him waiting?

He heard her voice before he saw her. But she wasn't talking to him.

"Hello, Milty," she said. "How's everything?"

Malone turned around to get a look at Milty. He turned out to be the maître d'. What did he have that Malone didn't have? the agent asked himself sourly. Obviously Dorothy was captivated by his charm. Well, that showed him what city girls were like. Butterflies. Social butterflies. Flitting hither and yon with the wind, now attracted to this man, now to that. Once, Malone told himself sadly, he had known this beautiful woman. Now she belonged to someone else.

He felt a little bit sad about it, but he told himself to buck up and learn to live with his tragedy. He drank some more of his bourbon and soda, and then she noticed him.

He heard her say, "Oh. Excuse me, Milty. There's my man." She came over and sat down next to him.

He wanted to ignore her, just to teach her a lesson. But he had already turned around and smiled at her, and she smiled back.

"Hi," she said. "Did you get the tickets?"

Tickets.

Malone knew there was something he'd forgotten, and now he knew what it was. "Oh," he said. "Sure. Just a second. I've got to check up."

"Check up?"

"Friend of mine," Malone improvised hurriedly. "Bringing them." He gave Dorothy a big smile and climbed down off the bar stool. He managed to find a phone booth, and dialed FBI headquarters on 69th Street and blessed several saints when he found that the A-in-C was still there.

"Tickets," Malone said.

The Agent-in-Charge blinked at him. "What tickets?" he said.

"The Hot Seat tickets," Malone said. "Did you get 'em?"

"I got 'em," the Agent-in-Charge said sourly. "Had to chase all over town and pull more wires than there are on a grand piano. But they turned up, brother. Two seats. Do you know what a job like that entails?"

"I'm grateful," Malone said. "I'm hysterical with gratitude."

"I'd rather track down a gang of fingerless second-story men than go through that again," the Agent-in-Charge said. He looked as if his stomach trouble had suddenly gotten a great deal worse. Malone thought that the A-in-C was considering calling a doctor, and would probably decide to make it the undertaker instead, and save the price of a call.

"I can't express my gratitude," Malone told him. "Where are they?
Where do I pick them up?"

"Box office," the A-in-C said sourly. "I tell you, everybody in
Washington must be nuts. The things I have to go through—"

"Thanks," Malone said. "Thanks a lot. Thanks a million. If there's ever anything I can do for you, let me know and I'll do it." He hung up and went back to the bar, walking very carefully.

"Well?" Dorothy said. "Where do we go tonight? Joe's hot-dog stand? Or a revival of The Wild Duck in a loft on Bleecker Street?"

There was pride in Malone's manner as he stood there on his feet.
There was just a touch of hauteur as he said, "We'll see Hot Seat."

And he was repaid for all of the Agent-in-Charge's efforts. Dorothy's eyes went wide with appreciation and awe. "My goodness," she said. "A man of his word—and what a tough word, too! Mr. Malone, I congratulate you."

"Nothing," Malone said. "A mere absolute nothing."

"Nothing, the man says," Dorothy muttered. "My goodness. And modest, too. Tell me, how do you do, Mr. Malone?"

"Me?" Malone said. "Very well, so far." He finished his drink. "And you?"

"I work at it," she said cryptically.

"May I have another drink?"

Malone gave her a grin. "Another?" he said. "Have two. Have a dozen."

"And what," she said, "would I do with a dozen drinks? Don't answer. I think I can guess. But let's just take them one at a time, okay?" She signaled to the bartender. "Wally, I'll have a martini. And Mr. Malone will have whatever it is he has, I imagine."

"Bourbon and soda," Malone said, and gave the bartender a grin too, just to make sure he didn't feel left out. The sun was shining (although it was evening outside), and the birds were singing (although, Malone reflected, catching a bird on 42nd Street and Broadway might take a bit of doing), and all was well with the world.

There was only a tiny, nagging, disturbing thought in his mind. It had to do with Mike Fueyo and the Silent Spooks, and a lot of red Cadillacs. But he pushed it resolutely away. It had nothing to do with the evening he was about to spend. Nothing at all.

After all, this was supposed to be a vacation, wasn't it?

"Well, Mr. Malone," Dorothy said, when the drinks had arrived.

"Very well indeed," Malone said, raising his. "And just call me Ken.
Didn't I tell you that once before?"

"You did," she said. "And I asked you to call me Dorothy. Not Dotty.
Try and remember that."

"I will remember it," Malone said, "just as long as ever I live. You don't look the least bit dotty, anyhow. Which is probably more than anybody could say for me." He started to look at himself in the bar mirror again, and decided not to. "By the way," he added, as a sudden thought struck him. "Dotty what?"

"Now," she said. "There you go doing it."

"Doing what?"

"Calling me that name."

"Oh," Malone said. "Make it Dorothy. Dorothy what?" He blinked. "I mean, I know you've got a last name. Dorothy Something. Only it probably isn't Something. What is it?"

"Francis," she said obligingly. "Dorothy Francis. My middle name is Something, in case you ever want to call me by my middle name. Just yell, 'Hey, Something,' and I'll come a-running. Unless I have something else to do. In which case everything will be very simple: I won't come."

"Ah," Malone said doubtfully. "And what do—"

"What do I do?" she said. "A standard question. Number two of a series. I do modeling. Photographic modeling. And that's not all; I also do commercials on 3-D. If I look familiar to you, it's probably because you've seen me on 3-D. Do I look familiar to you?"

"I never watch 3-D," Malone said, crestfallen.

"Fine," Dorothy said unexpectedly. "You have excellent taste."

"Well," Malone said, "it's just that I never seem to get the time—"

"Don't apologize for it," Dorothy said. "I have to appear on it, but I don't have to like it. And now that I've answered your questions, how about answering some of mine."

"Gladly," Malone said. "The inmost secrets of the FBI are yours for the asking."

"Hmm," Dorothy said slowly. "What do you do as an FBI agent, anyhow?
Dig up spies?"

"Oh, no," Malone said. "We've got enough trouble with the live ones. We don't go around digging anybody up. Believe me." He paused, feeling dimly that the conversation was beginning to get out of control. "Have I told you that you are the most beautiful woman I've ever met?" he said at last.

"No," Dorothy said. "Not yet, anyway. But I was expecting it."

"You were?" Malone said, disappointed.

"Certainly," Dorothy said. "You've been drinking. As a matter of fact, you've managed to get quite a head start."

Malone hung his head guiltily. "True," he said in a low voice. "Too true. Much too true."

Dorothy nodded, downed her drink and waved to the bartender. "Wally, bring me a double this time."

"A double?"

"Sure," Dorothy said. "I've got to do some fast catching-up on Mr.
Malone here."

"Call me Ken," Malone muttered.

"Don't be silly," Dorothy told him. "Wally hardly knows you. He'll call you Mr. Malone and like it."

The bartender went away, and Malone sat on his stool and thought busily for a minute. At last he said, "If you really want to catch up with me…"

"Yes?" Dorothy said.

"Better have a triple," Malone muttered.

Dorothy's eyebrows rose slightly.

"Because I intend to have another one," Malone added. "And even then you'll be just a little behind."

"That sounds sort of sad, in a way," Dorothy said. "Just a little behind. Tell me, is that a compliment or an insult?"

"Both," Malone said instantly. "And an observation, too."

Dorothy nodded. "I can see why you're a Federal cop," she said.

"Really?" Malone said. "I didn't know it showed. Why?"

"You're good at observing," she said. "Like this morning, for instance."

"Ah," Malone said. He searched in his mind for a quotation and found it. "If thine eye offend thee, pluck it out and cast it from thee," he said triumphantly.

"Sounds sort of grisly," Dorothy said.

Malone shrugged. "I can't help it," he said. "That's what it says."

"Well?" Dorothy said. "Did you?"

"Did I what?"

"Pluck your eye out and cast it from you?"

"Didn't have to," Malone said. "Mine eye did not offend me." He blinked and added, "Far from it."

"I guess we'll just have to leave it unplucked," Dorothy said sadly.
"It didn't offend me, either."

"Good," Malone said, and the bartender brought drinks.

Malone picked his up and held it in the air. "I propose a toast," he said.

Dorothy picked up her glass. "A toast?"

"An old German toast, as a matter of fact," Malone said.

He fell silent. After a few seconds Dorothy said, "Well? Go ahead."

"Zwieback!" Malone said, bowed carefully to Dorothy and drained his glass with a flourish.

7

It started a million years ago.

In that distant past, a handful of photons deep in the interior of Sol began their random journey to the photosphere. They had been born as ultrahard gamma radiation, and they were positively bursting with energy, attempting to push their respective ways through the dense nucleonic gas that had been their womb. Within millimicroseconds, they had been swallowed up by the various particles surrounding them—swallowed, and emitted again, as the particles met in violent collision.

And then the process was repeated. After a thousand thousand years, and billions on billions of such repetitions, the handful of photons reached the relatively cool photosphere of the sun. But the long battle had taken some of the drive out of them; over the past million years, even the strongest had become only hard ultraviolet, and the weakest just sputtered out in the form of long radio waves.

But now, at last, they were free! And in the first flush of this newfound freedom, they flung themselves over ninety-three million miles of space, traveling at one hundred and eighty-six thousand miles a second, and making the entire trip in less than eight and one-half minutes.

They struck the earth's ionosphere, and their numbers diminished. The hard ultraviolet was gobbled up by ozone; much of the blue was scattered through the atmosphere. The remainder bore steadily onward.

Down through the air they came, only slightly weakened this time. They hit the glass of a window in the Hotel New Yorker, losing more of their members in the plunge.

And, a few feet from the glass, they ended their million-year epic by illuminating a face.

The face responded to them with something less than pleasure. It was clear that the face did not like being illuminated. The light was very bright, much too bright. It seemed to be searing its way through the face's closed eyelids, right past the optic nerves into the brain-pan itself. The face twisted in a sudden spasm, as if its brain were shriveling with heat. Its owner thoughtfully turned over, and the face sought the seclusion and comparative darkness of a pillow.

Unfortunately, the motion brought the face's owner to complete wakefulness. He did not want to be awake, but he had very little choice in the matter. Even though his face was no longer being illuminated, he could feel other rays of sunlight eating at the back of his head. He put the pillow over his head and felt more comfortable for a space, but this slight relief passed, too.

He thought about mausoleums. Mausoleums were nice, cool, dark places where there was never any sun or heat, and never any reason to wake up. Maybe, he told himself cunningly, if he went to sleep