The Parisians — Complete by Baron Edward Bulwer Lytton Lytton (good book club books .txt) 📗
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“I see a cafe yonder,” said Lemercier; “let us learn all we can as to the fair unknown, over a sorbet or a petit verre.” Alain silently, but not reluctantly, consented. He felt in the fair stranger an interest new to his existence.
They entered the little cafe, and in a few minutes Lemercier, with the easy savoir vivre of a Parisian, had extracted from the garcon as much as probably any one in the neighbourhood knew of the inhabitants of the villa.
It had been hired and furnished about two months previously in the name of Signora Venosta; but, according to the report of the servants, that lady appeared to be the gouvernante or guardian of a lady much younger, out of whose income the villa was rented and the household maintained.
It was for her the coupe was hired from Paris. The elder lady very rarely stirred out during the day, but always accompanied the younger in any evening visits to the theatre or the houses of friends.
It was only within the last few weeks that such visits had been made.
The younger lady was in delicate health, and under the care of an English physician famous for skill in the treatment of pulmonary complaints. It was by his advice that she took daily walking exercise in the Bois. The establishment consisted of three servants, all Italians, and speaking but imperfect French. The garcon did not know whether either of the ladies was married, but their mode of life was free from all scandal or suspicion; they probably belonged to the literary or musical world, as the garcon had observed as their visitors the eminent author M. Savarin and his wife; and, still more frequently, an old man not less eminent as a musical composer.
“It is clear to me now,” said Lemercier, as the two friends reseated themselves in the carriage, “that our pearly ange is some Italian singer of repute enough in her own country to have gained already a competence; and that, perhaps on account of her own health or her friend’s, she is living quietly here in the expectation of some professional engagement, or the absence of some foreign lover.”
“Lover! do you think that?” exclaimed Alain, in a tone of voice that betrayed pain.
“It is possible enough; and in that case the Englishman may profit little by the information I have promised to give him.”
“You have promised the Englishman?”
“Do you not remember last night that he described the lady, and said that her face haunted him: and I—”
“Ah! I remember now. What do you know of this Englishman? He is rich, I suppose.”
“Yes, I hear he is very rich now; that an uncle lately left him an enormous sum of money. He was attached to the English Embassy many years ago, which accounts for his good French and his knowledge of Parisian life. He comes to Paris very often, and I have known him some time. Indeed he has intrusted to me a difficult and delicate commission. The English tell me that his father was one of the most eminent members of their Parliament, of ancient birth, very highly connected, but ran out his fortune and died poor; that our friend had for some years to maintain himself, I fancy, by his pen; that he is considered very able; and, now that his uncle has enriched him, likely to enter public life and run a career as distinguished as his father’s.”
“Happy man! happy are the English,” said the Marquis, with a sigh; and as the carriage now entered Paris, he pleaded the excuse of an engagement, bade his friend goodby, and went his way musing through the crowded streets.
CHAPTER VIII. LETTER FROM ISAURA CICOGNA TO MADAME DE GRANTMESNIL. VILLA D’——-, A———.
I can never express to you, my beloved Eulalie, the strange charm which a letter from you throws over my poor little lonely world for days after it is received. There is always in it something that comforts, something that sustains, but also a something that troubles and disquiets me. I suppose Goethe is right, “that it is the property of true genius to disturb all settled ideas,” in order, no doubt, to lift them into a higher level when they settle down again.
Your sketch of the new work you are meditating amid the orange groves of Provence interests me intensely; yet, do you forgive me when I add that the interest is not without terror? I do not find myself able to comprehend how, amid those lovely scenes of Nature, your mind voluntarily surrounds itself with images of pain and discord. I stand in awe of the calm with which you subject to your analysis the infirmities of reason and the tumults of passion. And all those laws of the social state which seem to me so fixed and immovable you treat with so quiet a scorn, as if they were but the gossamer threads which a touch of your slight woman’s hand could brush away. But I cannot venture to discuss such subjects with you. It is only the skilled enchanter who can stand safely in the magic circle, and compel the spirits that he summons, even if they are evil, to minister to ends in which he foresees a good.
We continue to live here very quietly, and I do not as yet feel the worse for the colder climate. Indeed, my wonderful doctor, who was recommended to me as American, but is in reality English, assures me that a single winter spent here under his care will suffice for my complete re-establishment. Yet that career, to the training for which so many years have been devoted, does not seem to me so alluring as it once did.
I have much to say on this subject, which I defer till I can better collect my own thoughts on it; at present they are confused and struggling. The great Maestro has been most gracious.
In what a radiant atmosphere his genius lives and breathes! Even in his cynical moods, his very cynicism has in it the ring of a jocund music,—the laugh of Figaro, not of Mephistopheles.
We went to dine with him last week. He invited to meet us Madame S——-, who has this year conquered all opposition, and reigns alone, the great S——-; Mr. T————, a pianist of admirable promise; your friend M. Savarin, wit, critic, and poet, with his pleasant, sensible wife; and a few others, who, the Maestro confided to me in a whisper, were authorities in the press. After dinner S——- sang to us, magnificently, of course. Then she herself graciously turned to me, said how much she had heard from the Maestro in my praise, and so and so. I was persuaded to sing after her. I need not say to what disadvantage. But I forgot my nervousness; I forgot my audience; I forgot myself, as I always do when once my soul, as it were, finds wing in music, and buoys itself in
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