The Grim Smile of the Five Towns - Arnold Bennett (books to read in your 30s TXT) 📗

was probably worth at least fifteen hundred in the picture market. For it was a Cressage; and not only was it a Cressage--it was one of the finest Cressages in existence.

It marked the summit of Sir Jehoshaphat's career. Sir Jehoshaphat's career was, perhaps, the most successful and brilliant in the entire social history of the Five Towns. This famous man was the principal partner in Dain Brothers. His brother was dead, but two of Sir Jee's sons were in the firm. Dain Brothers were the largest manufacturers of cheap earthenware in the district, catering chiefly for the American and Colonial buyer. They had an extremely bad reputation for cutting prices. They were hated by every other firm in the Five Towns, and, to hear rival manufacturers talk, one would gather the impression that Sir Jee had acquired a tremendous fortune by systematically selling goods under cost. They were also hated by between eighteen and nineteen hundred employees. But such hatred, however virulent, had not marred the progress of Sir Jee's career.

He had meant to make a name and he had made it. The Five Towns might laugh at his vulgar snobbishness. The Five Towns might sneer at his calculated philanthropy. But he was, nevertheless, the best-known man in the Five Towns, and it was precisely his snobbishness and his philanthropy which had carried him to the top. Moreover, he had been the first public man in the Five Towns to gain a knighthood. The Five Towns could not deny that it was very proud indeed of this knighthood. The means by which he had won this distinction were neither here nor there--he had won it. And was he not the father of his native borough? Had he not been three times mayor of his native borough? Was not the whole northern half of the county dotted and spangled by his benefactions, his institutions, his endowments?

And it could not be denied that he sometimes tickled the Five Towns as the Five Towns likes being tickled. There was, for example, the notorious Sneyd incident. Sneyd Hall, belonging to the Earl of Chell, lies a few miles south of the Five Towns, and from it the pretty Countess of Chell exercises that condescending meddlesomeness which so frequently exasperates the Five Towns. Sir Jee had got his title by the aid of the Countess-'Interfering Iris', as she is locally dubbed. Shortly afterwards he had contrived to quarrel with the Countess; and the quarrel was conducted by Sir Jee as a quarrel between equals, which delighted the district. Sir Jee's final word in it had been to buy a sizable tract of land near Sneyd village, just off the Sneyd estate, and to erect thereon a mansion quite as imposing as Sneyd Hall, and far more up to date, and to call the mansion Sneyd Castle. A mighty stroke! Iris was furious; the Earl speechless with fury. But they could do nothing. Naturally the Five Towns was tickled.

It was apropos of the house-warming of Sneyd Castle, also of the completion of his third mayoralty, and of the inauguration of the Dain Technical Institute, that the movement had been started (primarily by a few toadies) for tendering to Sir Jee a popular gift worthy to express the profound esteem in which he was officially held in the Five Towns. It having been generally felt that the gift should take the form of a portrait, a local dilettante had suggested Cressage, and when the Five Towns had inquired into Cressage and discovered that that genius from the United States was celebrated throughout the civilized world, and regarded as the equal of Velazquez (whoever Velazquez might be), and that he had painted half the aristocracy, and that his income was regal, the suggestion was accepted and Cressage was approached.

Cressage haughtily consented to paint Sir Jee's portrait on his usual conditions; namely, that the sitter should go to the little village in Bedfordshire where Cressage had his principal studio, and that the painting should be exhibited at the Royal Academy before being shown anywhere else. (Cressage was an R.A., but no one thought of putting R.A. after his name. He was so big, that instead of the Royal Academy conferring distinction on him, he conferred distinction on the Royal Academy.)

Sir Jee went to Bedfordshire and was rapidly painted, and he came back gloomy. The presentation committee went to Bedfordshire later to inspect the portrait, and they, too, came back gloomy.

Then the Academy Exhibition opened, and the portrait, showing Sir Jee in his robe and chain and in a chair, was instantly hailed as possibly the most glorious masterpiece of modern times. All the critics were of one accord. The committee and Sir Jee were reassured, but only partially, and Sir Jee rather less so than the committee. For there was something in the enthusiastic criticism which gravely disturbed him. An enlightened generation, thoroughly familiar with the dazzling yearly succession of Cressage's portraits, need not be told what this something was. One critic wrote that Cressage displayed even more than his 'customary astounding insight into character....' Another critic wrote that Cressage's observation was, as usual, 'calmly and coldly hostile'. Another referred to the 'typical provincial mayor, immortalized for the diversion of future ages.'

Inhabitants of the Five Towns went to London to see the work for which they had subscribed, and they saw a mean, little, old man, with thin lips and a straggling grey beard, and shifty eyes, and pushful snob written all over him; ridiculous in his gewgaws of office. When you looked at the picture close to, it was a meaningless mass of coloured smudges, but when you stood fifteen feet away from it the portrait was absolutely lifelike, amazing, miraculous. It was so wondrously lifelike that some of the inhabitants of the Five Towns burst out laughing. Many people felt sorry--not for Sir Jee--but for Lady Dain. Lady Dain was beloved and genuinely respected. She was a simple, homely, sincere woman, her one weakness being that she had never been able to see through Sir Jee.

Of course, at the presentation ceremony the portrait had been ecstatically referred to as a possession precious for ever, and the recipient and his wife pretended to be overflowing with pure joy in the ownership of it.

It had been hanging in the dining-room of Sneyd Castle about sixteen months, when Lady Dain told her husband that it would ultimately drive her into the lunatic asylum.

'Don't be silly, wife,' said Sir Jee. 'I wouldn't part with that portrait for ten times what it cost.'

This was, to speak bluntly, a downright lie. Sir Jee secretly hated the portrait more than anyone hated it. He would have been almost ready to burn down Sneyd Castle in order to get rid of the thing. But it happened that on the previous evening, in the conversation with the magistrates' clerk, his receptive brain had been visited by a less expensive scheme than burning down the castle.

Lady Dain sighed.

'Are you going to town early?' she inquired.

'Yes,' he replied. 'I'm on the rota today.'

He was chairman of the borough Bench of magistrates. As he drove into town he revolved his scheme and thought it wild and dangerous, but still feasible.


II


On the Bench that morning Sir Jee shocked Mr Sherratt, the magistrates' clerk, and he utterly disgusted Mr Bourne, superintendent of the borough police. (I do not intend to name the name of the borough--whether Bursley, Hanbridge, Knype, Longshaw, or Turnhill. The inhabitants of the Five Towns will know without being told; the rest of the world has no right to know.) There had recently occurred a somewhat thrilling series of burglaries in the district, and the burglars (a gang of them was presumed) had escaped the solicitous attentions of the police. But on the previous afternoon an underling of Mr Bourne's had caught a man who was generally believed to be wholly or partly responsible for the burglaries. The Five Towns breathed with relief and congratulated Mr Bourne; and Mr Bourne was well pleased with himself. The Staffordshire Signal headed the item of news, 'Smart Capture of a Supposed Burglar'. The supposed burglar gave his name as William Smith, and otherwise behaved in an extremely suspicious manner.

Now, Sir Jee, sitting as chief magistrate in the police-court, actually dismissed the charge against the man! Overruling his sole colleague on the Bench that morning, Alderman Easton, he dismissed the charge against William Smith, holding that the evidence for the prosecution was insufficient to justify even a remand. No wonder that Mr Bourne was discouraged, not to say angry. No wonder that that pillar of the law, Mr Sherratt, was pained and shocked. At the conclusion of the case Sir Jehoshaphat said that he would be glad to speak with William Smith afterwards in the magistrates' room, indicating that he sympathized with William Smith, and wished to exercise upon William Smith his renowned philanthropy.

And so, at about noon, when the Court majestically rose, Sir Jee retired to the magistrates' room, where the humble Alderman Easton was discreet enough not to follow him, and awaited William Smith. And William Smith came, guided thither by a policeman, to whom, in parting from him, he made a rude, surreptitious gesture.

Sir Jee, seated in the arm-chair which dominates the other chairs round the elm table in the magistrates' room, emitted a preliminary cough.

'Smith,' he said sternly, leaning his elbows on the table, 'you were very fortunate this morning, you know.'

And he gazed at Smith.

Smith stood near the door, cap in hand. He did not resemble a burglar, who surely ought to be big, muscular, and masterful. He resembled an undersized clerk who has been out of work for a long time, but who has nevertheless found the means to eat and drink rather plenteously. He was clothed in a very shabby navy-blue suit, frayed at the wrists and ankles, and greasy in front. His linen collar was brown with dirt, his fingers were dirty, his hair was unkempt and long, and a young and lusty black beard was sprouting on his chin. His boots were not at all pleasant.

'Yes, governor,' Smith replied, lightly, with a Manchester accent. 'And what's YOUR game?'

Sir Jee was taken aback. He, the chairman of the borough Bench, and the leading philanthropist in the country, to be so spoken to! But what could he do? He himself had legally established Smith's innocence. Smith was as free as air, and had a perfect right to adopt any tone he chose to any man he chose. And Sir Jee desired a service from William Smith.

'I was hoping I might be of use to you,' said Sir Jehoshaphat diplomatically.

'Well,' said Smith, 'that's all right, that is. But none of your philanthropic dodges, you know. I don't want to lead a new life, and I don't want to turn over a new leaf, and I don't want a helpin' hand, nor none o' those things. And, what's more, I don't want a situation. I've got all the situation as I need. But I never refuse money, nor beer neither. Never did, and I'm forty years old next month.'

'I suppose burgling doesn't pay very well, does it?' Sir Jee boldly ventured.

William Smith laughed coarsely.

'It pays right enough,' said he. 'But I don't put my money on my back, governor, I put it into a bit of public-house property when I get the chance.'

'It may pay,' said Sir Jee. 'But it is wrong. It is very anti-social.'

'Is it, indeed?' Smith returned dryly. 'Anti-social, is it? Well, I've heard it called plenty o' things in my time, but never that. Now,