The Village Rector - Honoré de Balzac (free e books to read .TXT) 📗
- Author: Honoré de Balzac
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ten per cent to be paid to his family. In spite of all these inducements and his own eloquence, the lawyer could obtain nothing whatever from his client. The des Vanneaulx were furious; they anathematized the unhappy man.
"He is not only a murderer, but he has no sense of decency," cried Madame des Vanneaulx (ignorant of Fualdes' famous complaint), when she received word of the failure of the Abbe Pascal's efforts, and was told there was no hope of a reversal of the sentence by the court of appeals.
"What good will our money do him in the place he is going to?" said her husband. "Murder can be conceived of, but useless theft is inconceivable. What days we live in, to be sure! To think that people in good society actually take an interest in such a wretch!"
"He has no honor," said Madame des Vanneaulx.
"But perhaps the restitution would compromise the woman he loves," said an old maid.
"We would keep his secret," returned Monsieur des Vanneaulx.
"Then you would be compounding a felony," remarked a lawyer.
"Oh, the villain!" was Monsieur des Vanneaulx's usual conclusion.
One of Madame Graslin's female friends related to her with much amusement these discussions of the des Vanneaulx. This lady, who was very intelligent, and one of those persons who form ideals and desire that all things should attain perfection, regretted the violence and savage temper of the condemned; she would rather he had been cold and calm and dignified, she said.
"Do you not see," replied Veronique, "that he is thus avoiding their temptations and foiling their efforts? He is making himself a wild beast for a purpose."
"At any rate," said the lady, "he is not a well-bred man; he is only a workman."
"If he had been a well-bred man," said Madame Graslin, "he would soon have sacrificed that unknown woman."
These events, discussed and turned and twisted in every salon, every household, commented on in a score of ways, stripped bare by the cleverest tongues in the community, gave, of course, a cruel interest to the execution of the criminal, whose appeal was rejected after two months' delay by the upper court. What would probably be his demeanor in his last moments? Would he speak out? Would he contradict himself? How would the bets be decided? Who would go to see him executed, and who would not go, and how could it be done? The position of the localities, which in Limoges spares a criminal the anguish of a long distance to the scaffold, lessens the number of spectators. The law courts which adjoin the prison stand at the corner of the rue du Palais and the rue du Pont-Herisson. The rue du Palais is continued in a straight line by the short rue de Monte-a-Regret, which leads to the place des Arenes, where the executions take place, and which probably owes its name to that circumstances. There is therefore but little distance to go, few houses to pass, and few windows to look from. No person in good society would be willing to mingle in the crowd which would fill the streets.
But the expected execution was, to the great astonishment of the whole town, put off from day to day for the following reason:--
The repentance and resignation of great criminals on their way to death is one of the triumphs which the Church reserves for itself,--a triumph which seldom misses its effect on the popular mind. Repentance is so strong a proof of the power of religious ideas--taken apart from all Christian interest, though that, of course, is the chief object of the Church--that the clergy are always distressed by a failure on such occasions. In July, 1829, such a failure was aggravated by the spirit of party which envenomed every detail in the life of the body politic. The liberal party rejoiced in the expectation that the priest-party (a term invented by Montlosier, a royalist who went over to the constitutionals, and was dragged by them far beyond his wishes),--that the priests would fail on so public an occasion before the eyes of the people. Parties _en masse_ commit infamous actions which would cover a single man with shame and opprobrium; therefore when one man alone stands in his guilt before the eyes of the masses, he becomes a Robespierre, a Jeffries, a Laubardemont, a species of expiatory altar on which all secret guilts hang their _ex-votos_.
The authorities, sympathizing with the Church, delayed the execution, partly in the hope of gaining some conclusive information for themselves, and partly to allow religion an opportunity to prevail.
Nevertheless, their power was not unlimited, and the sentence must sooner or later be carried out. The same liberals who, out of mere opposition, had declared Tascheron innocent, and who had done their best to break down the verdict, now clamored because the sentence was not executed. When the opposition is consistent it invariably falls into such unreasonableness, because its object is not to have right on its own side, but to harass the authorities and put them in the wrong.
Accordingly, about the beginning of August, the government officials felt their hand forced by that clamor, so often stupid, called "public opinion." The day for the execution was named. In this extremity the Abbe Dutheil took upon himself to propose to the bishop a last resource, the adoption of which caused the introduction into this judicial drama of a remarkable personage, who serves as a bond between all the figures brought upon the scene of it, and who, by ways familiar to Providence, was destined to lead Madame Graslin along a path where her virtues were to shine with greater brilliancy as a noble benefactress and an angelic Christian woman.
The episcopal palace at Limoges stands on a hill which slopes to the banks of the Vienne; and its gardens, supported by strong walls topped with a balustrade, descend to the river by terrace after terrace, according to the natural lay of the land. The rise of this hill is such that the suburb of Saint-Etienne on the opposite bank seems to lie at the foot of the lower terrace. From there, according to the direction in which a person walks, the Vienne can be seen either in a long stretch or directly across it, in the midst of a fertile panorama. On the west, after the river leaves the embankment of the episcopal gardens, it turns toward the town in a graceful curve which winds around the suburb of Saint-Martial. At a short distance beyond that suburb is a pretty country house called Le Cluseau, the walls of which can be seen from the lower terrace of the bishop's palace, appearing, by an effect of distance, to blend with the steeples of the suburb. Opposite to Le Cluseau is the sloping island, covered with poplar and other trees, which Veronique in her girlish youth had named the Ile de France. To the east the distance is closed by an ampitheatre of hills.
The magic charm of the site and the rich simplicity of the building make this episcopal palace one of the most interesting objects in a town where the other edifices do not shine, either through choice of material or architecture.
Long familiarized with the aspects which commend these gardens to all lovers of the picturesque, the Abbe Dutheil, who had induced the Abbe de Grancour to accompany him, descended from terrace to terrace, paying no attention to the ruddy colors, the orange tones, the violet tints, which the setting sun was casting on the old walls and balustrades of the gardens, on the river beneath them, and, in the distance, on the houses of the town. He was in search of the bishop, who was sitting on the lower terrace under a grape-vine arbor, where he often came to take his dessert and enjoy the charm of a tranquil evening. The poplars on the island seemed at this moment to divide the waters with the lengthening shadow of their yellowing heads, to which the sun was lending the appearance of a golden foliage. The setting rays, diversely reflected on masses of different greens, produced a magnificent harmony of melancholy tones. At the farther end of the valley a sheet of sparkling water ruffled by the breeze brought out the brown stretch of roofs in the suburb of Saint-Etienne. The steeples and roofs of Saint-Martial, bathed in light, showed through the tracery of the grape-vine arbor. The soft murmur of the provincial town, half hidden by the bend of the river, the sweetness of the balmy air, all contributed to plunge the prelate into the condition of quietude prescribed by medical writers on digestion; seemingly his eyes were resting mechanically on the right bank of the river, just where the long shadows of the island poplars touched it on the side toward Saint-Etienne, near the field where the twofold murder of old Pingret and his servant had been committed. But when his momentary felicity was interrupted by the arrival of the two grand vicars, and the difficulties they brought to him to solve, it was seen his eyes were filled with impenetrable thoughts. The two priests attributed this abstraction to the fact of being bored, whereas, on the contrary, the prelate was absorbed in seeing in the sands of the Vienne the solution of the enigma then so anxiously sought for by the officers of justice, the des Vanneaulx, and the community at large.
"Monsieur," said the Abbe de Grancour, approaching the bishop, "it is all useless; we shall certainly have the distress of seeing that unhappy Tascheron die an unbeliever. He vociferates the most horrible imprecations against religion; he insults that poor Abbe Pascal; he spits upon the crucifix; and means to die denying all, even hell."
"He will shock the populace on the scaffold," said the Abbe Dutheil. "The great scandal and horror his conduct will excite may hide our defeat and powerlessness. In fact, as I have just been saying to Monsieur de Grancour, this very spectacle may drive other sinners into the arms of the Church."
Troubled by these words, the bishop laid down upon a rustic wooden table the bunch of grapes at which he was picking, and wiped his fingers as he made a sign to the two grand vicars to be seated.
"The Abbe Pascal did not take a wise course," he said.
"He is actually ill in his bed from the effects of his last scene with the man," said the Abbe de Grancour. "If it were not for that we might get him to explain more clearly the difficulties that have defeated all the various efforts monseigneur ordered him to make."
"The condemned man sings obscene songs at the highest pitch of his voice as soon as he sees any one of us, so as to drown out every word we try to say to him," said a young priest who was sitting beside the bishop.
This young man, who was gifted with a charming personality, had his right arm resting on the table, while his white hand dropped negligently on the bunches of grapes, seeking the ripest, with the ease and assurance of an habitual guest or favorite. He was both to the prelate, being the younger brother of Baron Eugene de Rastignac, to whom ties of family and also of affection had long bound the Bishop of Limoges. Aware of the want of fortune which devoted this young man to the Church, the bishop took him as his private secretary to give him time to wait for eventual preferment. The Abbe Gabriel bore a name which would lead him sooner or later to the highest dignities of the Church.
"Did you go to see
"He is not only a murderer, but he has no sense of decency," cried Madame des Vanneaulx (ignorant of Fualdes' famous complaint), when she received word of the failure of the Abbe Pascal's efforts, and was told there was no hope of a reversal of the sentence by the court of appeals.
"What good will our money do him in the place he is going to?" said her husband. "Murder can be conceived of, but useless theft is inconceivable. What days we live in, to be sure! To think that people in good society actually take an interest in such a wretch!"
"He has no honor," said Madame des Vanneaulx.
"But perhaps the restitution would compromise the woman he loves," said an old maid.
"We would keep his secret," returned Monsieur des Vanneaulx.
"Then you would be compounding a felony," remarked a lawyer.
"Oh, the villain!" was Monsieur des Vanneaulx's usual conclusion.
One of Madame Graslin's female friends related to her with much amusement these discussions of the des Vanneaulx. This lady, who was very intelligent, and one of those persons who form ideals and desire that all things should attain perfection, regretted the violence and savage temper of the condemned; she would rather he had been cold and calm and dignified, she said.
"Do you not see," replied Veronique, "that he is thus avoiding their temptations and foiling their efforts? He is making himself a wild beast for a purpose."
"At any rate," said the lady, "he is not a well-bred man; he is only a workman."
"If he had been a well-bred man," said Madame Graslin, "he would soon have sacrificed that unknown woman."
These events, discussed and turned and twisted in every salon, every household, commented on in a score of ways, stripped bare by the cleverest tongues in the community, gave, of course, a cruel interest to the execution of the criminal, whose appeal was rejected after two months' delay by the upper court. What would probably be his demeanor in his last moments? Would he speak out? Would he contradict himself? How would the bets be decided? Who would go to see him executed, and who would not go, and how could it be done? The position of the localities, which in Limoges spares a criminal the anguish of a long distance to the scaffold, lessens the number of spectators. The law courts which adjoin the prison stand at the corner of the rue du Palais and the rue du Pont-Herisson. The rue du Palais is continued in a straight line by the short rue de Monte-a-Regret, which leads to the place des Arenes, where the executions take place, and which probably owes its name to that circumstances. There is therefore but little distance to go, few houses to pass, and few windows to look from. No person in good society would be willing to mingle in the crowd which would fill the streets.
But the expected execution was, to the great astonishment of the whole town, put off from day to day for the following reason:--
The repentance and resignation of great criminals on their way to death is one of the triumphs which the Church reserves for itself,--a triumph which seldom misses its effect on the popular mind. Repentance is so strong a proof of the power of religious ideas--taken apart from all Christian interest, though that, of course, is the chief object of the Church--that the clergy are always distressed by a failure on such occasions. In July, 1829, such a failure was aggravated by the spirit of party which envenomed every detail in the life of the body politic. The liberal party rejoiced in the expectation that the priest-party (a term invented by Montlosier, a royalist who went over to the constitutionals, and was dragged by them far beyond his wishes),--that the priests would fail on so public an occasion before the eyes of the people. Parties _en masse_ commit infamous actions which would cover a single man with shame and opprobrium; therefore when one man alone stands in his guilt before the eyes of the masses, he becomes a Robespierre, a Jeffries, a Laubardemont, a species of expiatory altar on which all secret guilts hang their _ex-votos_.
The authorities, sympathizing with the Church, delayed the execution, partly in the hope of gaining some conclusive information for themselves, and partly to allow religion an opportunity to prevail.
Nevertheless, their power was not unlimited, and the sentence must sooner or later be carried out. The same liberals who, out of mere opposition, had declared Tascheron innocent, and who had done their best to break down the verdict, now clamored because the sentence was not executed. When the opposition is consistent it invariably falls into such unreasonableness, because its object is not to have right on its own side, but to harass the authorities and put them in the wrong.
Accordingly, about the beginning of August, the government officials felt their hand forced by that clamor, so often stupid, called "public opinion." The day for the execution was named. In this extremity the Abbe Dutheil took upon himself to propose to the bishop a last resource, the adoption of which caused the introduction into this judicial drama of a remarkable personage, who serves as a bond between all the figures brought upon the scene of it, and who, by ways familiar to Providence, was destined to lead Madame Graslin along a path where her virtues were to shine with greater brilliancy as a noble benefactress and an angelic Christian woman.
The episcopal palace at Limoges stands on a hill which slopes to the banks of the Vienne; and its gardens, supported by strong walls topped with a balustrade, descend to the river by terrace after terrace, according to the natural lay of the land. The rise of this hill is such that the suburb of Saint-Etienne on the opposite bank seems to lie at the foot of the lower terrace. From there, according to the direction in which a person walks, the Vienne can be seen either in a long stretch or directly across it, in the midst of a fertile panorama. On the west, after the river leaves the embankment of the episcopal gardens, it turns toward the town in a graceful curve which winds around the suburb of Saint-Martial. At a short distance beyond that suburb is a pretty country house called Le Cluseau, the walls of which can be seen from the lower terrace of the bishop's palace, appearing, by an effect of distance, to blend with the steeples of the suburb. Opposite to Le Cluseau is the sloping island, covered with poplar and other trees, which Veronique in her girlish youth had named the Ile de France. To the east the distance is closed by an ampitheatre of hills.
The magic charm of the site and the rich simplicity of the building make this episcopal palace one of the most interesting objects in a town where the other edifices do not shine, either through choice of material or architecture.
Long familiarized with the aspects which commend these gardens to all lovers of the picturesque, the Abbe Dutheil, who had induced the Abbe de Grancour to accompany him, descended from terrace to terrace, paying no attention to the ruddy colors, the orange tones, the violet tints, which the setting sun was casting on the old walls and balustrades of the gardens, on the river beneath them, and, in the distance, on the houses of the town. He was in search of the bishop, who was sitting on the lower terrace under a grape-vine arbor, where he often came to take his dessert and enjoy the charm of a tranquil evening. The poplars on the island seemed at this moment to divide the waters with the lengthening shadow of their yellowing heads, to which the sun was lending the appearance of a golden foliage. The setting rays, diversely reflected on masses of different greens, produced a magnificent harmony of melancholy tones. At the farther end of the valley a sheet of sparkling water ruffled by the breeze brought out the brown stretch of roofs in the suburb of Saint-Etienne. The steeples and roofs of Saint-Martial, bathed in light, showed through the tracery of the grape-vine arbor. The soft murmur of the provincial town, half hidden by the bend of the river, the sweetness of the balmy air, all contributed to plunge the prelate into the condition of quietude prescribed by medical writers on digestion; seemingly his eyes were resting mechanically on the right bank of the river, just where the long shadows of the island poplars touched it on the side toward Saint-Etienne, near the field where the twofold murder of old Pingret and his servant had been committed. But when his momentary felicity was interrupted by the arrival of the two grand vicars, and the difficulties they brought to him to solve, it was seen his eyes were filled with impenetrable thoughts. The two priests attributed this abstraction to the fact of being bored, whereas, on the contrary, the prelate was absorbed in seeing in the sands of the Vienne the solution of the enigma then so anxiously sought for by the officers of justice, the des Vanneaulx, and the community at large.
"Monsieur," said the Abbe de Grancour, approaching the bishop, "it is all useless; we shall certainly have the distress of seeing that unhappy Tascheron die an unbeliever. He vociferates the most horrible imprecations against religion; he insults that poor Abbe Pascal; he spits upon the crucifix; and means to die denying all, even hell."
"He will shock the populace on the scaffold," said the Abbe Dutheil. "The great scandal and horror his conduct will excite may hide our defeat and powerlessness. In fact, as I have just been saying to Monsieur de Grancour, this very spectacle may drive other sinners into the arms of the Church."
Troubled by these words, the bishop laid down upon a rustic wooden table the bunch of grapes at which he was picking, and wiped his fingers as he made a sign to the two grand vicars to be seated.
"The Abbe Pascal did not take a wise course," he said.
"He is actually ill in his bed from the effects of his last scene with the man," said the Abbe de Grancour. "If it were not for that we might get him to explain more clearly the difficulties that have defeated all the various efforts monseigneur ordered him to make."
"The condemned man sings obscene songs at the highest pitch of his voice as soon as he sees any one of us, so as to drown out every word we try to say to him," said a young priest who was sitting beside the bishop.
This young man, who was gifted with a charming personality, had his right arm resting on the table, while his white hand dropped negligently on the bunches of grapes, seeking the ripest, with the ease and assurance of an habitual guest or favorite. He was both to the prelate, being the younger brother of Baron Eugene de Rastignac, to whom ties of family and also of affection had long bound the Bishop of Limoges. Aware of the want of fortune which devoted this young man to the Church, the bishop took him as his private secretary to give him time to wait for eventual preferment. The Abbe Gabriel bore a name which would lead him sooner or later to the highest dignities of the Church.
"Did you go to see
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