A Woman Named Smith - Marie Conway Oemler (the best novels to read TXT) 📗

with an eagle glance take a comprehensive survey; then, defensively, offensively, he examined things in detail. From our rambling attics to our vast and cavernous cellars did he go; and not a word crossed his lips until he had completed this conandoyley examination. Then:

"Telegraph form if you have one, please," he requested briefly. "I wish to wire for my car. Put Johnson in the room next mine. Johnson's my secretary." He looked at Alicia, reflectively. "Amiable ass, Johnson," he volunteered. Then he went over to the tiled fireplace—we were in the library—and bent worshipfully before it.

"The finest bit of tile-work on this continent," he said, in a hushed voice. "Absolutely perfect. And it belongs to a woman named Smith!"

"We know just how you feel about it," Alicia told him sympathetically, while The Author turned red to his ears. "I have often felt like that myself, when something I particularly wanted was bought by somebody I was sure couldn't properly appreciate it. I dare say I was mistaken," admitted Alicia, "just as mistaken as you are now in thinking that Sophy and I aren't worthy of those tiles. We are—all the more so because we never before had anything like them."

The spoiled darling of success looked at us intently; and a most curious change came over his clever, bad-tempered face. His eyes are as bright as ice, and have somewhat the same cold light in them. Now a thaw set in and melted them, and a mottled red spread over his sallow cheeks.

"Miss Gaines," he said, abruptly, "your doll-baby face does your intelligence an injustice—Miss Smith, I apologize." And before the astonished and indignant Alicia could summon a withering retort, he added heartily: "This whole place is quite the real thing, you know—almost too good to be true and too true to be good. Would you mind telling me how you happened to think of letting me in on it, eh?"

"Because we knew it was the real thing," Alicia replied, truthfully.

"Do you know,"—The Author was plainly pleased—"that that is one of the very nicest things that's ever been said to me? Because I really do know above a bit about genuine stuff."

"It must be a great relief to you to hear something pleasant about yourself that is also something true," I said with sympathy. The Author grinned like a hyena, and Alicia giggled. "Because you must be bored to extinction, having to listen to all sorts of people ascribe to you all sorts of virtues that no one man could possibly possess and remain human." I was remembering some of the fulsome flubdub I'd read about him.

"Hark to her!" grinned The Author. "What! you don't believe all the nice things you've read about me?"

"I do not."

"You don't in the least look or write like a dehumanized saint, you know," supplemented Alicia, laughing.

"What do I look like, then?" He sat on the edge of a table and cuddled a bony knee. Behind his glasses his eyes began to twinkle.

"You look more like yourself than you do like your photographs," decided Alicia.

The Author threw up his hands.

"And now, tell me this, please: How, when, where, and from whom, did you acquire the supreme art of aiding and abetting an old house to grow young again without losing its character?"

"We were born," Alicia explained, "with the inherent desire to do just what we have been able to do here. This house gave us our big chance. But it wouldn't have been so—so in keeping with itself," she was feeling for the right words, "if it hadn't been for Mr. Nicholas Jelnik."

The Author pricked up his intellectual ears. His eyes narrowed.

"Jelnik? I knew a Jelnik, an Austrian alienist; met him at dinner at the American Ambassador's in Vienna; quiet, unassuming, pleasant man, and one of the greatest doctors in Europe."

"Mr. Jelnik is Doctor Jelnik's son."

"What!" shrieked The Author. And with unfeigned amazement: "In the name of high heaven, what is Jelnik's son doing here?"

"Mr. Jelnik's mother was a Miss Hynds. She met and married your doctor abroad."

That sixth sense possessed by him to an unusual degree, warned him that he was on the trail of Copy.

"May I ask questions?" he demanded.

"Of course."

"You inherited this property from an old aunt, I believe?"

"She wasn't my aunt, really. She married my mother's uncle, Johnny Scarlett."

"I see. And Jelnik's mother was a Miss Hynds. How long has he been here?"

"For some time before we came."

"Near neighbor of yours?"

"Yes," Alicia put in; "and Doctor Richard Geddes is our neighbor on the other side. His grandmother was a Miss Hynds."

"Pardon a writer-man's curiosity," begged The Author, smiling. "But this house is unusual, very unusual. While I am here I shall look up its history. It should make good copy."

Having a pretty shrewd idea of The Author's powers of finding out what he wanted to find out, we thought it better that he should hear that history, as we knew it. If the mystery had ever been solved, the tragedy of Hynds House would have had but passing interest for The Author. But the undiscovered piqued and puzzled him and aroused his combative egotism.

From the pictured face of Freeman—dark, stern, uncommunicative—he trotted back to the drawing room to look again at the boyish face of little Richard leaning against his pretty mother's knees; at the haughty, handsome face of James Hampden; and at beautiful dark Jessamine, who had a long black curl straying across the shoulder of a blue frock, and a curled red lip, and a breast of snow.

"Freeman was not a crook; his face is hard, stern, bigoted, secretive, but honest. Yet if he didn't do it himself what was he trying to tell when death cut off his wind? If he did it, where did he hide the plunder? Here in this house? His family must have known every nook and cranny as well as he did himself, and he could be sure they'd pull it to pieces in the search that would ensue.

"If Richard were the thief, to whom did he give the loot? If the gems had been put upon the market, some trace of them must have been discovered. Remains: Who got them? Where did they go?"

"That's what the unhappy people in this house asked a century ago, and there was no answer," I remarked, soberly.

"And that poor woman Jessamine went mad trying to solve it!" he said, looking at her with commiseration. And after a pause: "And so the lady who left her husband's grandniece the house of her forebears was Freeman's daughter: and the Austrian doctor's son is Richard's great-great-grandson! I meet Jelnik père in Vienna, and come to Hyndsville, South Carolina, to meet Jelnik fils. H'm! Decidedly, the situation has nice possibilities!"

Whereupon he took note-book and fountain-pen from his coat pocket and in the most composed manner began to jot down the outstanding features of Hynds House history.

"It will give me something to puzzle over while I'm here," he remarked, complacently. It did!

The Author approved of Hynds House. It had all the charm of a new and quaint field of exploration and research, and there was nothing in it to offend his hypercritical judgment. I have a shrewd suspicion that Mary Magdalen's cooking played no mean part in his satisfaction. His prowess as a trencherman aroused the admiration and respect of Fernolia, who waited on table. Fernolia had learned to admire herself in her smart apron and cap, and to serve creditably enough. Only twice did she fall from grace; once was the morning The Author broke his own record for waffles. Fernolia, excited and astonished, placed the last platter before him, raised the cover with a flourish, and remarked with deep meaning:

"Dem's all!"

The second time was when we had what Mary Magdalen calls "mulatto rice," which is a dish built upon a firm foundation of small strips of bacon, onion, stewed tomatoes, and rice, and a later and last addition of deliciously browned country sausages. Fernolia, beaming upon The Author hospitably, broke her parole:

"You ain't called to skimp yo'self none on dat rice," she told him confidentially. "De cook done put yo' name in de pot big. She say she glad we-all got man in de house to 'preciate vittles. Yes-suh, Ma'y Magdalen aim to make you bust yo' buttonholes whilst you hab de chanst."

I am told that The Author always makes a great hit when he tells that on himself, and is considered tremendously clever because he can imitate Fernolia's soft South Carolina drawl.

Mr. Nicholas Jelnik, whom he managed to meet within the week, aroused The Author's professional interest. For once his tried and tested powers of turning other people's minds inside out failed utterly. His innocent-sounding queries, his adroit leads, were smilingly turned aside. The defense, so far as Mr. Jelnik was concerned, was ridiculously simple: he didn't want to talk about himself and he didn't do it.

He was perfectly willing to talk, when the humor seized him, and he did talk, brilliantly, wittily, freely, and impersonally. The egoistic "I" was conspicuous by its absence. And while he talked you could see the agile antennæ of The Author's winged mind feeling after the soul-string that might lead him through the mazes of this unusual character. That he could be deftly diverted filled The Author with chagrin mingled with wonder.

He manœuvered for an invitation to the gray cottage and secured it with suspicious ease; called, and had a glass of most excellent wine in his host's simplest of bachelor living-rooms; made the closer acquaintance of Boris—he didn't care for dogs—and of self-contained, dark-faced Daoud, Mr. Jelnik's East Indian man-servant; and came home dissatisfied and determined. He scented "copy," and a born writer after copy is, next to an Apache after a scalp or a Dyak after his enemy's head, the most ruthless of created beings. He will pick his mother's naked soul to pieces, bore into his wife's living brain, dissect his daughter's quivering heart, tear across his sister's mind, rip up his father's life and his best friend's character, lay bare the tomb itself, and make for himself an ink of tears and blood that he may write what he finds. Of such is the kingdom of Genius.

And in the meantime the wondrous news that The Author himself was staying at Hynds House, percolated through Hyndsville and soaked to the bone. The Author was too big a figure to be ignored, even by South Carolina people. Something had to be done. But how shall one become acquainted with a notoriously unfriendly and gun-shy celebrity, a personage of such note that every utterance means newspaper space; and at the same time manage utterly to ignore and cast into outer darkness the people with whom the great one is staying?

The town felt itself put upon its mettle. The first move was made by Miss Martha Hopkins. It was understood that if anybody could clear the way, carry a difficult position with skill and aplomb, that somebody was Miss Martha Hopkins.

She didn't bear down directly upon The Author: that would have been crude. She opened her campaign by a flank movement upon Alicia and me, in her capacity of secretary and treasurer of the missionary society.

Miss Hopkins sailed into Hynds House on a perfect afternoon, to discuss with us a proposed rummage-sale which was to benefit the heathen. She wasn't really worrying about the heathen: he had all the rest of his benighted life to get himself saved in, hadn't he? All the while she sat there and talked about him, she was really loaded to the muzzle with pertinent remarks to affluent authors.

She had come with the hope of chancing upon the great man himself; and, failing that, she meant to pump Alicia and me of enough material to, say, enable her to use a part of her stock of pet adjectives in the paper she would prepare for the next meeting of the literary society. She had a pretty stock of adjectives—plump, purple words like lyric, and liquid, and plastic, and