The Old Wives' Tale - Arnold Bennett (red novels .TXT) 📗

as Constance, and if Constance’s hands had taken on the coarse texture which comes from commerce with needles, pins, artificial flowers, and stuffs, Sophia’s fine hands were seldom innocent of ink. But Sophia was splendidly beautiful. And even her mother and Constance had an instinctive idea that that face was, at any rate, a partial excuse for her asperity.

“Well,” said Constance, “if you won’t, I do believe I shall ask mother if she will.”

Sophia, bending over her books, made no answer. But the top of her head said: “This has no interest for me whatever.”

Constance left the room, and in a moment returned with her mother.

“Sophia,” said her mother, with gay excitement, “you might go and sit with your father for a bit while Constance and I just run up to the playground to see the elephant. You can work just as well in there as here. Your father’s asleep.”

“Oh, very, well!” Sophia agreed haughtily. “Whatever is all this fuss about an elephant? Anyhow, it’ll be quieter in your room. The noise here is splitting.” She gave a supercilious glance into the Square as she languidly rose.

It was the morning of the third day of Bursley Wakes; not the modern finicking and respectable, but an orgiastic carnival, gross in all its manifestations of joy. The whole centre of the town was given over to the furious pleasures of the people. Most of the Square was occupied by Wombwell’s Menagerie, in a vast oblong tent, whose raging beasts roared and growled day and night. And spreading away from this supreme attraction, right up through the market-place past the Town Hall to Duck Bank, Duck Square and the waste land called the ‘playground’ were hundreds of booths with banners displaying all the delights of the horrible. You could see the atrocities of the French Revolution, and of the Fiji Islands, and the ravages of unspeakable diseases, and the living flesh of a nearly nude human female guaranteed to turn the scale at twenty-two stone, and the skeletons of the mysterious phantoscope, and the bloody contests of champions naked to the waist (with the chance of picking up a red tooth as a relic). You could try your strength by hitting an image of a fellow-creature in the stomach, and test your aim by knocking off the heads of other images with a wooden ball. You could also shoot with rifles at various targets. All the streets were lined with stalls loaded with food in heaps, chiefly dried fish, the entrails of animals, and gingerbread. All the public-houses were crammed, and frenzied jolly drunkards, men and women, lunged along the pavements everywhere, their shouts vying with the trumpets, horns, and drums of the booths, and the shrieking, rattling toys that the children carried.

It was a glorious spectacle, but not a spectacle for the leading families. Miss Chetwynd’s school was closed, so that the daughters of leading families might remain in seclusion till the worst was over. The Baineses ignored the Wakes in every possible way, choosing that week to have a show of mourning goods in the left-hand window, and refusing to let Maggie outside on any pretext. Therefore the dazzling social success of the elephant, which was quite easily drawing Mrs. Baines into the vortex, cannot imaginably be overestimated.

On the previous night one of the three Wombwell elephants had suddenly knelt on a man in the tent; he had then walked out of the tent and picked up another man at haphazard from the crowd which was staring at the great pictures in front, and tried to put this second man into his mouth. Being stopped by his Indian attendant with a pitchfork, he placed the man on the ground and stuck his tusk through an artery of the victim’s arm. He then, amid unexampled excitement, suffered himself to be led away. He was conducted to the rear of the tent, just in front of Baines’s shuttered windows, and by means of stakes, pulleys, and ropes forced to his knees. His head was whitewashed, and six men of the Rifle Corps were engaged to shoot at him at a distance of five yards, while constables kept the crowd off with truncheons. He died instantly, rolling over with a soft thud. The crowd cheered, and, intoxicated by their importance, the Volunteers fired three more volleys into the carcase, and were then borne off as heroes to different inns. The elephant, by the help of his two companions, was got on to a railway lorry and disappeared into the night. Such was the greatest sensation that has ever occurred, or perhaps will ever occur, in Bursley. The excitement about the repeal of the Corn Laws, or about Inkerman, was feeble compared to that excitement. Mr. Critchlow, who had been called on to put a hasty tourniquet round the arm of the second victim, had popped in afterwards to tell John Baines all about it. Mr. Baines’s interest, however, had been slight. Mr. Critchlow succeeded better with the ladies, who, though they had witnessed the shooting from the drawingroom, were thirsty for the most trifling details.

The next day it was known that the elephant lay near the playground, pending the decision of the Chief Bailiff and the Medical Officer as to his burial. And everybody had to visit the corpse. No social exclusiveness could withstand the seduction of that dead elephant. Pilgrims travelled from all the Five Towns to see him.

“We’re going now,” said Mrs. Baines, after she had assumed her bonnet and shawl.

“All right,” said Sophia, pretending to be absorbed in study, as she sat on the sofa at the foot of her father’s bed.

And Constance, having put her head in at the door, drew her mother after her like a magnet.

Then Sophia heard a remarkable conversation in the passage.

“Are you going up to see the elephant, Mrs. Baines?” asked the voice of Mr. Povey.

“Yes. Why?”

“I think I had better come with you. The crowd is sure to be very rough.” Mr. Povey’s tone was firm; he had a position.

“But the shop?”

“We shall not be long,” said Mr. Povey.

“Oh yes, mother,” Constance added appealingly.

Sophia felt the house thrill as the side-door banged. She sprang up and watched the three cross King Street diagonally, and so plunge into the Wakes. This triple departure was surely the crowning tribute to the dead elephant! It was simply astonishing. It caused Sophia to perceive that she had miscalculated the importance of the elephant. It made her regret her scorn of the elephant as an attraction. She was left behind; and the joy of life was calling her. She could see down into the Vaults on the opposite side of the street, where working men—potters and colliers—in their best clothes, some with high hats, were drinking, gesticulating, and laughing in a row at a long counter.

She noticed, while she was thus at the bedroom window, a young man ascending King Street, followed by a porter trundling a flat barrow of luggage. He passed slowly under the very window. She flushed. She had evidently been startled by the sight of this young man into no ordinary state of commotion. She glanced at the books on the sofa, and then at her father. Mr. Baines, thin and gaunt, and acutely pitiable, still slept. His brain had almost ceased to be active now; he had to be fed and tended like a bearded baby, and he would sleep for hours at a stretch even in the daytime. Sophia left the room. A moment later she ran into the shop, an apparition that amazed the three young lady assistants. At the corner near the window on the fancy side a little nook had been formed by screening off a portion of the counter with large flower-boxes placed end-up. This corner had come to be known as “Miss Baines’s corner.” Sophia hastened to it, squeezing past a young lady assistant in the narrow space between the back of the counter and the shelf-lined wall. She sat down in Constance’s chair and pretended to look for something. She had examined herself in the cheval-glass in the showroom, on her way from the sick-chamber. When she heard a voice near the door of the shop asking first for Mr. Povey and then for Mrs. Baines, she rose, and seizing the object nearest to her, which happened to be a pair of scissors, she hurried towards the showroom stairs as though the scissors had been a grail, passionately sought and to be jealously hidden away. She wanted to stop and turn round, but something prevented her. She was at the end of the counter, under the curving stairs, when one of the assistants said:

“I suppose you don’t know when Mr. Povey or your mother are likely to be back, Miss Sophia? Here’s—”

It was a divine release for Sophia.

“They’re—I—” she stammered, turning round abruptly. Luckily she was still sheltered behind the counter.

The young man whom she had seen in the street came boldly forward.

“Good morning, Miss Sophia,” said he, hat in hand. “It is a long time since I had the pleasure of seeing you.”

Never had she blushed as she blushed then. She scarcely knew what she was doing as she moved slowly towards her sister’s corner again, the young man following her on the customer’s side of the counter.

II

She knew that he was a traveller for the most renowned and gigantic of all Manchester wholesale firms—Birkinshaws. But she did not know his name, which was Gerald Scales. He was a rather short but extremely well-proportioned man of thirty, with fair hair, and a distinguished appearance, as became a representative of Birkinshaws. His broad, tight necktie, with an edge of white collar showing above it, was particularly elegant. He had been on the road for Birkinshaws for several years; but Sophia had only seen him once before in her life, when she was a little girl, three years ago. The relations between the travellers of the great firms and their solid, sure clients in small towns were in those days often cordially intimate. The traveller came with the lustre of a historic reputation around him; there was no need to fawn for orders; and the client’s immense and immaculate respectability made him the equal of no matter what ambassador. It was a case of mutual esteem, and of that confidence-generating phenomenon, “an old account.” The tone in which a commercial traveller of middle age would utter the phrase “an old account” revealed in a flash all that was romantic, prim, and stately in mid-Victorian commerce. In the days of Baines, after one of the elaborately engraved advice-circulars had arrived (‘Our Mr.––will have the pleasure of waiting upon you on—day next, the—inst.’) John might in certain cases be expected to say, on the morning of—day, ‘Missis, what have ye gotten for supper tonight?’

Mr. Gerald Scales had never been asked to supper; he had never even seen John Baines; but, as the youthful successor of an aged traveller who had had the pleasure of St. Luke’s Square, on behalf of Birkinshaws, since before railways, Mrs. Baines had treated him with a faint agreeable touch of maternal familiarity; and, both her daughters being once in the shop during his visit, she had on that occasion commanded the gawky girls to shake hands with him.

Sophia had never forgotten that glimpse. The young man without a name had lived in her mind, brightly glowing, as the very symbol and incarnation of the masculine and the elegant.

The renewed sight of him seemed to have wakened her out of a sleep. Assuredly she was not the same Sophia. As she sat in her sister’s chair in the corner, entrenched behind the perpendicular boxes, playing nervously with the scissors, her beautiful face was transfigured into the ravishingly angelic. It would have been impossible for